Little Mix: Exclusive Behind the Scenes video with our FAULT Issue 17 Music cover stars

 

 

Video by Julian Ruiz/Killer Pixel Films

 

Music: ‘Kids Grow Better Under the Sun’ by Anymals

 

Perry, Jesy, Jade and Leigh-Anne, who have a huge 12 page spread in the issue, were shot exclusively for FAULT by Benjamin Johnson and styled by Marika Page. The in-your-face style of the images reflect the band’s constant evolution in terms of musical style: not content to rest on their laurels after the success of their debut, DNA, the girl’s second album, Salute, has called a much wider audience to attention. Love them or hate them: Little Mix refuse to be ignored.

 

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Little Mix – as featured inside FAULT Issue 17. The girls were shot by Benjamin Johnson and styled by Marika Page.
Click here to pre-order your copy of this issue!

Paper Dreams: Issey Miyake Men for FAULT Issue 14

‘PAPER DREAMS': An exclusive menswear editorial produced by FAULT, featuring standout pieces from the Issey Miyake Men Spring/Summer 2013 collection.

Editorial teaser and fashion film follow:

 

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All clothing exclusively from Issey Miyake Men Spring Summer 13 Collection

Photographer: James D Kelly
Stylist: Kristine Kilty
Film Director: Julian Ruiz
Grooming: Stephen Hamilton using MAC & Paul Mitchell
Set Design: Charmaine Dresser
Fashion Assistant: Arndt Stobba
Photography Assistants: Aidan Porter & Dieter Brandenburg
Filming Assistant: Ricardo Mcleary-Campbell
Set Design Assistant: Bethan Smith
Models: Chris Arundel @ Storm, Ben Palmer @ Select

 

FAULT MAGAZINE ISSUE 14 (SPRING ’13) – THE TASTE ISSUE – IS AVAILABLE TO ORDER HERE NOW.

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40. Get your single issue  for just £7.20

Daisy Lowe: Behind the Scenes for FAULT Issue 14

Video courtesy of Killer Pixel Films

Music: ‘Slow Burning Bliss’ by Dead Times

From Vogue to Playboy and from Chanel to Agent Provocateur, it seems that there isn’t a magazine cover or fashion campaign in the world that has not, at one time or another, featured the remarkable Daisy Lowe. She is, arguably, as close to a genuine supermodel as this decade has ever truly known. Up until now, at least, with Cara Delevigne currently enjoying the fickle focus of the fashion world.  Daisy’s enduring popularity, however, makes the majority of today’s ‘bright young things’ seem as transient as sunshine during a British Spring. Still only 24, the plain-spoken North Londoner can already boast a CV to match the best there has ever been. What’s more, she can still claim to be at the very top of her game, as recent work for the likes of Stephen Webster and Tommy Hilfiger attests.

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Daisy Lowe was shot by Louie Banks and styled by Marika Page exclusively for FAULT Issue 14

FAULT: What has been your favourite experience so far?

Daisy: Working with Pat McGrath for the first time was an amazing milestone, as was shooting Italian Vogue with Steven Klein. He is such a genius with a complete heart of gold. I was 17 when I first started shooting with him and he really made me feel very comfortable in my own skin and celebrated my curves.

Walking for Vivienne Westwood for the first time was massive too. It was her first show back in London after years of being in Paris. She walked in when they were doing the makeup and just went, “What’s going on here? They need to look more, more, more something” , and then just said, “Can I take your pallet?” to this poor little assistant and just grabbed it, dug her hands into it and came over to me and put it all over my face!

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You often speak about having a healthy body image. What would be your key piece of advice to people struggling with this?

I think a healthy body image is really important. It’s really difficult because there’s so much pressure to be really skinny. My advice to young girls would always be this: if, when you look in the mirror, you can’t see anything you like, make yourself [like it]. Make yourself self-love. That’s the only way you can actually be happy. I had to start very small going, ‘Well, I quite like my feet’, and then everyday I had to find something else. Women are extraordinary creatures, and everyone should be celebrated for who they are.

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FAULT MAGAZINE ISSUE 14 (SPRING ’13) – THE TASTE ISSUE – IS AVAILABLE TO ORDER HERE NOW.

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40. Get your single issue  for just £7.20

Taio Cruz – Behind the Scenes film of our Men’s Fashion cover shoot for FAULT Issue 13

 Video courtesy of Giuliano Bekor and Lightbox Studio

Below: the final Men’s Fashion cover for FAULT Issue 13

 

Taio Cruz was shot by Giuliano Bekor and styled by Avo Yermagyan exclusively for FAULT Issue 13

Taio Cruz was shot by Giuliano Bekor and styled by Avo Yermagyan exclusively for the Men’s Fashion cover of FAULT Issue 13

FAULT MAGAZINE ISSUE 13 (WINTER 2012-13) – THE CONTRASTS ISSUE – IS  NOW AVAILABLE TO ORDER

…Or get your copy digitally via Zinio! 1 year’s subscription = just £12. Get your single issue digitally this January for just £6

FAULT Future: Aiden Grimshaw exclusive filmed interview

Aiden Grimshaw was never your average reality star. Having stirred up the musical stylings of 2010’s X Factor with his dark and moody covers of such classics as Thriller and Mad World, nobody expected his departure so soon into the live shows. In retrospect, the early exit might be seen as a blessing, leaving him free from the clutches of Simon Cowell and his boring ballads. Instead Aiden has had free reign on his debut album, a unique mix of dance and pop filled with catchy if unconventional songs unlike anything thus far produced by an X Factor graduate. FAULT caught up with him at one London’s best new venues for creatives, Apartment 58 in Soho, before he set off on his first UK tour for a filmed interview on everything from fashion to failed relationships…

FAULT: Many people will remember you from when you were on the X Factor, how does it feel to have been a part of that show?

Aiden: It’s good. It’s weird watching it on TV again. It’s like, I remember watching it last year and being dead scared thinking I’ve got to rush a song out because there’s a whole new batch of people on, but it’s amazing. I watched it last week with Nicole on, and I was like, oh, she put me through on my audition. That was well funny.

Do you feel like both your fashion and music sense has changed since then?

I think my music sense has changed a lot because I was only 18 and the two years between being 18 and 20 are pretty mental, so my mum says. Fashion sense no, I’m still pretty scruffy! Same old.

What were the main influences for your new album?

The main theme that runs throughout it is kind of like love, and all the questions you ask when you’re in love and breaking up and questioning all the ideals of love and relationships.

What kind of music were you listening to whilst you were writing the songs?

I didn’t really listen to anybody when we were writing the album. I thought that if I listened to too much music then I’d steal other people’s ideas. So I had a weird phase of listening to Eva Cassidy’s ‘Wade in the Water’ for like 4 weeks. So I didn’t really listen to much music. But when I gave the finished album to my dad and my friends they were all picking out bits of music that I might have heard in my childhood. I think you just pick the best bits of everything that you’ve heard.

And how long did it take you to write the album?

We started it in November and it was finished in February. So, three months…?

Did it worry you, when you released your first single that it was probably unlike what people who saw you on the X Factor were expecting?

It didn’t worry me as such, because it’s been such a long time, it’s been two years, and I’ve done so much stuff between being on the X Factor and being here now, I remember it, but it feels like a world ago. I feel like I’m here because I made some good music, not just because of doing the X Factor thing.

Was it quite freeing having such a long time in which to make the record?

It was good. It was important for me to get away from the whole bubble thing, it was like as soon as I got rid of the quiff I went back to being a normal person. That was quite nice and gave me a chance to go away from it and be normal and write some normal things.

You worked on the album with Jared Rogers and Joel Pott, one of whom has worked with lots of pop acts and the other who is the front man of Athlete. How did those contrasting sounds influence the sound of the album?

Its good working with a wide mix of people but the majority of it was just Jared and me I think. The most important thing in something like this is that you find someone who connects with you well and gets what you’re saying. It’s important for me because I say so much weird stuff and it was amazing getting Joel in to help us. It’s nice to get different sides and opinions.

Which producers would you like to work with in the future?

I haven’t really thought about it! Who’s the guy who made the record with Justin Timberlake? Timbaland. He’s a cool dude. Instead of Ayo technology we can call it ‘Aiden technology’.

You’re about to head out on tour headlining some pretty big venues- are you excited or nervous?

I’m well excited! It’ll be different from the last tour I went on, just to get out there and sing your own stuff after waiting around for two years.

Are you excited to connect with your fanbase, for whom it’s probably the first time hearing your music?

It’s just exciting for people to be able to see it live. Listening to an album is one thing, but seeing it in your face is another! I brought my mum down to her first gig a few weeks ago and I spoke to her last night and asked her what she thought and she was like “it was amazing just to be able to see it live!” that’s kind of the reaction I want!

What kind of things are you listening to at the moment?

I downloaded this 90s soul-dance mash-up album the other day, it was good. It’s got loads of cool things on, like “Bust a Move”. I had it on in the gym the other day and I was trying to go on the treadmill for longer than twenty minutes, and I was on for sixteen and I was going to stop, and then Bust a Move came on and I was totally persuaded to keep going.

Aiden was shot at London’s Apartment 58 by Ricardo Mccleary-Campbell

Is that an area you see yourself moving into? 90s style dance-soul?

I can do a pretty good rap!

Can you rap for us now?

No, I’m saving it. Album 2- there’s going to be a lot of rapping on that!

What can Aiden Grimshaw fans expect from one of your shows?

Loads of Aiden Grimshaw! Just loads of me.

What is your FAULT?

I’m really late – I always wake up too late in the mornings.

 

Images by Ricardo Mccleary-Campbell; Interview by Maya Hambro

FAULT Focus: David Bailey

The Paralympic Games begin tomorrow in London’s East End – an area revitalised by this Summer’s Olympics.

In the lead up to the events, which focused the eyes of the world on London’s cockney heartland, we spoke to Leytonstone-born iconic photographer David Bailey about his most recent exhibition – Bailey’s East End…

 

Photography by Ricardo Mcleary-Campbell