Jazzy Talks Sampling, Sisterhood, and Stepping ‘Closer To The Floor’
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PHOTOGRAPHY
Jack Alexander
FASHION
Krishan Parmar at Carol Hayes Management
HAIR
Shanice Noel using Sam McKnight and Drybar
MAKE-UP
Gracie Jai Cox
Dublin-born artist Jazzy has become one of the most exciting forces in electronic music—not just in Ireland, but on an international scale. Her newest release ‘Closer To The Floor’, a hypnotic collaboration with Moroccan DJ and producer Ankhoï, reaffirms her place at the forefront of dance music’s next wave. A nostalgic yet contemporary rework of DSK’s 1991 classic ‘What Would We Do’, the single pulses with Afro-house influences, infectious melody, and a message that echoes across club culture: sometimes, the dancefloor is where everything else fades away.
Shot in Miami during her recent US tour, the track’s accompanying video is a sun-soaked celebration of movement, rhythm, and musical unity. As Jazzy prepares for a whirlwind festival season with sets at Reading & Leeds, Tomorrowland, Creamfields and beyond, FAULT Magazine caught up with the trailblazing vocalist and DJ to talk about sampling respectfully, connecting emotionally, and why she’s proud to rep Irish women in electronic music.
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FAULT Magazine: What was the creative process like in crafting “Closer To The Floor”, and how did Ankhoï’s influence shape the final sound?
Jazzy: Well, this one started off with the “What Would We Do” sample, an absolute banger. I knew I wanted CTTF to have an Afro-vibe sound, so I picked my favourite bits from the sample and we worked around that!
FAULT Magazine: You’ve drawn from DSK’s “What Would We Do” for this track. What drew you to that particular sample, and how do you approach blending nostalgic elements with fresh, contemporary sounds?
Jazzy: I was having a conversation about samples with my A&R and we started talking about this one. I literally grew-up listening to this song, so I thought it would be really cool to put my own spin on it and introduce a new generation to the track. I always tread carefully with samples as I want to do them justice.
FAULT Magazine: Your music often feels deeply connected to the body, rhythm, and movement. How do you translate emotions into beats and melodies that physically resonate with listeners?
Jazzy: I feel like melody is the key with me, I always start there when writing and when I listen back I instantly hear and feel what I’m supposed to. I just hope the same feeling I have, is what listeners will also connect to.
FAULT Magazine: You’ve built a strong reputation with your GEWAH mix series. How do your DJ sets influence the way you produce your own music?
Jazzy: I love dance music as a whole and I’m excited to be experimenting with the sub genres with my Gewah sets. I play a lot of my own music, lots of bouncy house keeping it as upbeat as I can.
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FAULT Magazine: Dance music has an almost spiritual ability to unite people on the dancefloor. What emotions or experiences do you hope listeners take away from “Closer To The Floor”?
Jazzy: With this one I feel like it’s a “nothing matters but us” right-now-moment. I imagine people having fun and vibes in the club and hearing this song will automatically be the track to send them to the dancefloor.
FAULT Magazine: Has this rapid success changed your creative approach, or do you still make music in the same way you always have?
Jazzy: I’ve definitely learned a lot in the last few years and my creative process has naturally developed, but no I wouldn’t say I have changed.
FAULT Magazine: The festival circuit can be intense, yet it’s such a key part of electronic music culture. How does performing live shape your artistry, and have any recent performances influenced your new music?
Jazzy: I honestly love festival season – it’s one of my favourites. There’s always a really happy vibe around a festival, everyone just having a good time and there for the music! I love testing out new music to big crowds and seeing their reactions.
Body and Jacket by Nu London l Earrings by Lucy Quartermaine l Shoes by Casadei l Tights by Calzedonia.
FAULT Magazine: The electronic music world has historically been male-dominated. As one of Ireland’s biggest artists, do you feel a sense of responsibility to pave the way for other female and Irish artists in the space?
Jazzy: Yeah I am definitely really proud to be repping for the ladies of the electronic music world! I feel like there’s been a big shift in the last few years and I can definitely see women in dance music dominating in the near future.
FAULT Magazine: What personal or professional obstacles have you had to overcome in your journey so far, and how have they shaped your artistry?
Jazzy: There have been a couple, I’ve definitely felt imposter syndrome here and there in the beginning, but after a while that went away. I know exactly who I am, where I need to be – and it feels amazing.
Body and Jacket by Nu London l Earrings by Lucy Quartermain l Shoes by Casadei l Tights by Calzedonia.
FAULT Magazine: Are there any new influences or directions you’re excited to explore in future projects?
Jazzy: I love the deep tech community that’s booming right now – Josh Baker, Prospa, M-High, L.P. Rhythm. I would love to work with them all.
FAULT Magazine: What is your FAULT?
Jazzy: My FAULT is definitely being a last-minute Queen!!