Rolling Stones: A never-ending love affair

The Rolling Stones taught us how to be young and now they’re teaching us how to be old. One day in the not-so-distant future, jaw-dropping evenings like these could be an experience only kept alive in our memories. The Rolling Stones are and will forever be a force to be reckoned with. Once again, they prove themselves in front of more than 60,000 people at London Stadium on a warm May evening.

Vanishing any doubts about their eternal youth and vigour in the late years, The Rolling Stones take the audience through highs, tender lows, laughter, and jubilation, at a show delivered with a flair that astounds and delights.

Mick Jagger is omnipresent, bursting on to the enormous stage in a silver, black and red jacket to the rumbling strains of “Street Fighting Man”, moving directly into “It’s Only Rock ’N’ Roll” then soothing us with “Tumbling Dice”, prompting roars with those opening notes of “Paint it Black”.
Mick, of course, is the consummate showman, remaining snake of hips and utterly fabulous with every curl of the lip and shake of the mane.




Guitar legend Keith Richards remains the rock pirate, Ronnie Wood dubbed the ‘Ryan Giggs’ of the band by Jagger for his youthful vigour, we presume, and Charlie Watts the driving pounding force on the drums.
For their second London Stadium show on the No Filter tour, The Rolling Stones were joined onstage by Florence Welch, for a special version of Wild Horses. Welch joined Jagger on stage for a staggering and passionate rendition of the Sticky Fingers classic, with the two singers trading verses, sharing choruses, locking eyes and holding hands as if entangled in musical conversation.


Earlier in the night, Florence and the Machine had served as one of the Rolling Stones’ all-star opening acts during this European stretch of No Filter Tour dates. Welch previously tweeted of the gig, “It is a huge honour to be playing with one of our biggest influences.”

Satisfaction closed out the style, with Jagger taking one last opportunity to prance remorsefully around the stage as only he can. Marriages, presidents, wars, and technology come and go, but The Rolling Stones remain, testing the limits of the rock ‘n’ roll dream. No longer the greatest, but still the greatest; a band that will forever stand the test of time.

FAULT Fashion – interview with Barbara Hulanicki

Barbara Hulanicki designer

Barbara Hulanicki. Photography by Dania Graibe

Whilst many fashion legends of the 60s have faded into history, Barbara Hulanicki, founder and head designer of Biba, is still making her artistic mark on the world.  Though she is only involved with the Biba brand, which made a high street fashion and interiors revival in 2010, on a consultancy basis she has busied herself with (much more exciting) ventures in interior design and a new fashion range called Iconclub.

The 79 year old – and OBE – now lives in Miami, designing the interiors for hotels and nightclubs and turning her narrative illustrations into scarves, bags and tshirts that inject the same sense of fun and liveliness as the Biba brand did in the 60s with a modern day update.

FAULT quizzed Barbara on her thoughts on fashion yesterday and today…

Talk us through the concepts for the illustrations on the new scarf collection…

It is so exciting to work with new digital printing techniques. In the past, I was restricted by cost because of the number of screens one would want for a design yet today it’s so wonderful to design on a computer, anything is possible. I generally start with an original illustration and we scan it in the computer and have a go with colors, styles, prints etc.

Barbara Hulanicki scarf

Why did you decide to manufacture the new scarf line in Britain?

I just wanted so badly to work with a UK factory like I did during the BIBA days where we manufactured everything in London’s east end.

What’s your design philosophy?

I just keep observing everything and watch how and when fashion changes. The most recent is how the high heel died! I was wondering when women would just say STOP.

We think it’s incredible that you’re still working, do you think you will ever stop designing?

There is no “work” word in my vocabulary. There is so much more to learn and absorb from new situations and meeting new people.

What does it take to succeed in the design business?

Perseverance and just hard plod!

Iconclub Barbara Hulanicki

What have been some of your favourite projects to work on?

There are always new projects coming up. I seem to be interior design at the moment. I am very excited about working on a Hotel in Hollywood called Runway. It is the perfect partner for my fashion project Iconclub.

Why did you decide to settle in Miami?

It was not a conscious decision. I loved it as it was so rough, so raw. I came to Miami Beach to work on a club in the late eighties for Ronnie Wood. I met Chris Blackwell during that time, and he had just bought a job lot of hotels in Miami Beach. He gave me one to begin with, The Marlin Hotel. Then I continued to work with him on his hotels for about twenty years.

What do you think about the revival of 60s and 70s fashion in modern fashion?

Oh boy! Seen and done it and to me it’s not really new, the designers are stuck!

Who do you think is creating groundbreaking fashion today?

I really like Rick Owens and a few people who are still independent and not just governed by sales figures, the people who move forward regardless.

What’s your fault?

I am lazy, terrified to give in.