Liam Gallagher – Exclusive FAULT Magazine Issue 27 Covershoot and Interview Preview

 

Liam Gallagher

As you were. As you are.

 

Words: Adina Ilie

Photography: Jack Alexander

Menswear Editor: Kristine Kilty

Grooming: Natalya Chew

 

FAULT Magazine is proud to present our Issue 27 cover story with non-other than Liam Gallagher. With a career spanning over 25 years and a myriad of stories to tell, we sat down to discuss the ups and downs of his career and get to know Liam Gallagher as he was and as he is. Enjoy.

 

FAULT: Do you recall the first 24 hours after Noel quit the band? What was going through your mind at that point?

Liam Gallagher: Oh fuck. That very moment I just went– right, there have been certain powers at play. It wasn’t too big an argument; we’ve had worse arguments. What went down was something that was pre-planned.

 

FAULT: What was the lead up to that point that makes you so sure that it was pre-planned?

Liam Gallagher: Lots of things. A lot of sneaky little meetings. People might say that it’s paranoia. But you can never be too paranoid in life. I kind of knew he was going to map it at some point. It was going to happen at V or it was going to happen at Reading. It only got postponed until Paris. I knew he was going to jump ship at some point. And that’s what made me feel that my paranoia was right. Or maybe I’m clairvoyant; I’ve got 6 senses.

 

FAULT: Did you feel Noel’s absence while writing this record?

Liam Gallagher: Yeah – because I don’t want to be solo. I don’t want to do it on my own. I’m not a guitar player or a prolific songwriter. I can write a few songs every now and again but I miss being in a band. I miss my brother the way he was back then. I miss singing those great songs that we all made great.

 

FAULT: Were you disappointed that your former bandmates did not reach out to you in times of crisis? Are you resentful in any way?

Liam Gallagher: My older brother has always been there. I thought I’d at least get a call from Noel, but there was no call. I thought I’d get a call from my other manager, but nothing from them fucking cunts. But then I met Debbie and she’s been there all the way. A lot of my mates are gone; I don’t really have anyone in London and that is fine. The universe is my mate.

 

Liam Gallagher: I’ve been through a lot of shit, but it was shit that I caused. When you cause shit – you man up and fucking deal with it. Sometimes you have to fucking man up to your shit.

 

 

 

FAULT: Did you ever feel that you were done? That you hit your peak in ’96 in Knebworth and then it was all downhill from there? 

Liam Gallagher: I feel like I’ve maintained it without turning into the traps of the business. I’m still outspoken, I’m still wearing my heart on my sleeve and if people like it that’s fine. If you don’t then you don’t. I’m not a ‘yes man’.

 

FAULT: Did you ever see yourself hitting the top once more by yourself?

Liam Gallagher: The night Oasis split I felt absolutely disappointed and then I felt exactly the opposite when my album went number 1. In this day and age, rock’n’roll has got cobwebs on it. I never actually saw myself hitting the top once more. But if you truly believe, things will happen. I’ve been good to rock’n’roll and I reckon rock’n’roll will be good to me. It saved me twice.

 

FAULT: Hollywood is ablaze with accusations of sexual assault against Harvey Weinstein. Have you seen similar occurrences in the music industry? 

Liam Gallagher: : Not really, but you know it’s there. The shady little fuckers at the top. It’s not even with just men and women, it’s men and men too. All these pop bands – you hear about it with Take That but I’ve never witnessed any of it. Nobody would come near us. We were caught up in our own bubble. We weren’t hanging about with the record company. We’d go to the awards show and they’d be there, but we’d just get off and do our own thing. And I certainly didn’t see any weird shit.

 

FAULT: What changes do you reckon we should make to keep things safe for both men and women alike?

Liam Gallagher: That’s a big tough question. Obviously get rid of all the shit bags. Obviously, if everyone took care of their shit – everything would be cool. We all live together under one sky at the end of the day. Everyone just needs to cool the fuck out.

 

FAULT: Do you think Liam Gallagher has the power to get people to go back to the roots of rock’n’roll?

Liam Gallagher: I’ve got a lot of fans out there and I always have. My oldest kid is 18 and my friends have kids about the same age – so they’re going to bring them to the shows. That’s a good thing. All you can do is make good music and do good gigs. Do good interviews and try to sell it how it is. Stay honest to what you are and don’t get carried away with all the show business shit. That’s all that I can do. I’m definitely not the savior of music, I’m the savior of me.

 

Liam Gallagher:I don’t get involved with the industry and the business side of it. I let my manager do that. That’s the problem with music today – it’s got no fucking soul. I get being business minded, but it can overpower. You forget about the fucking music.”

 

Find out who else will appear in the issue here

 

FAULT MAGAZINE ISSUE 26 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

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Jennifer Davies Exclusive photoshoot & interview with FAULT Online!

Jacket: Tim Ryan
Dress: House of CB

Jennifer Davies is an artist who is pushing the boundaries of how music and visuals come together. With the release of her ‘Lapse of Time’ EP, Davies has created a video accompaniment for each track, all directed by Peter Wormleighton. All the music was produced with close friend Tord Knudsen of The Wombats, and the collision of dance beats and thunder-strike vocals bring to mind the punk-pop of Blondie and Gwen Stefani.
How did your debut ‘Lapse of Time’ come into being?

My background was always in bands, and when that came to an end I didn’t know what I wanted to do. I was signed as a solo artist but it just wasn’t sitting right with me, so I took the decision 18 months ago to be honest with the label about how I felt. I knew full-well that they could just let me go but my friend Tord Knudsen (who is in The Wombats) had worked with me on a few songs and I felt really good about them. I asked the label for the opportunity to see where I could take them, and decided that if the label didn’t get it we could go our separate ways. Thankfully they did!

Your creative process seems to be really innovative, and constantly evolving. How did it grow from those initial demos?

Having taken control of the music side of things, I started to wonder what would happen if I worked with other young creatives that I knew. A lot of major labels just go to the same people they’ve worked with for years and often it’s not that exciting. I wanted to prove that you can’t buy creativity, and it felt like a good time to collaborate with other people on the cusp of a creative breakthrough. Each video has been directed by my friend Peter Wormleighton, and styled by my friend Nabil El-Nayal, who was shortlisted for the LVMH Fashion Prize.

Jacket & Trousers: JH Zane Shoes: United Nude

Jacket & Trousers: JH Zane
Shoes: United Nude

Who have been the biggest influence on your sound?

A lot of pop artists! I feel like ‘pop’ is often seen as bit of a dirty word, but pop culture can be so exciting. I’m drawn to all sorts of things; Garbage and Shirley Manson, Gwen Stefani, Blondie. I really like pop music with personality- and I approach it with a punk aesthetic. I don’t care if people get it or not; if the passion is there, people can see it and they will connect with it.

The visuals of your music are obviously very important to you. How do you approach them?

There are a lot of different ways I go about it. For ‘Lapse of Time’, I was really influenced by Madonna’s ‘Ray of Light’. The piano element that repeats throughout the song reminded me of people rushing around the city. I loved that idea of the contrast between the city in Liverpool, and then the vast landscapes of the North West (where I’m from.) We paired up with this young photographer named Paul Richardson and he came up with this idea of me actually being in the time-lapse. I didn’t realise when I agreed to it that it would mean standing in the same place for hours and hours outside in the cold (laughs) but I love the effect! I think everyone on my team just loves the idea of these epic visuals and it’s great to all be moving in the same creative direction.

Dress: House of CB Top & skirt: Jane Bowler Shoes: United Nude

Dress: House of CB
Top & skirt: Jane Bowler
Shoes: United Nude

With the release of the album, you’ll obviously be starting to do a lot more live performance. Is that notion of ‘epic visuals’ something you hope to take forward to the stage?

Yes definitely! To begin with, I guess it will be quite hard because it will mostly be support slots and small festivals but I’d love to just take it all the way. I saw FKA Twigs performing on Jimmy Kimmel with just a fan and this giant piece of fabric and it was amazing. I think all you need is a simple idea, and if you execute it really well, you can make a performance so memorable.

Have you always wanted to be a musician and performer?

For me it actually started with movement – I always loved to dance. Eventually I started playing piano, and I would take the songs I liked and strip them down, and then start writing my own from there. My Dad ended up getting me this broken-down, second-hand piano and I never looked back! (laughs)

 

Top & Skirt: Jane Bowler

Top & Skirt: Jane Bowler

So what’s next?

Well at the moment we’re actually working on an interactive video. We basically picked five different amazing locations and have done a single take in each, deciding that the camera would roll and I would carry on no matter what. I nearly got run over by an ambulance but it’s looking good! (laughs) I’m then supporting The Wombats on a few of their dates, and then playing a few festivals, and looking forward to finally finishing the album!

What is your FAULT?

I over-think things way too much. I know I’m guilty of it and I try to stop it but I just can’t. It’s another FAULT that’s not going anywhere!

The Lapse of Time EP is available on iTunes and as a free download: here

 

Photography: Miles Holder

Fashion Editor: Kristine Kilty @ Lovely Management

Hair & Makeup: Amy Brandon @ Lovely Management 

Fashion Assistant: Shannon McGrath

Words: Will Ballantyne-Reid

 

Nick Jonas – FIRST LOOK AT OUR EXCLUSIVE SHOOT FOR FAULT ISSUE 21’S FRONT COVER

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FAULT Fashion Editor Kristine Kilty @ Lovely Management, Photographer: Matt Holyoak, Grooming: Daniel Rymer @ Lovely Management Shot on location at The Unit Gallery

 

We are very proud to announce that Nick Jonas is our Cover star for FAULT Issue 21!  As one of the Jonas Brothers, Nick Jonas was at the heart of a global phenomenon that spanned nine tours, four albums, and over 20 million in record sales- all before he had turned eighteen. It seems that Jonas is about to embark on a second wave of global phenomenon, and this time in his own right. See what he had to say about satisfaction, creative control, and finally calling the shots.

Photographed by Matt Holyoak and Styled by Fashion Editor Kristine Kilty at Soho’s The Unit Gallery (also featured within the issue) the ‘POP Issue’ will celebrate everything and everyone pop-music, popular- culture, pop-art and more!

We caught up with Nick days before Jealous took over the airwaves and racked up 60 million views on Youtube! With an album out June 30th, we’re truly excited to share these special preview images!

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With track titles like ‘Chains’, ‘Jealous’, and ‘Warning’, there’s a definite edge to the record. Did you feel like you were trying to get something off your chest in writing this album?

I felt like I was able to have total control over the music, and able to really open myself up creatively- ‘Jealous’ was actually the first song I wrote. I think there are definitely topics that I’m more comfortable to speak about at this point in my life than I was a couple of years ago, and naturally there are darker tones to the music.

Do you feel more vulnerable releasing as a solo artist, as opposed to when you were part of The Jonas Brothers? Are there certain difficulties that you find yourself facing this time around?

It’s very different. The biggest thing is in the promotion of it all; before, I had my two best friends with me all the time, but now it’s just me. I’m thrilled to see the reaction to the music, but that’s the one thing I miss.

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Looking forward, are there any dream collaborators you’d love to work with?

Prince. I would love to collaborate with Prince! And The Weeknd would be a fun collaboration, if it was the right thing.

Finally, what is your FAULT?

I’d have to say my level of stress. I push myself pretty hard, and I don’t think you can be as free as you need to be creatively when you have that.

FAULT MAGAZINE ISSUE 21 – THE POP ISSUE – IS AVAILABLE FOR PRE-ORDER NOW

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…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

 

Jim Sturgess – Exclusive Shoot For FAULT Issue 20 Reverse Cover

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Words: Charlotte MCManus
Photography: Sarah Dunn
Fashion editor: Kristine Kilty @Lovely Management
Fashion assistant: Sheryl Kelly
Grooming: Johnnie Biles @ stella Creative artists

 

FAULT’s exclusive shoot with Jim runs over 10 pages inside the issue (in addition to the reverse cover) and also includes the issue’s Men section cover.

Jim was shot in the luxury Cheval Three Quays apartments overlooking London’s Tower Bridge. Photographed by Sarah Dunn and styled by Fashion Editor and Celebrity stylist Kristine Kilty, the shoot showcases Jim’s brooding yet playful style as he channels James Dean for this striking spread.

In his interview Jim opens up to FAULT on how he coped with the big-budget box office flop Cloud Atlas, an excitingly ambitious yet commercially disappointing multi-role epic which he starred in along-side Tom Hanks and Halle Berry. Jim also let’s us know what it’s like working on his upcoming blockbuster movie ‘Geostorm’ also starring Gerard Butler out later next year.

 

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I catch up with Jim on an icy February Friday, each of us shivering over the phone at our respective North London abodes. He’s not long gotten back from sunnier climes, having spent three months filming in New Orleans for upcoming 2016 blockbuster, Geostorm.

“It was fun – a big Hollywood splash. I was honoured that they asked me to do it,” says Jim, in his laid back, to-the-point manner. After recounting with warmth his off-set experiences in the lively southern American jazz scene, he describes the high-concept film has having “almost two stories, about two brothers – I played Max, a young politician on Earth, while Gerry [Gerard Butler] plays my older brother Jake, who gets sent up into space.”

“It was cool – a big piece of entertainment, although it does have a backbone in the world of global warming and geoengineering,” Jim says, musing on the idea of sci-fi flagging present-day issues rather than future ones. “Sometimes you reach more people with entertainment than some heavy-browed documentary. You can weave thoughts into their subconscious whilst making them laugh and showing them a good time… but I don’t want to make out that we’ve made a really important environmental movie!” he adds, ever-quick to see the humour in a situation.


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Another one to watch hits cinemas this year in the form of London Fields, an adaptation of Martin Amis’ darkly comic murder mystery Jim plays Keith Talent, the thug, philanderer and darts-player extraordinaire who becomes embroiled with Nicola Six (Amber Heard), Guy Clinch (Theo James) and Samson Young (Billy Bob Thornton [FAULT 13’s Cover Star] in a twisted love affair.

“It was such a bonkers movie – testing to make, and to dare to be involved in,” says Jim, alluding to the narrative’s brooding apocalyptic undertones and increasingly sinister sequence of events. “The nice thing about it, for me, was getting to travel around London and shoot in areas I hadn’t been to in years, like Brixton Market. It almost felt like I was seeing the city through new eyes. With a lot of Americans involved, it was good to be the host for a change – normally I travel to other parts of the world, being a guest in someone else’s town.”

 

So how does he deal with the disappointment? Along with smaller-production titles like The Lion’s Share, Jim recently starred in big-budget box office flop Cloud Atlas, an excitingly ambitious yet commercially disappointing multi-role epic with a story that spanned five centuries.

“As long as I feel I’ve made a good film, I can feel good about it. That’s what’s so frustrating about acting, because once you’ve done your bit, you kind have to hand it over… there’s so little you can do.” He pauses, contemplative. “You want a film to do well, but that’s not always going to be the case. With Cloud Atlas, I was hopeful that people would be excited to see something different, which was a bit hard to watch. So much work went into it; all it took was the distribution companies to give it some love and support, but they didn’t. But you know, we got such positive feedback from the people who did watch it – it connected with them, and that’s the most important thing.”

 

 

FAULT MAGAZINE ISSUE 20 – THE FACES ISSUE – IS AVAILABLE NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

ISSEY MIYAKE OPENS NEW FLAGSHIP STORE IN MAYFAIR

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Saturday 11th October 2014 marks the opening of Issey Miyake’s new flagship store in the centre of Mayfair designed by Tokujin Yoshioka.

Yoshioka has torn out the previous bank fittings and left the texture of the bare walls on display. However this is no bohemian market store, quite ingeniously Yoshioka has  also contrasted the withering walls with futuristic surfaces of aluminium. Both fragments of the past and visions of the future come together within the store creating a shopping atmosphere between time and space. It is no wonder that Yoshioka went on to design all furniture, fittings and seating.

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See the whole shoot, out now in FAULT Issue 19

We’re obviously massive fans of Issey Miyake and in FAULT 19 we’ve dedicated 7 pages to an awesome editorial featuring clothing exclusively from Homme Plisse. Shot by photographer Leigh Keily and styled by our Fashion Editor Kristine Kilty, you’ll can see the whole editorial (and many more) inside FAULT Issue 19, our now and available to order for delivery worldwide.

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ISSEY MIYAKE 10 Brook Street will carry the following collections

ISSEY MIYAKE

ISSEY MIYAKE MEN

132 5. ISSEY MIYAKE

BAO BAO ISSEY MIYAKE

IN-EI ISSEY MIYAKE

HAAT

ISSEY MIYAKE WATCHES

ISSEY MIYAKE FRAGRANCES

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EXCLUSIVE FASHION EDITORIAL FOR FAULT ONLINE – CLAIRE PEPPER’S FAULT

 

Jacket: Jean-Pierre Braganza Shirt:  Vintage

Jacket: Jean-Pierre Braganza
Shirt: Vintage

Jacket:  Issa Dress: See by Chloe

Jacket: Issa
Dress: See by Chloe

Coat: Mcq by Alexander McQueen Shirt: Vintage  Trousers:  Acne

Coat: Mcq by Alexander McQueen
Shirt: Vintage
Trousers: Acne

Shirt: Acne

Shirt: Acne

Polo neck: Issa Trousers: Issa Shoes: United Nude

Polo neck: Issa
Trousers: Issa
Shoes: United Nude

 

Shirt: Issa Trousers: Issa

Shirt: Issa
Trousers: Issa

Jacket: Issa   Polo neck: Issa Trousers: Issa

Jacket: Issa
Polo neck: Issa
Trousers: Issa

 

Photographer: Claire Pepper
Stylist: Kristine Kilty @ Lovely Management 
Hair: Terri Capon using Bumble & Bumble
Make Up: Nicola Moores using Mac
Model: Samantha @ FM
Styling assistants: Charlotte Kerr & Marianna Salvadori 

Editor’s Picks: Nicholas Kirkwood LCM SS15

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Menswear Editor: Kristine Kilty

‘Encore’ – video + behind he scenes from our recent editorial collaboration with I Heart Studios

Video courtesy of Annick Wolfers
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All images by Will Ballantyne-Reid

See the final final editorial HERE