Two Dots

Two Dots has never been about clean pivots or carefully staged reinventions. As a child, rock, reggae, punk and rap formed a smorgasbord of musical influences that eventually translated into a similarly eclectic creative palate. So it was that an international modelling career walking the runway for the likes of Balenciaga and fronting editorials segued seamlessly into an after-hours side hustle making mixes and killing it behind the decks.

At the outset of 2026, Two Dots seems set for a breakout year as a fully-fledged electronic artist. Refreshingly, though, for someone so immersed in an industry characterised by deliberate pose and posturing, that progression feels much more instinctual than intentional. Driven by emotion and led by creative intuition, Two Dots is making beats fuelled by passion to fill dancefloors in her native France, the US, UK, and beyond.

We caught up with Two Dots to discuss influences, industry imbalances, and the intensity that fuels her forward momentum.

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FAULT: You started out playing guitar in bands before moving into electronic music. What advantages are there to having played an instrument before moving into DJing/production? Increasingly, it feels like software proficiency is overtaking analogue skills when it comes to making music…

Two Dots: Playing guitar and singing before electronic music really shaped me. My dad bought me my first guitar and later my first DJ setup, he played jazz and rock in bands and was a huge influence. Music was always the priority, and I grew up on everything from rock, punk, and cold wave to reggae and French, US, and UK rap. Playing acoustic instruments trained my ear in a very instinctive way, and that still guides how I make electronic music. Whether it’s a guitar in my bedroom or a club system, it all comes from the same place: transmitting a feeling.

There’s a well-worn path of models moonlighting as DJs. Is that because all photographers and/or production managers have shit taste in music and you have to take matters into your own hands…?

Haha, that’s a funny one. I honestly don’t know. I actually remember stealing so many bangers from Demna when I was working at Balenciaga as a model, so the fashion world definitely doesn’t lack taste. A good show needs good music, as well as a good set design.

Fashion designers sometimes push lesser-known artists into the spotlight. I think a lot of models just find themselves through that connection: fashion and music really go hand in hand.

Thinking more about the overlap between modelling and music – or creativity in general – there’s obviously something about travelling a lot, and being exposed to so many different cultures and creative experiences that drives artistic expression. Was there a specific moment during your modelling career over the past 7 years where you decided to focus on building a career in music? Or did it happen gradually over time?

I really think travelling shapes your soul. Modelling made me meet so many incredible people, and people build your personality, your desires… everything. A lot of the people I’ve met have inspired my tracks without even realising it. I’ve always had a very intimate relationship with music. I’d produce whenever I felt free, sad, happy… it always came from whatever was happening in my life. People really spark your creativity. And honestly, there was never a moment where I chose music. It just grew naturally with me. I don’t force it, it’s just always been there.

Which city has the best nightlife? Based on music, people, or overall vibe?

For me, Paris wins every time. It’s home, and it’s where I discovered electronic music, through warehouse raves, club nights, all of that. The city has this energy that always brings me back and makes me want to go out. But I also love the UK scene so much. I always feel at home there too. And I adore the British people. Maybe that’s my Scottish roots talking…! [laughs]

You’ve been working a lot with Florian Picasso recently, playing b2b sets with him at Manchester’s Lab54 and Paris’ Rex. How big an influence has he been on your music career to this point?

Florian is both a friend and a big influence for me. We understand each other really well musically, and even with different backgrounds, we always end up creating something fresh and natural together. Long live us.

Which DJs or musicians – contemporary or otherwise – do you admire? Are there any elements of their approach, either to production or playing live, that you’d like to emulate?

I love Miss Bashful, everyone knows that. Her energy, her attitude, the way she makes things sexy and powerful with those punchy kicks. I admire her a lot. I’m also a huge fan of Overmono. The mix of emotion, electro and dance energy they have on stage is crazy. Their identity is so strong you recognise them instantly. And I’m very inspired by a lot of French artists I love and believe in, like Laze, Etera, Carla Smith, Arpl, Urumi, Uphoria and my dear No Miss. They’re all future stars: watch out for them!

On that note, who’s underrated in music at the moment? Could be electronic or another genre?

There are a lot of underrated artists for many reasons, and social media is definitely one of them. When I started using it, it felt innocent, I wasn’t chasing numbers or validation. I’m grateful that it grew, but for a lot of artists it can be tricky because the pressure to perform online can end up overshadowing real talent. You can easily get stuck trying to please the algorithm, and art becomes secondary. So my answer is more general than specific: it all comes down to balance.

You can count the internationally recognised female DJs/EDM artists on one hand. Why do you think that is?

I think the scene was just very male-dominated for a long time, so women didn’t get the space or visibility they deserved. Things are shifting now, but there’s still a lot of work to do.

There are so many talented female DJs out there, so the problem isn’t the artists, it’s the lack of booking. A full female line-up is totally possible. We’re here, we’re active, and we’re growing fast. People just need to look properly.

You’ve spent the end of 2025 playing sets across Europe and, more recently, in LA. What’s next for Two Dots in 2026? Anything you’re particularly looking forward to?

2026 is looking powerful already. I’m deep into my productions at the moment, and I’m heading to Asia soon for a tour, which I’m really excited about. It feels good to see the work I’ve been putting in with my team and the loving people surrounding me actually paying off.

This year, I want to play as many shows as I can, drop all the new bangers I’ve been working on, meet new artists and just spread everything I’ve been building creatively. I’m so ready for it, and I can’t wait to see where it takes me.

What is your FAULT?

My fault is probably that I feel everything a bit too much and I’m never fully satisfied. I think a lot of artists deal with the fact that we speak with our soul, and it makes everything very real and so intense. But at the same time, that sensitivity is also where my strength comes from. I work hard, I push myself, I don’t wait for people to validate me. I always find a way forward, even when I’m doubting everything. So maybe my fault is also what keeps me growing.

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