Photography: Jonathan Perlmann

Words: Miles Holder

Benjamin Ingrosso has always been a masterful storyteller, blending his vibrant personality with intricate narratives to captivate audiences worldwide. His latest album, Pink Velvet Theatre, is no exception—a dreamlike, kaleidoscopic universe where his growth as an artist and person is reflected in every note. 

We caught up with Benjamin to discuss the album, his process and his FAULTs. 

FAULT MAGAZINE ISSUE 32 – Ft BENJAMIN INGROSSO IS AVAILABLE TO PRE-ORDER NOW

Pink Velvet Theatre is described as a dreamlike world. What inspired you to create this concept, and how did you translate that into the sound and storytelling of the album?
It’s a parallel universe I came up with early in the process of writing this album, a sort of imaginary room for my creativity. I’m super inspired by typical ’70s stars like David Bowie and Elton John and old-school musicals. The Pink Velvet Theatre is a mishmash of all that.

You’ve mentioned that this album evolved alongside your personal growth as an artist and songwriter. How have the past two years shaped your perspective on music and creativity?
I’ve grown in so many ways. One big breakthrough was learning not to work against my voice with auto-tune and compressors but instead embracing my natural vocal identity. Working and producing with Salem Al Fakir and Vincent Pontare has also been a crazy learning curve. They really helped me organize my ideas and make them come alive in the way I hear them in my head.

You’ve described “Back To You” as capturing the essence of returning to one’s true self. Have you experienced a moment where you felt you had to rediscover yourself, either personally or artistically?
Growing up as a “nepo baby” put a label on me from the start, and I’ve been working hard to prove myself as a real musician. This album and my tours last year feel like the first time I was recognized for who I truly am. It’s been really powerful.

How do performing live and connecting with your audience influence the way you write and approach new music?
It’s amazing to connect with people from the stage. This year has been all about that relationship. I toured with 80% unreleased material and received so much love in return. That feedback helped me finish the songs.

Is there a particular track or moment in the creation process that felt like a breakthrough for you as an artist?
Releasing Kite earlier this year felt really special. Everything has accelerated in a new direction since then.

What is your FAULT?
I fall asleep everywhere.

FAULT MAGAZINE ISSUE 32 – Ft BENJAMIN INGROSSO IS AVAILABLE TO PRE-ORDER NOW