FAULT Weekly Playlist: Amanda Mair

For fans of Lykke Li, Kate Boy, and Tove Styrke, Amanda Mair is a Stockholm native who gained attention as a teenager with her debut single, “House” in 2011. After an extended hiatus, Amanda announces a new forthcoming EP and teases it with the single “Empty Blockings.” Like so many of her Swedish contemporaries, Amanda displays a flair for breathy vocals over hypnotic drums and glittering synths. We can’t wait to hear more from Amanda, but in the meantime, we asked her to put together a playlist of tracks that inspire her as a musician.



Lana Del Rey – High by the Beach

“I LOVE Lana Del Rey and have listened to a lot of her music. This song just hit me directly with the quite melancholic melodies and the discreet beat.”

Banks – Gemini Feed

“For me ‘Gemini Feed’ is the perfect balance of dark and lightful. Myself I have a bit hard time writing uptempo cheerful music. With the chorus very direct and open but the verses being more innocent, it’s just the perfect match.”

Mura Masa, Bonzai – What if I go? (Feat. Bonzai)

“This song just makes me wanna dance every single time. Love the bouncy beat and the sound.”

Jai Paul – BTSTU

“I’m a huge fan of Jai Paul. I love his calm falsetto together with the more aggressive sound.”

Emelie Nicholas – Nobody Knows

“This song just hits my heart. The pads are goals and when the sleepy swiping melodies meet the drum machinge likely chorus it’s like releasing a bird or something.”

Lykke Li – Love Out of Lust

“This one just had to be in the list. A big influence since I was young. Especially the airy drums, the big timpani, an innocent cowbell and something I suppose are whistles. Its a sound I really can relate to.”

Susanne Sundfor – Memorial

“I feel like I get sent to heaven, a safe place with soft clouds when I listen to ‘Memorial.'” I love the ecclesiastical vibe.

It’s so mighty?! And the arpeggiator makes it extraterrestrial and the choir is just GENIOUS. The melodies, the vocal, the strings, the piano outro. Why didn’t I write this song? I can’t stop:)”

Saturday Monday, Julia Spada – The Ocean (Feat. Julia Spada)

“Drums, drums and more drums please! The one key to my heart. I like the energetic perky beat together with the soft cold strings.”

The Blaze – Territory

“Another key to my musical heart is a distinctly acoustic piano. And when that adapts of a deep kick, weird vocals and sounds, I’m sold.”

Massive Attack – Teardrop

“This one also have the ingredients of High on the beach. The dark instrumental go down deep but the airy vocal lifts the song and it’s like an on going fight between them. Perfect.”

Amanda Mair Socials:

Susanne Sundfør exclusive photoshoot and interview for FAULT 22


Maroon polo neck: DAGMAR
Circle loop Earrings: HPR (SMITH GREY)
Gold Ring: Spanner Wingnut



Susanne Sundfør might well have recorded the most audacious pop album of 2015. Endlessly inventive and unrepentantly her own, Ten Love Songs—her fifth long player since 2007—sees the Norwegian chart topper skillfully weave complex layers of synthetic and organic instrumentation to create a mix of precision-engineered electro and drama-soaked mini-symphonies. It is the sound of an artist operating without boundaries, seeing each idea through towards its maximum potential.


There’s so much to love about Ten Love Songs and the lead single, ‘Delirious’, is a certain standout. How did that one come together?

Thank you! Well, I wanted to record a pop song. Most of the arrangements were written in bed, actually. The melody was the first thing I wrote. Sometimes I just start with beats or baselines, which is what I did with ‘Insects’, and the vocals came later. I don’t have a recipe for how I do it. It’s completely random what comes first.

Lyrically, ‘Delirious’ is dark: “I told you not to come, my victim number one.” It feels quite aggressive compared to a lot of the other tracks on the album.

It’s sort of a game, isn’t it? I wanted to write from a femme fatale perspective. It’s still a pop song, and pop music doesn’t necessarily have to be fun. Arrangement-wise, it’s definitely more pop than anything I had written before. I wanted it to have a spy movie-vibe to it as well. The harmonies were inspired by Depeche Mode.


Pale blue Top: Filippa k
Suit: Filippa k
Grey Shoes: Melissa x Alexandre Herchcovitch
Pearl Claw Gold ring: Tessa Metcalfe
Gold ring: Spanner Wingnut

What kind of parameters do you set for yourself when you’re making music?

Since it’s a big task, I’m a fan of being in the moment. That just works really well in the way I like to work conceptually. I think coming up with a concept for an album is the hardest part. Luckily, I work with people in the business who don’t push me. The only pressure put on me is my own doing. They just know how musicians like to work. There are certainly musicians out there who can tour with a 9 to 5 job and go into the studio at night, but I don’t work like that. When I work on someone else’s music, I would never want to give them something I’m not happy with.


What are some early ideas you’re toying around with for the next album?

I think I’ll maybe go a little more ambient and darker, and not so much pop. I don’t really know yet because I haven’t had the time to think about it in-depth. It’s like Ten Love Songs and how I wanted it to be very dark and industrial. I recorded ‘Fade Away’ and that made the album something different. So that’s what’s in my head.


Black Polo neck: Theory
Navy Textured Wool suit: 2nd Day
Khaki shoes: Filippa K
Brown socks: item m6

What is your FAULT?

I’m whimsical and forget things all the time!


Photographed at the Urban Villa Hotel

Words: Kee Chang

Fashion Editor: Rachel Holland

Photographer: Woland

Make-Up: Faye Marie Quinton

Hair Stylist: Kieron Lavine

Stylist’s Assistant: Belda Chung