FAULT Issue 28 – the Structural Issue – is now available to order

We are pleased to announce that FAULT Issue 28 – The Structural Issue – is available to order NOW.

FAULT Magazine Issue 28 - Janelle Monáe and Macklemore

FAULT Issue 28 cover star Janelle Monáe was shot by David Yeo and styled by Rachel Holland. Macklemore was shot by Miles Holder and styled by Rachel Gold. Click here to pre-order your copy of this issue!

Official release: 23/04/17

FAULT Magazine – the Structural Issue – proudly presents exclusive shoots and interviews with:

Janelle Monáe (front cover)

Macklemore (reversible cover)

Daniel Bruhl

Tory Lanez

Dylan Sprouse

Tom Walker

Lottie Moss

Rhye

Until the Ribbon Breaks

Isaac Gracie

Ady Sulieman

Plus our usual FAULTless selection of the finest Film, Fashion, Music & Photography, inspired by the aesthetics of structure and the tenets of structuralism as we expand our horizons in 2018

This is your FAULT

 

FAULT MAGAZINE ISSUE 28 – THE STRUCTURAL ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Tory Lanez Menswear Cover for FAULT Magazine 28

Tory Lanez X FAULT Magazine

 

Photography: Miles Holder

Stylist: Rachel Gold

Grooming: Shamirah Sairally

 

Words: Trina John-Charles

We bundle out of the photo shoot and into a waiting car. Tory Lanez is clearly rattled by a previous incident and I believe everything he is threatening to do if the car doesn’t move promptly. Although quite intimidating when the switch has been flipped, he remains polite and quite chatty with me – revealing some amazing tidbits off mic, but sadly, we are not that type of publication. As we weave in and out of the busy central London traffic, Tory rolls the biggest blunt I have ever seen and our 20-minute conversation about the new album ‘Memories Don’t Die’, the cultural appropriation police and derogatory terms in music, begins…

 

FAULT: On the song ‘Happiness’ you talk about losing your mother. How difficult was it making a song like that?

Tory Lanez : I had to record that song like, four different times. I just kept crying every time I tried to record it. I knew it would resonate with people, because of the way it resonated with me.

 

FAULT: People always talk about stark similarities between the street culture in London and the street culture in Toronto. Having been here many times, have you noticed this yourself?

Tory Lanez : Definitely. Like, they way we talk… the way we say, ’mandem’, or when we talk about somebody we’ll say, ‘a man did this’. I think it’s the way we are all brought up. It has a bit of a Caribbean edge to it. I think that’s where the similarities come in.

FAULT: Are you planning on working with any other London, or British based artists?

Tory Lanez : Of course, I want to work with a lot of people from here. I want to do a whole project thats just with people from here. I definitely want to work with Nines, Stefflondon, J Hus, Dave, Stormzy… of course Skepta.

 

FAULT: Keeping the British theme, there is a Zayn Malik sample on the new album. It is done in a great way and it isn’t the most obvious choice. Why did you choose that particular sample?

Tory Lanez : I didn’t. I didn’t even know it was a Zayn sample until after I was trying to clear it. That’s when I found out it was a One Direction sample. The producer, Christian Lou, brought that beat to me.

 

FAULT: …And Sting’s influence on the album?

Tory Lanez : Sting specifically asked us to use his song instead of ours. We had like an interpretation that sounded like his song and Sting said, ‘no, I want them to use the real one, the real song’… so that’s what happened with that. Sting loves it… It’s dope that he allowed us to use his song and was like, ‘use the real song, I don’t want you to use something like it, I want you to use the real thing’. 

 

FAULT: When you talk about being younger and people trying to bully you, it’s almost like you developed a very defensive ‘fuck all of you’ kind of attitude. Is it fair to say you still have that now towards negative people?

Tory Lanez : Yeah. I’m always like that. I grew up like, you fend for yours and if somebody tries to take yours, you show them why they should have never tried it. So for me, I’m the type of person… I just don’t take no bullshit – with anything.

 

FAULT: You have already addressed the issue you had with an upmarket clothing store assistant being rude and dismissive towards you, because of your appearance and in retaliation you spent $35k (of record label money) with a different assistant to prove a point. There was a lot of chatter online about this not being the best way to handle the situation. It is great this conversation is being had because this is something that has been happening for years. In retrospect and if it was your own money and not the record label’s, would you have dealt with the situation in the same way?

Tory Lanez : Some of it was my own money… and yeah, I would have still dealt with it the same way. I didn’t do anything wrong. All I was doing was shopping for clothes. That store being the only store that sells high end designer fabrics, I still had to buy what I was going there to buy, I just didn’t give the commission to the person who was looking down on me.

Do you know what’s crazy… what the actual fucked up part is? The black mentality… and this is so harshly and blatantly true… the black mentality, because we have been oppressed for years, when we do feel like we are no longer second class and we have made something of ourselves, we have gotten our money and we have acquired whatever it is that we have acquired, when we go into stores, there are certain things we don’t want to happen. You don’t want to go into a store and ask for something and they bring you something less expensive. You don’t ever want them to act like you cant afford it… and because, as black people we feel so under privileged our whole lives, the fact that we are in a situation of more privilege, we tend to take more of an advantage of it, to prove to whoever the authority is, that we can do it to. It’s really stupid, but the pride and the underprivilege leads you to it.

 

FAULT: Very loosely leading on from that, Skepta recently in an interview that the term ‘white bitch’ is racist and should not be used. Some people agreed, some disagreed. I just wanted to know your thoughts on that, as you use the term on the album. 

Tory Lanez : Is black bitch the same, or no?

FAULT: Well, Skepta argued that nobody would ever say ‘black bitch’, because there would be such uproar…

Tory Lanez : I’d say black bitch, or white bitch …and feel absolutely no way about it, what do you mean? When I say ‘black bitch’ I don’t mean, black bitch. I am not calling a woman a bitch. I’m not saying, ‘Yo, you black bitch’. When I am with women, or when I am with girls, they will say, ‘I’m with my bitches’… A bitch is a female dog. My friend is my dog. If I say, ‘this is my dog’ I mean this is my dog, he’s my friend, he’s my companion. If I say, ‘I’m with my bitches’, they are my dogs too, just the female type. It doesn’t matter if they are white or black. What people should really be mad at, is the fact that I’m saying bitches. If you are mad at me calling you a bitch, then be mad at me calling you a bitch, but don’t say white bitch is more racist than black bitch, or that I would never say black bitch so why is it ok to say white bitch. If you are going to have a problem with that, just have a problem with the word bitch, don’t have a problem with the colour. If a girl is a whore and she is white, she is a white whore. If a girl is black and she’s a whore, she’s a black whore. I hate for it to sound so blatant and so rude, but you have to get mad at the word, not the colour it’s associated with. You cant get mad at someone calling you a black bitch, be mad at the word bitch… you’re black, that can’t change, be mad at the word that is derogatory.

 

FAULT: Finally, what is your FAULT?

Tory Lanez : My only FAULT is that I was cursed with like these devilish, devilish good looks. It is not the worse curse to have, but that’s my fault, Sorry. Sorry to all those I may have offended with them [laughs].

 

FAULT MAGAZINE ISSUE 28 – THE STRUCTURAL ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

FAULT Weekly Playlist: Polina

LA based, Russian born singer/songwriter Polina is a classically trained musician with model good looks. Her latest single “Little Babylon” is a testament to her adept ability to create sonically challenging music. Her collaboration on “Book Of Love” with Felix Jaehn catapulted her into the spotlight and counts more than 19 million plays and it’s clear that Polina has a bright future ahead. 

We asked Polina to put together a playlist and some of her current favorite songs – take a listen below. 

Polina – Little Babylon (Jyye Remix)

“Australian based Jyye sent this remix to my label (Ultra) during our world-wide remix contest. It breathed new and different energy into ‘Little Babylon’ a great mix to start a day to, work out to or play before going out. Pumps me up every time I hear it.”

Tame Impala – Yes I’m Changing

“This song and the whole album has literally been on repeat in my house. I heard the song for the first time at Verve Coffee in West Hollywood (in LA) while I was well ummmm in the loo so I was schazam-ing it in a very awkward position, with my arm stretched out to the ceiling speaker. Amazing album.”

Christine & The Queens – Tilted
https://soundcloud.com/christineandthequeens/tilted-1

“Heard this while touring with Felix Jaehn in Germany this fall. Christine is an artist with a vision in her own lane. The song is super cool. Big props!”

Contessa – Running


“A fresh new single by a new project and supergroup that’s a collective of music and visual artists coming together. You might have to watch the video to see what my connection is here :)”

Deadmau5 – 4ware

“Feeds my ‘young raver days’ tastes. My trance-y guilty pleasure. I was brought up in Europe before moving to the states at 16 so hearing tracks like this one takes me right back there.”

Mura Masa – Firefly

“Been out for a minute, but I’m still very much into this glitchy track. It takes a lot of turns in terms of sound and I like that!”

The Weeknd feat Daft Punk – Starboy
https://open.spotify.com/track/7HtPBwBoCBDy1tpstag7HL

“How could I not include this one! A huge fan of both The Weekend and Duft Punk. The records ‘s got some subtle MJ undertones.”

Cashmere Cat – Trust Nobody (feat Selena Gomez & Tory Lanez)

“Far end of the pop spectrum for me but Selena’s got some serious swag on this one. And Cashmere Cat’s production is sick!”

Petit Biscuit – Sunset Lover

“If the word ‘glow’ had a sound form that would be Petit Biscuit. Just love his warm sound. Good vibes. Listen to this one a lot when I want to chill or traveling.”

Bonobo – Break Apart feat. Rhye

“Leaving you with some introspective meditative thought provoking music. Two of my favorite artists of this year Bonobo & Rhye got together and made a beautiful record together. Hope you enjoyed my favorite tracks of the week! Xo Polina”

Polina Socials:
Facebook
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Soundcloud

FAULT Magazine Weekly Playlist: SoySauce

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Washington, DC golden production duo SoySauce earlier this year released their debut and aptly titled EP “Lunch Money,” whose proceeds went towards feeding hungry children via Los Angeles Food Bank’s Backpack Program and marked the duo as a social cause based project. Besides feeding the needy, the duo made up of Royal and Soyboy over the past year has quickly garnered a strong fanbase and nods from the industry for their bass groove heavy production with that ever slight tinge of pop influence. We asked SoySauce to put together some of their current favorite tunes, all of which you can stream below. The selection features the elusive pop meets R&B newcomer Kiiara, Louis The Child’s runaway hit “It’s Strange” and many more.

TroyBoi – ili

“This song is absolutely wild to us. It has that great soulful vibe but still hits so hard. LOVE this jam.”

Louis the Child – It’s Strange (Ft. K.Flay)

“Our boys in Louis the Child are extremely talented and rad. We really enjoy the vibes of this one and how it moves. K.Flays voice was made for this instrumental too.”

Tory Lanez x Benzel – Initiation

“We’ve been big fans of both Tory and Benzel separately. Seeing them come together and make this song is amazing. It’s so catchy.”

Stephen – Remembering Myself

“Stephen is nothing short of a breath fresh air. The way he blends organic instruments with electronic music is just too spot on. This song has been on repeat for us since it came out.”

Kiiara – Feels

“Kiiara is super new and super dope. All of her releases so far have been great. The song ‘Feels’ in particular is suuuppppeeerrrr addicting.”

Robokid, AObeats & Manila Killa – Helix 2.0 (Ft. Blaise Railey)

“This song is fun AF AF. So many amazing people on this song!! It has this awesome blend of 80s pop mixed with modern urban and electronic music. It’s done so right!”

Follow SoySauce on:
Facebook
Twitter
Soundcloud