NYFW SEPTEMBER ’15: DAY (1) SS15
This season, FAULT Magazine is out en-force at New York Fashion Week (September ’14) to line up the new season Collections for review. Stay updated with the FAULT team via Twitter, Facebook, Instagram and FAULT Online to see the latest and up to date Fashion Trends for Spring ’15, live, as they happen
Nicholas K
Explorers, nomads and warrior women trekked the desert landscape of Nicholas K’s Spring/Summer ’15 collection. Setting the tone with Mideast beats and bass, the brother-sister design duo, lured viewers into the Sahara with pieces that could be movie inspired straight out of Dune and Riddick.
True to their signature style of ease and accentuated drama- the collection flowed with layers of lightweight fabrics, utilitarian silhouettes and earth coloured tones. Structured jackets in black and khaki, were detailed with leather buckle closures and wide contrasting pockets. An olive colored coat, with black long sleeves and funnel collar added interesting volume and proportion.
Blouses hung with ease, below the waist with twist front draping. They were paired with shorts and pants, that were cuffed above the knee in silken fabric with side slits. Short dresses in camouflage and olive, were loosely belted and accessorized with oversized hoods, scarves, or fringed shawls wrapped around the waist.
Fitted black leather shorts, leggings with leather knee pads, and lace-up stilettos by designer Kiyoon Baek- added the extra edge the collection needed. A stand out piece was an embellished black mini dress, that shimmered at first to resemble glass or metal vials attached, turned out to be made of pens. Not sure why you need pens in the desert, but vials full of scorpion venom would have captured my warrior imagination better.
Nicholas K continued to showcase their strong point of draping and merged successful luxe aspects from prior seasons with their signature style to create a refined collection that is sure to satisfy their customer base and add new fans.
-Maria Lau
Jay Godfrey
For Spring 2015, designer Jay Godfrey was inspired by the Western frontier and delivered a collection that rock ‘n’ roll devotees would feel comfortable wearing on a prairie, or in the city.
His presentation at the Hudson Hotel was accompanied by live music immersing drumbeats and guitar riffs that electrified the space. The collection was a departure from his signature sexy graphic style, and showcased new silhouettes and fabrics. Updating the American look, there were country western blouses with see-through lace skirts. A beige fringe poncho with quilted metallic pants, added movement and accentuated texture to the collection. Denim was incorporated in a fitted body conscious dress, or in a long quilted skirt with high slit. Lace made a delicate statement in the dresses and skirts, while a more voluminous tea-stained hilo skirt brought prairie drama to the mix.
Rock ‘n’ roll made an raucous appearance in a fitted animal print tuxedo jacket and pant. While the true collection standouts were the black and white chevron sequined pieces. A cropped tuxedo jacket and cigarette pant, and a head turning, low V fitted gown that only the most statuesque dare wear.
All creatives know that risk doesn’t always bring reward, but this collection by Jay Godfrey proves change can be refreshing and little wild.
-Maria Lau
Tadashi Shoji
A New York fashion week veteran, and one of the few creative minds whose designs become key red carpet looks season after season, Tadashi Shoji’s Spring/Summer ‘15 collection packed an evening wear punch. Directly influenced by the overall vibe of the historically rich city of Venice, the collection’s outstanding use of lace and tulle, mirrored the poised nature of the Italian women Tadashi presumably sought to emulate. While most of the looks were within a colour palette of cream, mauve pink and royal blue, one mustard coloured cape dress with midriff cutouts particularly stood out; not only as the last garb to grace the runway, but also for its uniqueness as an imagined award season look.
Desigual
Almost every piece in her collection shone in gold, pink or silver, with a rare pop of reflective pastel. The innocence of the colors played on the goddess theme of ancient Greece, while the proposition of feminine attraction shone in flashes of skin. The seductiveness of the waist, back, legs or chest was never lost, and yet each piece managed to evoke almost fairy-like innocence. A collection that capitalizes on feminine beauty and confidence while never losing sight of the magnetism that awakens the male psyche.
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