The Rise Of Owen Teague – Taken From FAULT Magazine Issue 24

Owen Teague – Taken From FAULT Magazine Issue 24

Photography: Lionel Deluy @loveartistsagency | Stylist: Angel Terrazas | Grooming: Michelle Harvey @opusbeauty | Post Production: | Location: Special thanks to US Alteration | Production @loveartistsagency


Words: Miles Holder

Owen Teague first caught the eye of FAULT during his captivating performance as Nolan Rayburn in Netflix’s ‘Bloodline’. Despite his young age, Owen’s talent matches that of a performer far beyond his years. Currently filming for upcoming thriller entitled ‘The Empty Man’ and with other large projects in the pipeline, I wanted to catch up with the actor while he’s propelled to greatness.


It looks like you have a lot of thrillers and horror projects in your future. Do you find the darker productions more enjoyable?

I’ve always been attracted to darker things, ever since being a little kid. I’ve found that thrillers seem to have the fullest characters, regarding having both a dark and a light side. It’s been these kinds of flawed characters that have drawn me to the darker projects.


You play the part of Nolan Rayburn in Bloodline, are there parallels between Nolan’s character and your own personality?

Definitely. We’re both searchers, in at least an existential sense. His search is also for home, and how he’s going to eat and sleep and all that, but he also searches for a philosophical home, where he belongs in the world. I also feel that way. So because of this, we’re both kinds of distrustful of the world, and we protect ourselves, in our different ways. Nolan and I also are pretty creative people. We like making stuff. That’s only hinted at through Season 2, but it’s something I think is a big part of his personality.

That being said, our lives are incredibly different, and we deal with problems in very different ways. Everyone who knows the show tells me I’m so different from him, and it’s mostly true. But there is undoubtedly a part of me in Nolan.


What do you look for most when auditioning for a part?

I’ve found I really enjoy playing messed-up people. Not bad, or evil, per-say, but troubled. They’re complex, and becoming those people is always a combination of fun and difficult. 


What’s been the favourite part of your acting journey so far?

Bloodline, and playing Nolan. When you’re with a character for a long time — multiple episodes, multiple seasons — they start feeling real to you because you know them so well. So Nolan has become this weird kind of other-me, and the Rayburns this other-family. And working on Bloodline is always such a wonderful experience, because of the people and the feeling of the set. And, you know, the Keys aren’t too bad either. 


If you could play any part (even if it’s already been done), what role would be the dream role?

Oh man… well, if they ever made a movie about Jack Nicholson, I would love to play him. I mean, I’d love to work with him above that, but I’d also love to play him. He’s a big source of creative inspiration. 


Who is your biggest professional inspiration?

Leonardo DiCaprio. I love his movies and what he’s done as an actor, and also his work for the environment. He’s used his power as a celebrity to do something good for the world — in this case, work to combat what is probably Earth’s biggest issue right now, and will be for a long time to come: climate change — and I think that’s admirable, and important. 

Justin Prentice – exclusive shoot & interview for FAULT Magazine Issue 26

Justin Prentice exclusive shoot for FAULT Issue 26 – Click to order your copy now

13 Reasons Why has been the most talked about show on Netflix over the past year. Produced by Selena Gomez, the show follows the trail of 13 teenagers as they uncover the reasons for their friend Hannah’s suicide. Heavily influenced by the negative impact of social media, teenage bullying and sexual assault, the show brings to light an unexplored side of leisure television. Speaking to Justin Prentice who plays Bryce Walker – Hannah’s sexual abuser – FAULT uncovers whether it’s beneficial or irresponsible to expose a young audience to explicit suicide.


What were your initial thoughts going into a show like 13 Reasons Why with such a heavy character to play?

It’s always rewarding to play such meaty characters. I was excited for the challenge. I was also thrilled to be working with Brian Yorkey, Tom McCarthy, Selena Gomez, and Anonymous Content. Each has cemented themselves as power plays in the industry, so that alone were ample reason to climb aboard the show.


Having Selena Gomez as Executive Producer on the show – did you have any preconceived ideas in regards to the end result and what was your overall experience of working with her?

I knew that this project was going to be special, in part because of how much it meant to Selena. She and her mother, Mandy Teefey, have been a main force in adapting this story from the Jay Asher novel. If it weren’t for the two of them, we wouldn’t have a show. I’ve had a great experience working with Selena. She is a great boss to have.

Photography: Lionel Deluy @love artists agency
Styling: Angel Terrazas
Grooming: Melissa Walsh using jack black
Special Thanks: RCNSTRCT

To say that your character is not likable would be an understatement – how did you approach playing him so accurately and were you at any point reluctant?

Yeah, Bryce isn’t the best kind of person. I was never reluctant to play the part, but I was concerned with portraying him accurately. I had many conversations with psychiatrist Dr. Rebecca Hedrick and sexual assault expert and advocate Alexis Jones. They gave me great advice on people like Bryce and were instrumental in bringing Bryce to life. I wanted Bryce to be recognizable to the viewers. We all thought it would be more powerful if audiences were able to relate Bryce to someone they knew in their own lives vs. Bryce being a sheer monster. Not to say that his acts weren’t monstrous, but he still needed to be human.


The show in itself holds a strong responsibility towards young people battling depression and social bullying. Did you ever feel that it might be harmful to put out a project so heavy? There have been reports of a suicide in Austria that followed 13 Reasons Why’s formula with the tapes.

Any time you have a show that unapologetically sheds light on controversial issues, there’s going to be controversy. 13 Reasons Why is often times hard to watch because it can hit so close to home, but that makes it real. It gives people an opportunity to talk about these deep issues that are so often hard to initiate conversations about. We get so many letters and so many people coming up to us in person thanking us for the show and our portrayal of the events in the show. It’s definitely helping people. I wouldn’t say they followed the formula in 13 Reasons Why. For starters, their method was different than Hannah’s. They also didn’t leave any tapes. Any blame on the show is just speculation at this point. The girls had recently watched the show, but it has been admitted that there is no conclusive evidence of any correlation. Cases like this are heartbreaking, and our hearts go out to all people who are going through similar things. We have heard from several experts that a show does not cause someone to take their own lives. Anxiety, depression, stress, etc can. Our show gives people an outlet to talk about these issues that they may be experiencing.


Interview by Adina Ilie

What do you think are the positives of putting a character like Bryce Walker out there?

Most people know someone similar to Bryce Walker, and if they don’t personally, there are many cases of privileged athletes who get away with rape. Bryce is real. That’s terrifying, but true. Film and Television have the wonderful roles of spotlighting problems in society. The lack of education on sex and what consent looks like create people like Bryce and create people who think they can take whatever they want. These are kids, who would, often times, never do such things if they were just given the proper guidance early on.


13 Reasons Why has been confirmed for a second season  – where is the story going for Bryce?

My lips are sealed [laughs]! I can say that it’s going to be great! There is more to see in all of these characters. Season two takes some interesting turns.


Lastly – what’s your FAULT?

I suck at time management! I’m working on it. We only have one life, that we know of, so I should spend less of it procrastinating. There are a lot of things that I hope to accomplish. All of which are going to be hard to achieve if I don’t start cracking down…



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Theo Rossi Up Close and Uncaged for FAULT Magazine

Theo Rossi is best known to his fans for playing “Juice”—the tatted up, mohawked, and hopelessly troubled underdog—on FX’s long-running TV series Sons of Anarchy. Now the Staten Islander is set to attract an even bigger fan base as the Marvel Cinematic Universe soldiers on with Netflix’s Luke Cage. The setup? After a sabotaged experiment leaves a wrongly accused man with superhuman strength and bulletproof skin, he breaks out of prison and attempts to find a semblance of normality in modern day Harlem, New York City. But it’s not long before his many adversaries pull him out from the shadows—among them Rossi’s own supervillain Shades Alvarez—forcing him to confront a past he tried to bury. Luke Cage is the latest in a string of shows leading up to Marvel and Netflix’s event series The Defenders set to premiere in 2017, which will see Rossi’s comic book world collide with that of Jessica Jones, Daredevil, and Iron Fist.



F: So you’re obviously big on tattoos. What’s happening with that these days?

          TR: Back in the day, you got a tattoo and that was that. You weren’t thinking about where to put it and just got something that meant something to you. As I got older, I got crazy about symmetry and making things even. I want to tell a story by linking the tattoos I do have, especially after having my son. This tattoo artist and I just spent a couple of hours talking about how to put it all together in a really cool way. I’m really excited about it.

F: You’re a family guy. You’re big on your Staten Island roots. Was it nice to shoot Luke Cage closer to home after being on the West Coast with Sons of Anarchy?

          TR: Without a doubt! Luke Cage was predominantly shot in Harlem. I would say the heavy majority of it was shot on the streets and rooftops around there. All the stage work is done in-studio in Brooklyn, and that’s where Daredevil and Jessica Jones also shoot. I lived in Los Angeles, on and off, for 15 years. I think we were in season five of Sons when [Hurricane] Sandy hit Staten Island and that’s when I decided to move back to the East Coast. I knew that Sons was going seven seasons and, more importantly, I was going to be on for all the seasons. So I created an exit plan. It just so happens that a month or two before I got back to New York, Luke Cage came into my life. To come back to New York City and do Luke Cage—you can’t write a better book than that for me.

F: Were you hesitant about joining another TV show after such a long run on Sons?

          TR: My agent and everybody were asking me, “Do you want to do another TV show?” There are so many TV shows and people don’t realise this. There are like 400 TV shows on the air. I told them, “The only way I’d go back to TV is if it had a Comic-Con type of audience.” That’s what I felt we had with Sons. I felt that passion. There’s a giant difference when you look at something like the fans’ passion for Game of Thrones, The Walking Dead, and Jessica Jones. There’s a fanboy type of love that is so intriguing to me as an actor. Once you feel it, you only want that in TV. I wasn’t interested in doing a procedural on network television. I have a lot of friends who do it, but it’s just not for me. In this day and age, it’s all about Netflix and Marvel. They’re at the top of their game.

F: There’s a lot of secrecy surrounding your character Shades Alvarez on Luke Cage. He has been described as “the ultimate opportunist.” Could you elaborate on that?

          TR: Well, he’s from the original comic book Luke Cage, Hero for Hire from 1972. Shades has a massively long history with Luke. And since he has this history with Luke, it makes him very dangerous. There’s constant purpose in every move, look and decision that’s made, so he’s the ultimate chess player. He’s the ultimate opportunist because he uses humans as pawns. He’s always shifting things around to his advantage, whether the other characters know this or not. He’s just so patient. I’ve never played a character so patient.

F: How often do you get asked about the challenges of acting with sunglasses on?

          TR: All the time! [Laughs] I didn’t think it was a big deal at first and then you’re in these dark clubs at night. The dark Ray-Bans are such an important little aspect of Shades, not just because it was derived from the original comic book, but it also really does make him that much more—for the lack of a better word—shady. Anyone who wears sunglasses at night in a club is either on peyote or just a little “off” like Shades is. As we started doing more episodes, I was like, “Am I not communicating?” The thing is, I act so much with my eyes. The eyes are everything. With some of the best acting I’ve seen, nothing is spoken. So to then take that away, that was a really big challenge. Amazingly, the person who I had to study was Charlie Cox on Daredevil. I was like, “How is this kid doing this and still getting his emotional points across?” Shades does take them off sometimes…

F: I know you played a bunch of sports growing up. You’re an obsessive runner these days. Did you have to take up additional physical training to prep for Luke Cage?

          TR: I feel lucky because we kind of covered the gamut of physical activity with Sons. I just finished a race last weekend for Nike and I’m training for the New York City Marathon. Running started for me when I had to lose a bunch of weight for a role I took on. What I found was that it’s the easiest way for me to escape life for a minute and go reset. I could also do whatever task was at hand while running—memorizing lines, and figuring out how to excel in one of my businesses and move it into its next phase—because I’m so competitive and always want to test myself. You’re waiting all the time as an actor. When they say you shoot all day, you don’t really shoot all day. You actually shoot about 45 minutes of footage total. I used to come home at three or five in the morning after a shoot and just start running. I just had to get moving and get my brain working again.

F: Do you think about mortality a lot? And where do you think that comes from?

          TR: I’ve had a lot of people leave around me, either by their own hands or just the roll of the dice. It made me very aware of it from the first person I saw go that I was super close to when I was very young. I knew that this isn’t forever, and whether people want to admit it or not, it’s terrifying! Things get real short, real fast. You blink and the day is over.

F: What is your FAULT?

TR: I want to do everything. I want to do absolutely everything and my mind is constantly jumping from one thing to another. It’s like that [Dylan Thomas] poem: “Rage, rage against the dying of the light!” I’m going to rage into the light. [Laughs] I’m very, very aware that I have a very short time on this Earth. This is why I try to be as clearheaded as possible and do everything possible. The only reason I say this is a FAULT is because there’s not a lot of rest living that kind of existence. But I’m more than okay with that.