Liam Gallagher – Exclusive FAULT Magazine Issue 27 Covershoot and Interview Preview

 

Liam Gallagher

As you were. As you are.

 

Words: Adina Ilie

Photography: Jack Alexander

Menswear Editor: Kristine Kilty

Grooming: Natalya Chew

 

FAULT Magazine is proud to present our Issue 27 cover story with non-other than Liam Gallagher. With a career spanning over 25 years and a myriad of stories to tell, we sat down to discuss the ups and downs of his career and get to know Liam Gallagher as he was and as he is. Enjoy.

 

FAULT: Do you recall the first 24 hours after Noel quit the band? What was going through your mind at that point?

Liam Gallagher: Oh fuck. That very moment I just went– right, there have been certain powers at play. It wasn’t too big an argument; we’ve had worse arguments. What went down was something that was pre-planned.

 

FAULT: What was the lead up to that point that makes you so sure that it was pre-planned?

Liam Gallagher: Lots of things. A lot of sneaky little meetings. People might say that it’s paranoia. But you can never be too paranoid in life. I kind of knew he was going to map it at some point. It was going to happen at V or it was going to happen at Reading. It only got postponed until Paris. I knew he was going to jump ship at some point. And that’s what made me feel that my paranoia was right. Or maybe I’m clairvoyant; I’ve got 6 senses.

 

FAULT: Did you feel Noel’s absence while writing this record?

Liam Gallagher: Yeah – because I don’t want to be solo. I don’t want to do it on my own. I’m not a guitar player or a prolific songwriter. I can write a few songs every now and again but I miss being in a band. I miss my brother the way he was back then. I miss singing those great songs that we all made great.

 

FAULT: Were you disappointed that your former bandmates did not reach out to you in times of crisis? Are you resentful in any way?

Liam Gallagher: My older brother has always been there. I thought I’d at least get a call from Noel, but there was no call. I thought I’d get a call from my other manager, but nothing from them fucking cunts. But then I met Debbie and she’s been there all the way. A lot of my mates are gone; I don’t really have anyone in London and that is fine. The universe is my mate.

 

Liam Gallagher: I’ve been through a lot of shit, but it was shit that I caused. When you cause shit – you man up and fucking deal with it. Sometimes you have to fucking man up to your shit.

 

 

 

FAULT: Did you ever feel that you were done? That you hit your peak in ’96 in Knebworth and then it was all downhill from there? 

Liam Gallagher: I feel like I’ve maintained it without turning into the traps of the business. I’m still outspoken, I’m still wearing my heart on my sleeve and if people like it that’s fine. If you don’t then you don’t. I’m not a ‘yes man’.

 

FAULT: Did you ever see yourself hitting the top once more by yourself?

Liam Gallagher: The night Oasis split I felt absolutely disappointed and then I felt exactly the opposite when my album went number 1. In this day and age, rock’n’roll has got cobwebs on it. I never actually saw myself hitting the top once more. But if you truly believe, things will happen. I’ve been good to rock’n’roll and I reckon rock’n’roll will be good to me. It saved me twice.

 

FAULT: Hollywood is ablaze with accusations of sexual assault against Harvey Weinstein. Have you seen similar occurrences in the music industry? 

Liam Gallagher: : Not really, but you know it’s there. The shady little fuckers at the top. It’s not even with just men and women, it’s men and men too. All these pop bands – you hear about it with Take That but I’ve never witnessed any of it. Nobody would come near us. We were caught up in our own bubble. We weren’t hanging about with the record company. We’d go to the awards show and they’d be there, but we’d just get off and do our own thing. And I certainly didn’t see any weird shit.

 

FAULT: What changes do you reckon we should make to keep things safe for both men and women alike?

Liam Gallagher: That’s a big tough question. Obviously get rid of all the shit bags. Obviously, if everyone took care of their shit – everything would be cool. We all live together under one sky at the end of the day. Everyone just needs to cool the fuck out.

 

FAULT: Do you think Liam Gallagher has the power to get people to go back to the roots of rock’n’roll?

Liam Gallagher: I’ve got a lot of fans out there and I always have. My oldest kid is 18 and my friends have kids about the same age – so they’re going to bring them to the shows. That’s a good thing. All you can do is make good music and do good gigs. Do good interviews and try to sell it how it is. Stay honest to what you are and don’t get carried away with all the show business shit. That’s all that I can do. I’m definitely not the savior of music, I’m the savior of me.

 

Liam Gallagher:I don’t get involved with the industry and the business side of it. I let my manager do that. That’s the problem with music today – it’s got no fucking soul. I get being business minded, but it can overpower. You forget about the fucking music.”

 

Find out who else will appear in the issue here

 

FAULT MAGAZINE ISSUE 26 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

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FAULT ‘Sounds of 2014’ feature in Issue 18 – Alpines and Marie Naffah

 

FAULT Magazine Issue 18 – Our Sounds of 2014 section, opened by Ella Eyre, also features the impressively talented duo Alpines and MTV’s Unsigned Artist of 2014 winner Marie Naffah.

Alpines released their debut album entitled Oasis via their own label, Untrue Records, in late May. In the midst of writing and producing Oasis, they discussed their journey so far with us at FAULT – from meeting at a wedding back in 2009, to touring with Florence and the Machine, to now releasing their own record. 

FAULT-Issue-18-lo-res-2-1

Photography & Interview by Miles Holder
Click here to order your copy for delivery worldwide!

FAULT: As a fairly new band you’ve shot straight to touring, supporting some big names including Florence and the Machine. Was it hard to stay focussed on your own album?


Catherine:
In the last 4 years we’ve constantly been learning at a fast pace but you have to stay grounded and true to your vision to keep living in the industry.
Bob: There have been a lot of ups and downs in the last few years just getting to this point. Although it’s only our first record it feels like we’ve come such a long way.

What is your FAULT?


Bob:
I’m impatient, and I know I am but I just can’t do anything about it.
Catherine: I’m a bit of a workaholic I can’t switch off. I think that’s part of being a creative.

 

Check out Alpines brand new single – ‘Zero’ – for which the video was just unveiled today! ‘Zero’ is Alpines’ 7th single and their third from the Oasis album:

Marie Naffah is currently riding high on the success from winning MTV’s Unsigned Artist of 2014. She describes the experience as ‘surreal’ as she tries to ‘define’ her musical style. However the young musician appears grounded and has a clear strategy for progressing in the shark-tank that is the music industry so we’ll continue to watch for the remainder of 2014 and beyond…

Get the full shoot and interview – only in FAULT Issue 18. Click here to order your copy for delivery worldwide!

Get the full shoot and interview – only in FAULT Issue 18.
Click here to order your copy for delivery worldwide!

 

FAULT: What is your FAULT?

Marie: I think when people meet me they expect me to be all made up and in heels but I’m not that kind of gal and it throws people off

 

FAULT MAGAZINE ISSUE 18 – THE RAW ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

FAULT Future – The Underground Youth

Shades of the Velvet Underground mingle with a touch of Joy Division on Manchester-based The Underground Youth‘s track, ‘I Need You’, which features on the Reverberation Appreciation Society’s compilation album The Reverb Conspiracy – Volume 1 (reviewed here). The self-defined shoegaze/psychadelic rock trio also remind us of the likes of Singapore Sling and Dead Skeletons with their stripped back, garage-grunge guitar and vocal style; while the haunting melody gives a nod to the Howling Bells‘Low Happening’.

The track is on The Underground Youth‘s album ‘Delirium’, available as a limited (500 copy) 180g vinyl edition or via digital download – http://www.theundergroundyouth.com/
the underground youth - delirium (available via Fuzz Club Records)

The Underground YouthDelirium (available via Fuzz Club Records)

Real music enthusiasts might also check out their more obviously Mancunian (think Oasis, Stone Roses and, to a lesser extent -and Greater Manchester – Inspiral Carpets) referenced track ‘Mademoiselle’