Last night saw the launch of British fashion muse and musician Daphne Guinness ’ second album as Daphne and The Golden Chords, It’s a Riot, at the BFI IMAX. As what can only be described as an extravagant homage, the heiress to Guinness – yes, the Irish stout – was the main focus of the night from the start to finish, complete with glass sculptures of the singer at the entrance and projections of her mirage covering the walls as drinks were served. As an air of nepotism swept the room, the event was bustling with friends and confidants of Daphne. From old rockers in leather jackets to big names in the fashion industry, the crowd was an eclectic mix of all ages, some of which wouldn’t have looked out of place 50 years ago.

Once ushered into the cinema for the screening with bags of popcorn, glasses of prosecco and merchandise, FAULT was treated to a sensory eye bath. With the help of Tony Visconti, the American record producer who helped the likes of Bowie and T. Rex, Daphne’s music – set to visuals created by artist Nick Knight – made an instant impact, leaving the audience mesmerised.

Over a collection of arty clips and kaleidoscopic visuals of the singer herself, the music poured out poppy, Lauper-esque hooks with ethereal lyrics taking influence from Marc Bolan and Bowie – Visconti definitely left his mark on the album. The self-proclaimed autobiographical record visits her recent near-death experience and her life as it has progressed in last few years. Using her classical training, penchant for poetry and love of Wagner (thanks to hours chatting with Bowie in the studio), Daphne has created her own unique style of glam rock – think a lot of spoken word and catchy repetition.

The unashamedly self-assured Daphne was soon interviewed on stage by music journalist Will Hodgkinson, who’s written for the likes of The Guardian and Vogue. However, as the Q&A progressed, her coquettish facade transformed into a timid, more vulnerable persona, speaking about her fears and anxieties both in her personal life and musical career, before mentioning her new relationship with her bandmates who are, of course, also big names in the music industry, including keyboard player Terry Miles.

The singer’s 80s-inspired sound and alias is a perfect partnership and, in Daphne’s own words, completes her world. Tour? She doesn’t know. But, if she does, make sure you bring your glitter platforms and leave the Guinness Toucan Tees at home.

Words: Flora Neighbour