Twinnie in conversation with FAULT Magazine

Twinnie has long been a force to be reckoned with in the music industry. Fusing pop-country charm with raw storytelling, the British artist has carved a niche for herself in both the UK and Nashville scenes. Now, she’s back with ‘Woah Man,’ an anthem celebrating the resilience of women, co-written at her own I Know A Woman writing camp. In this exclusive FAULT Magazine interview, Twinnie opens up about the meaning behind her music, the vulnerability of songwriting, and what fans can expect from her upcoming ‘Happy Hour Tour.’

FAULT Magazine: Your music often carries powerful messages of empowerment and resilience. Do you feel a responsibility as an artist to use your platform for these kinds of themes?

Twinnie: Thank you!! I think I feel a responsibility to tell the truth in my writing and make sure it comes from a real place. I do love concepts and building a world for the listener. The last record was Blue Hour, a heartbreak sad-girl record, but this one is Happy Hour. It does lend itself to empowerment and resilience. Being resilient has always been a theme in my songs because you have to be as an artist in the music industry.

FAULT Magazine: Your lyrics often tell deeply personal stories. Do you find that writing about your own experiences makes you feel more connected to your audience, or is it sometimes daunting to be that vulnerable?

Twinnie: I find that if I’m feeling something and I feel the urge to put it in a song, then most likely someone else feels it too. Music for me is all about connection, and the listener will more likely connect with you if you are brave enough to let them in—and that requires being vulnerable. I have shared a lot of my personal life in my songs, but I know from the feedback that the listeners love it and therefore feel more connected and feel like they know me, which is ultimately the goal.

FAULT Magazine: What inspired ‘Woah Man’?

Twinnie: Men lol. No, it’s inspired by all the amazing women I know—mothers, businesswomen, friends, and family who show incredible strength and determination despite what life throws at them. This song was written in 2021 before the Barbie movie came out, but that famous speech about how it’s impossible to win sometimes as a woman encapsulates that feeling. It’s a response to all those expectations that the world has. Society expects women to act, look, and behave a certain way—this song simply states that men have no idea what it’s like to be a woman and vice versa. It’s definitely not an “I hate men” song but a call to action for men to appreciate the women in their lives. Also, if a man is offended by this song… they are the problem.

FAULT Magazine: As someone who’s not just an artist but also a songwriter for others, is there a change in process depending on who you’re writing for?

Twinnie: For sure! My job as a writer is to make sure the song connects to the artist and their story. Sometimes, artists writing with other artists doesn’t go well because as an artist, you might be more inclined to write what feels real for you or what melody you would sing. As a writer, I wear a different hat and make sure it’s real to the artist I’m working with—they have to love it. If I’m writing for myself, I’m in the driver’s seat, I get to decide what melody I like or what lyrics are working for me, whereas writing for others, you have to take a back seat.

FAULT Magazine: Your journey has taken you from releasing Hollywood Gypsy to making your Grand Ole Opry debut. Looking back, what has been the most defining moment of your career so far?

Twinnie: The Opry, for sure. I felt like in that moment, the music community in Nashville had accepted me. :)

FAULT Magazine: Mental health in the music industry is something you’ve actively advocated for. How has your own experience with the pressures of the industry shaped the way you approach your career today?

Twinnie: I’ve learned that I can only control my reactions, so therefore, I try not to sweat the small stuff and fully believe that if things are meant for me, they won’t pass me by. Everything has its own timing, and going with the flow of things is way better and less stressful. There’s always going to be another mountain to climb, so taking it slow and steady is always the best way to win the race.

FAULT Magazine: With your upcoming ‘Happy Hour Tour,’ what are you most excited for when it comes to performing ‘Woah Man’ live? And do you have any pre-show rituals to get into the right mindset?

Twinnie: I meditate in the morning. Other than that, it’s usually all go-go-go, so I don’t have a chance to think except when I’m on stage. I can’t wait to perform some of these songs live. I’m excited to get back out there!!

FAULT Magazine: What is your FAULT?

Twinnie: I have a tendency to overthink. Sometimes in bed, if I’m stressed, I’ll think about things that happened years ago that have no relevance to my life, but somehow my brain just loves to ruminate on the most insignificant things and won’t let me sleep lol.