Isle of Wight Festival 2018: review and pictures

As the Isle of Wight festival 2018 celebrated its 50th anniversary, the sun shone as golden as the glittery glad rags parading around the festival field…and we got our cameras out:

Isle of Wight festival 2018: Friday

Grooving on the main stage Nile Rodgers and Chic performed a flawless performance that fired out hit and hit and got the fans on their feet. While the Big Top tent saw Bedford boy Tom Grennan cause a storm on stage and solidifying his status as one of the hottest sounds of 2018.

Friday night came to a close with Kasabian performing a by the book performance that saw the band belt out tune after tune suited for the main stage, Chase and Status caused chaos as fans piled into the Big Top tent desperate to dance into the early hours of the night.

Tom Grennnan @ Isle of Wight Festival 2018 - FAULT Magazine

Tom Grennan performs on the Big Top stage at Isle of Wight Festival 2018

Saturday

The sun continued to shine though out Saturday as areas such as the Old Mout Cider Kiwi Camp kept things cool with their delicious array of ciders and light entertainment like Disco Yoga and Rockaoke.

Brit award winner James Bay was back trading in his trademark hat for slick back hair and riffs galore as he jammed on stage to his follow up album Electric Light. While man of the hour Liam Gallagher pulled in a sizeable crowd and belted out Oasis classics such as Rock n Roll Star and Supersonic that proved to be still some of greatest songs ever written, the downside being a shared stage and not having the time to truly shine.

Sigrid at Isle of Wight Festival 2018 - FAULT Magazine

Sigrid at Isle of Wight Festival 2018

Sunday

Sunday saw Sheryl Crow keep things light and breezy while Cuban-born Camila Cabello gave a scorching performance that added a little heat to the already blistering day – although it was arguably a little tepid compared to that of the England team. Spirits were raised as high as the English flags waving through the sky when the England vs Panama result began to ripple through the raucous crowds, convincing everyone present that football was truly coming home.

It was a welcome return for Sam Duckworth – aka Get Cape. Wear Cape. Fly – to the stage as he was supported by a full band that helped transform previous electro-experimental efforts into a vibrant array of melodic splendour. The full ensemble breathed new life into his debut album The Chronicles Of A Bohemian Teenager, sounding as fresh as it did back in 2006.

Norwegian pop sensation Sigrid unfortunately felt the strain of technical difficulties eating into her allotted time by an extra half hour, but was welcomed by an sympathetic crowd filling out the Big Top tent before rushing off to see headline act The Killers take to the main stage.

The Las Vegas band pulled no punches as their perfect blend of indie rock and bruised Americana with a Springsteen-esque twang attracted multiple generations to the main stage. Spectators witnessed a dazzling performance accompanied by festival fireworks soaring almost as high as the bands brilliant finale Mr Brightside, proving that Isle of Wight is one of the biggest and brightest festivals around.

The Isle of Wight Festival 2018 celebrating its 50 year anniversary - FAULT Magazine

The Isle of Wight Festival 2018 was celebrating its 50 year anniversary

 

Keep tabs on tickets for next year’s Isle of Wight Festival here: www.isleofwightfestival.com

 

Words and photos by Jack Lloyd

FAULT speaks to Drax Project about opening for Ed Sheeran, busking, and going platinum

Words: Aimee Phillips
Photos: Jack Alexander

 

Hailing from New Zealand, Drax Project – comprised of Shaan Singh (main vocal, saxophone), Matt Beachen (drums), Sam Thomson (bass) and Ben O’Leary (guitar) – are ones to watch. Their fun, pop-jazz fusion music has already led to a platinum record in NZ with ‘Woke Up Late’, from their EP Noon.

FAULT sat down with the four-piece after their support gig for Camila Cabello in London to talk about their journey, writing bad (and good songs), and taking it all in.

 

Tell me about your journey – how did you get to where you are today?

Shaan: We started off busking, playing covers on drums and sax. Then we decided to add a bass player, Sam, and Ben on guitar. Then we started writing our own songs. We were doing shows but hardly any of the songs were originals.

 

Do you still have any of those first original songs in your set now?

All: No! No those are long gone!

Shaan: The development process for writing songs was very different then to what it is now.

Matt: We still know how to play it, I’m sure.

Sam: Song’s come and go.

Ben: We write a lot of bad songs! [laughs]

And some pretty good ones… ‘Woke Up Late’ went platinum in just four months.

Shaan: Since that song came out, stuff has really started taking off for us. We were able to start doing music full time.

Ben: We got some massive opening slots off that song.

 

You opened for Lorde and Ed Sheeran in New Zealand last year. That must have been amazing! How did it feel to play to such a huge audience?

Matt: Ed Sheeran was massive. Something like two or four percent of New Zealand was there. 120,000 people.

Sam: I think it was good for us because it was the first time we’d really had a full team. We spent a lot of time practicing to do as well as we could. It helped that we had three nights as well.

 

So by the third night the novelty had slightly worn off?

Shaan: The first night we couldn’t even comprehend it but by the last show, we were like, I never want to get off the stage.

Matt: We were pretty sad for a few days afterwards because it was such a big high and there was such a big lead up to it.

Sam: Social media went crazy after that. People knew the song but hadn’t really known who we were.

Ben: The Lorde gig was the first show we played after ‘Just Woke Up’ came out. As soon as we started playing, the crowd went wild.

 

How important do you think it is for emerging artists to busk?

Matt: I wouldn’t say it’s very important, but it definitely helped us in crafting ourselves as a live band before we became recording artists.

Ben: It definitely helped the way we approach playing a set. With busking, if people didn’t like what they were hearing, you wouldn’t get any money. People wouldn’t’ stop and listen.

Matt: For us, it’s all about the audience and we want people to have a great time dancing to us live.

 

What are you up to at the moment?

Matt: We’ve just released a five-track EP called Noon. We’re supporting Camila on tour [her Never Be The Same tour] around Europe. Then we’re gonna head back to LA and do some more writing.

Shaan: We’ve got some of our own shows and a festival in America. We’re not back in New Zealand until August.

Sam: We’ve been working towards this sort of thing for quite a long time and hoping that we would get to this point. It doesn’t feel like we’re unprepared.

 

The band was born out of jazz school. How much influence does your training have on your style now?

Shaan: Jazz is all-encompassing. I think all of us feel comfortable with our instruments. Even though we don’t play jazz or write jazz music right now, it gave us the comfort to know how to perform.

Sam: Wellington is known for having a really good music scene, though. There’s gigs going on all the time. You could walk down Cuba Street any night of the week and there would be four bands playing.

 

What are your FAULTs?

Shaan: I’d say our perfectionism is both our fault and our blessing.

Ben: Matt snores!

Sam: We argue over things that don’t matter like snare sounds.

Matt: Maybe that there’s four of us and we don’t know how to make a decision? [laughs]

 

 

WATCH: Camila Cabello releases new music video for single ‘Crying In The Club’

Taken from FAULT Magazine Issue 25 shoot

It’s Friday and you know what means – FAULT 25 coverstar Camila Cabello has released her new solo single ‘Crying In The Club’ today!
Taken from her debut album, ‘The Hurting, The Healing, The Loving’, the single starts off as a heart-wrenching ballad driven by her unwavering powerhouse vocal chronicling “the hurting” portion of the album but it soon evolves into a faster-paced jaunt as Camilla sings “ain’t no crying in the club”.
Once again Camila is flexing her songwriting muscles, penning this track alongside musical legend, Sia.

#CamilaFans

Don’t take our word for it however, in a recent interview our previous FAULT coverstar Ryan Tedder proclaimed “She’s not only an incredible singer, but she’s also the most talented young artist I think I’ve worked with in songwriting in the longest time.” FAULT alumni Charli XCX shared his sentiment by simple saying “Honestly I was floored.”
But that’s enough yammering on from us – see the whole video below and let us know what you think!

 
Find “Crying in the Club” starting May 19th & “I Have Questions” starting May 21st at:

Camila Cabello reveals her upcoming album title and release date of her debut single!

FAULT Issue 25 coverstar Camila Cabello has released further details to her debut solo album releasing later this year. Tweeting to her followers, Camila has revealed that her album is to be entitled “The Hurting. The Healing. The Loving.” and it will chronicle Camila’s journey from darkness into light. In Camila’s words, the album will give an insight into “a time when I was lost to a time when I found myself again.”

You might remember from our interview with Camila, we wrote about how “Camila moves graciously through the attempted adumbration of negativity into the spotlight” and it sounds like her new album will be an exact telling of just how she has grown to become the artist she is today.

Camila also revealed that her debut solo single will be released this Friday (19th May) so Camila fans have 4 days left to make sure their wigs are glued on tight in an attempt to avoid an inevitable snatching!

The new single will follow hit collaborations “Hey Ma” with J Balvin and Pitbull from the “The Fate of the Furious” soundtrack and the international smash “Bad Things” with Machine Gun Kelly, which reached #1 on the Billboard pop chart and has racked up over 148,000,000 YouTube views to date. Camila has also previously duetted with Shawn Mendes on the track “I Know What You Did Last Summer.”

You can read more from our exclusive interview and photoshoot with Camila HERE

Preview: Camila Cabello on the cover of FAULT Magazine Issue 25

Photography: Giuliano Bekor | Styling: Cat Wennekamp | Hair: Marcus Francis | Makeup: Allan Avendano | Nail Tec: Kim Truong

Despite still being very much within its infancy, Camila Cabello‘s solo career has already been rather unfairly mired in rumours surrounding her choice to split from her former girl group, ‘Fifth Harmony’. From the day Camila announced her departure, wild speculation and venomous allegations flew through the airwaves with no comment of ill from either party; seemingly the narrative of five bickering women proved more newsworthy than that of them respecting each other’s career choices. Nevertheless, Camila moves graciously through the attempted adumbration of negativity into the spotlight and onto our issue cover. With an AMA, VMA and countless other awards under her belt as part of Fifth Harmony and seldom mentioned co-writing credits for acclaimed artists Machine Gun Kelly and Shawn Mendes respectively, the sky is the limit for Camila Cabello. With that in mind, we sat down to find out more about the pressures and pleasures of going it alone.

Words: Miles Holder

 

Hi Camila, what’s been the scariest part of transitioning to a solo artist?

I think the scariest part about it is leaving a successful project to pursue a new dream with a path full of questions of self-discovery that only you can answer. But even when I feel so grateful for the opportunity to be a part of my former group, expressing myself as an artist became a necessity.

 

Do you feel a lot of pressure to have to get everything perfect?

I’ve always felt pressure to get everything perfect, and I’ve never gotten there, but I think that’s what keeps me growing, and keeps me frustrated with myself and keeps me reaching. I think if you’re ever comfortable and think “wow. This is it. I’ve figured it out.” , you stop trying and you stop growing.

What should fans expect to hear from your new music?

They are going to feel who I am. They are going to get a chunk of my heart, my experiences, my fantasies and everything in between.

 

What do you have lined up musically for 2017?

We’ll be touring worldwide for the rest of the year.

 

If you could describe the sound in 3 words, what would it be?

I couldn’t possibly boil it all down to three words but it will be me in sound form.

It feels like you’ve been working non-stop for the past 5 year, where did you find the time to prepare for your solo career in that time?

I was always writing, not necessarily for myself, but just because I really wanted to be a songwriter. I think as I was writing I found my own voice as an artist and as a person, and I’m discovering more about it every day.

 

What’s been the best part of the solo journey so far?

Working with so many talented writers and producers and following my own musical vision. I love the ability to create something out of nothing altogether.

 

You’re a young artist and it’s a very tough industry, where is your happy place when it all becomes too much?

My family and movies.

If you could give any advice to you younger self, what would it be?

Everything has to happen the way it’s going to happen so that other things can occur. And also, don’t be so hard on yourself.

 

There’s a lot of pressure on young artists (female performers especially) to be forced by the media to act a certain way or become bullied into dressing a certain way. What’s something you would never apologise for?

I think it’s important to make your own decisions about what feels right to you and follow your inner voice. Never compromise if it doesn’t feel right.

 

What’s the best advice you’ve ever been given?

Everything is temporary and life has seasons of its own. Just like flowers don’t bloom all the time, there are moments of sadness and happiness, struggle and joy, and being human means feeling all of it, even in the bad times, so that you’re that much more grateful for the good times when they come.

 

What are your plans for the rest of 2017?

I hope to release my first few songs before summer and then go from there and hopefully an album in the Fall.

 

What is your FAULT?

Overthinking, worrying about things that may not be in my control and not being present. I am sometimes too hard on myself and I get frustrated with how sensitive and emotional I can get, but I’m learning to love myself a little more during the times when I am sad or insecure, and I just remind myself that feeling those emotions is just a part of being human, and we have to love all the parts of our humanity, because they’re not there to hurt us, they’re there to make us understand ourselves a little better.

 

Read Camila Cabello’s full interview and see more exclusive photographs only in FAULT’s Special #25