LFWM: SS18 CHARLES JEFFREY LOVERBOY REVIEW
“The past is a country anyone can visit!” Charles Jeffrey exclaimed over the clamouring applause for his SS18 collection. This was this season’s motto; a message of inclusivity, coming at a time when it is much needed.
The clothes didn’t seem to belong to any time in particular, unless the ‘past’ Jeffrey was referencing was his own. There is a childhood playfulness which runs through his…
LFWM: SS18 MICHIKO KOSHINO REVIEW
Highly regarded for her influence in the ‘80’s London club scene, designer Michiko Koshino doesn’t strike out updating 1940s American baseball this season. Merely glancing at the collection one can see the complementary relationship between Japanese influence and the archetypal intricacies of the American sport. Traditional baseball attributes lead the way for the designs: thin vertical stripes,…
LFWM: SS18 BODYBOUND REVIEW
An exploration between the vulnerability of sheer fabrics juxtaposed with the machismo of barbed wire was just one of the combinations at Bodybound’s SS18 show that subtly exposed the political turmoil of the ‘70s. “WE SHALL NOT WILT” is appliquéd across over-dyed denim jackets, a quote by Abbie Hoffman who in 1968 formed a political part in the US protesting against the Vietnam War. Nirvana’s…
LFWM: SS18 VIVIENNE WESTWOOD REVIEW
The political climate, which as of late has been turbulent world-over to say the least, expectedly reigns through at Vivienne Westwood’s SS18 show. Circus-like folk music bounced through the basketball court at Seymour Leisure Centre, London, as messages about environmentalism and strategies to save the world danced across the model’s bodies. Westwood implies money makes the world go down as…
LFWM: SS18 D.GNAK REVIEW
SS18 was the debut collection for South Korean menswear brand D.GNAK. With the designers trademark being the fusion of traditional Korean menswear and western tailoring, this season showed the introduction of new colour and detail. The inspiration came from the concept of ‘inevitable interaction’, with the clothes made suitable for our hyper connected society. Classic Korean silhouettes,…
LFWM: SS18 KATIE EARY REVIEW
The Katie Eary SS18 collection was an eclectic collaboration with brands BOY London and Spliffy, all pioneers in the history of British street fashion. This season took us back to the cloth obsessed youths who valued utilitarianism, accessibility and design. Models strutted to vibrating beats wearing pieces that were lux yet had a rough edge and showcased both sexuality and humor. Washed denim…
LFWM: SS18 BELSTAFF REVIEW
Strongly influenced by the 70’s, 80’s and the adventurous riders of the Paris Dakar Rally, Belstaff’s SS18 collection was a mirage of luxurious fabrics, bold prints and functional designs. Inspired by the romantic landscape of North Africa, the colour palette resembled sun bleached pastels, bold coppers and burnt oranges. These tones were complimented by 70’s sage greens and 80’s contrasting…
LFWM: SS18 CHRISTOPHER RAEBURN REVIEW
Obsessed with finding the uses of new fabrics and materials, the sustainable conscious Christopher Raeburn catwalk showcased a collection of functionally minded clothes. The show was inspired by Slavomir Rawicz’s “The Long Walk’ – an epic 4000 mile story of adventure and survival across the Gobi desert and the rocky extremes of the Himalayas. Therefore it was only natural to use of techy fabrics,…