Taylor Swift’s Reputation Tour

TAYLOR SWIFT DELIVERS IMPECABLE PERFORMANCE OF POWERHOUSE CALIBER IN FRONT OF 90,000 PEOPLE AT WEMBLEY STADIUM.

 

Her Swifties are definitely not swiftly moving on. Welcome to the Reputation Tour.

 

Pop phenomenon Taylor Swift conquered Wembley Stadium tonight with a Cirque du Soleil like performance. Swift’s latest Reputation tour is the embodiment of pop impeccability.

Swift is a star that knows how to please everyone. The show comes together through a unique blend of dancers, lasers, fireworks, flame-throwers and a flying cage that whisks her away from stage to stage.

Her fans are in celebratory spirits. Going to a Taylor Swift show is an experience of belongingness for her fans as opposed to merely a high-octane spectacle. For an artist who has continuously published her personal journals, the stadium show feels strangely powerful and intimate at the same time. It’s a heart to heart in a high-octane show. Swift is a musician who doesn’t hide behind her lyrics. Stadiums can often strip the biggest stars of their presence, but Swift stands tall, undiminished by the flames, the fireworks, and the big-budget hydraulics.

With an all-inclusive playlist that features both songs from her previous albums and latest releases, Swift’s performance blends them all together into a cohesive version – reflective of her genuine self. The old songs are rendered in a new formula that makes them blend effortlessly into the high-octane setlist.

The show kicks off with criticism towards tabloid media who have torn the star to shreds previously and carry on doing so to present day. She’s taking in all in stride though. At the end of the day, it’s the fans that matter the most. Swift is a performer that never sought to make the same album twice. And her fans have stuck with her from her country days to her pop-infused 1989 up until present day with her EDM-reminiscent Reputation album. Ultimately, it’s their continuous support that sky-rocketed Taylor to household calibre and encouraged her to evolve and experiment.

The innocence of ‘You Belong With Me’ gave way to the vitriol of ‘Look What You Made Me Do’ as the imagery of snakes flooded the stage (a nod to the label Swift was given after a feud with Kanye West). Taylor Swift is an artist that appeals to both the little girl inside a woman and the woman inside a little girl.

And Wembley stadium is the perfect home for her latest album. Reputation is designed to be performed on a large scale. It’s perfectly curated for that particular high-caliber level of sound and light. It’s the definition of stadium-curated pop sensation. Throughout her set, Swift’s voice never falters, hitting all the high notes that are carefully timed in order to make a long-lasting impact. Her performance is inch-perfect and Swift sounds poised and potent.

The most impressive part of Taylor’s show lies within the stage design and overall outrageously perfect production, from her microphones to an arch designed in the shape of a cobra.

Infused with timeless pop references from George Michael’s 2006 stage – along with Coldplay’s concept of giving out wristbands that flicker to the beat, Swift quickly turns her fans into fireflies for the evening.

People might have strong opinions about Swift, but the singer-songwriter is clearly in her imperial phase. With 13 years in pop music, long may her reign continue. In a couple of decades, we will see this emblematic day at Wembley Stadium as the pinnacle moment of when Taylor Swift’s became a legacy name to rival Michael Jackson.

Isle of Wight Festival 2018 starts tomorrow!

This year, FAULT will be sporting our finest glittery glad rags to help celebrate the 50th anniversary of Isle of Wight Festival 2018. Guaranteed to be a cracking year and soundtracked by none other than FAULT Issue 27 cover star Liam Gallagher, along with The Killers, Kasabian and Depeche Mode.

Isle of Wight Festival 2018 lineup

Every year Isle of Wight continues to bring some of the best live music around! With the likes of Manic Street Preachers, Nile Rodgers, Rita Ora and Chase and Status also making an appearance, there’s guaranteed to be an act for all to enjoy.

And of course, it’s not all about the music, Isle of Wight is also a fantastic opportunity to unwind and get stuck in to some fine dining. With a huge variety of food stalls on offer at the Octopus’ Garden, you’ll be able to experience a range of culinary delights.

With the Old Mout Cider Kiwi Camp back for a second year, they’ll also be providing plenty of entertainment with Disco Yoga, Rockaoke and much more, running all day and night.

Or, if you want to just kick back on the sofa swing and take it all in. The bar will be fully stocked with that crisp, cold, fruity stuff that Old Mout make so well.

We’re most excited to see James Bay return to the stage to perform his blistering follow up album Electric Light, along with The Killers belting out some familiar stadium-sized hits and Liam Gallagher adding some swagger to the stage.

Liam Gallagher is headlining the Isle of Wight Festival 2018 (Saturday 23rd June)

Liam Gallagher is headlining the Isle of Wight Festival 2018 (Saturday 23rd June)

There will also be a range of awesome indie tunes being blasted out This Feeling, the UK’s best club for future rock and roll, which is making a welcome return and bringing with it to the stage Hey Charlie, Avalanche Party and many more – all of which gives this year’s Isle of Wight a real edge in the UK top festival stakes!

 

Visit the Isle of Wight festival website for more details: isleofwightfestival.com

Words: Jack Lloyd

Talking to Jamie Lawson about life on the road with Ed Sheeran

 

With an incomparable support slot on Ed Sheeran’s current 46-date tour, Jamie Lawson is conquering arenas around the country with emotional new single ‘Fall into Me’. We sat down with Jamie for an interview before he hit the stage.

 

FAULT: You’re in the middle of a tour with Ed Sheeran, how’s it going?

JL: Yeah, at St James’ Park tonight – it’s crazy.

 

Did you ever think you’d be playing at such large stadiums?

JL: Not really no, it was never on my bucket list really. We’ve got Hampton Park, St. James’ Park and Wembley next week. Then the Principality Stadium the week after.

 

You’ve played Manchester and Glasgow already, how were they?

JL: Yeah they went well, crazy. Everything’s been great; was nice to play in Ireland but it’s great to be back in the UK which meant I got to go home for a few days which has been great. 

 

Give us an insight into a tour day with Ed, what happens?

JL: There’s a lot of sitting around waiting for things to happen. I’ll take you through the day; we have a soundcheck on the first day of the run so we leave for the venue at around 11am, and go straight to the catering and have some food, because the food is amazing. Then we go and soundcheck, we run through all the songs and today we tried out a new song which is cool. Now we’ve got a few hours to kill before we go on. We’re on about half 6, before Anne-Marie. We’ll stick around and have some food and watch Anne-Marie and then watch Ed. Then we’ll try and get out before everyone else leaves because it’s just mayhem when 50,000 people all try to leave the stadium at the same time.

 

Do you get to sit down all 3 of you, to chat about how the show was?

JL: Yeah kind of, we do. I made a huge faux pas in Glasgow by mentioning London in the night so that was amazing, I don’t know how I did it; I’d already mentioned Glasgow about 50 times and then for some reason London came out. We talked about that and they were both incredibly shocked by [laughs]. But yeah we have drinks and all the crews get together and have a chat about how life is on this sort of thing.

 

On social media you’ve posted that you’ve been working on writing new songs, can you tell us more?

JL: Yeah I have, yeah. So the last few days we’ve been in Glasgow and been in a house where we set up in the living room. We’ve been rehearsing new songs and kind of recording them in a very basic manner, just to demo them and see what they sound like. One of those songs we’re sound-checking today with, it’s really nice to hear how it sounds in a big, big venue to see if the sound works in that sort of environment. Some of the songs don’t but this one did. That’s what we’re doing really, trying to use the down time the best we can. It will be more likely that I write a few more songs in August to October and then record in November and December time, with hopefully a new record out by next April, something like that. Fingers crossed that I write the right songs, thats always important. [Laughs]

 

You released your latest album last year on Ed’s label, how has the reception been?

JL: Pretty well in terms of people liking it, it’s definitely my best record to date. I know Ed liked it a lot so I think it was pretty good. Saw that since the tour started it’s gone back into the iTunes chart which is nice and so has the ‘Jamie Lawson’ record. That’s pretty cool. We’re reaching new people everyday because of the arena.

 

Has your new single ‘Fall Into Me’ been received well on tour being on the setlist every night?

JL: Yeah it has, it’s the one we open with actually. It does the job to make sure people get up and get ready to start clapping along and that they’re in for a night to remember, you know. It’s the song that kicks the whole evening off so it needs to be a big song to do that and it seems to do the job well.

 

How do you prepare to go on stage?

JL: It feels very different to one of my own shows. Even though we only play for half an hour I need to get ready a lot earlier so I actually start 2 hours before; singing and warming up in the dressing room and getting into the mindset of what I’m going to do. You kind of have to build yourself up to such a level where you’re at the end of your show already before you even start. So it’s really weird and it wipes you out even though it’s only a short time. I don’t know how Ed does it to be honest, he plays for an hour and a half, so he must be absolutely exhausted.

 

Going back to your roots, is there a dream venue you’d like to play?

JL: Well I originally did Shepherds Bush Empire in London and that was definitely one of my dreams coming through. That was one of the venues I always wanted to play so that was great fun, I loved it. It was a great tour in March, really enjoyable. We played a few lovely venues in here and in Europe as well. But now that I’ve done that, I’ve got my eyes set on the Royal Albert Hall next. I don’t know if I’ll ever get to that level but that would be cool, in such an iconic place, you know? If we ever get there that would be a dream come true.

 

Any fears on going out to a crowd of over 40,000 people?

JL: No, not bothered about that really; it’s surprisingly easy. [laughs] It probably shouldn’t be but it really is. It’s more about loving it rather than knowing it, it really is about the enjoyment of it and feeling very at home on the stage. It’s always been that way for me for whatever size that stage has been, I’ve always felt comfortable. I don’t know if thats a rare thing or not but if you know the book by Tracey Thorn, ‘Naked at the Albert Hall’; talking about how frightening it is but it’s always been the opposite for me. I’ve always found it very easy.

 

What is your FAULT?

JL: Probably a thousand, I wouldn’t know when to stop counting. The biggest thing in my career that has set me back is what they would call ‘networking’. Speaking to other people and meeting the right people, that sort of stuff. I’ve never been any good at that so I don’t know if that’s a fault. Talking about yourself positively all the time is a little arrogant but some people are very good at it, but I never have been. The album was out in Ireland 5 years previously before Ed put it out. But I never met the right people and I guess you just wait until someone good comes along and for me it happened to be the biggest pop star on the planet, so that was lucky. [Laughs]

 

 

You can catch Jamie Lawson and his band as the tour rumbles onto Cardiff’s Principality Stadium on the 21st June for 4 nights before heading to Amsterdam Arena on the 28th June for 2 final nights. New single ‘Fall into Me’, taken from his latest album Happy Accidents (Gingerbread Man Records / Atlantic Records UK) is out soon.

Interview by: Stuart Williams

FAULT in conversation with Warpaint’s Theresa ‘TT’ Wayman

Words: Jennifer Parkes

 

Have you heard of TT? The moniker may not be too familiar right now, but you’re almost certain to know of Theresa Wayman, founding member of iconic indie rock band Warpaint, and otherwise known as TT.

 

While the group’s psychedelic dream pop has enticed and entranced fans for the past 14 years, last month saw Wayman release her own offering, LoveLaws, under her two-lettered alter-ego. But this is no band break-up – Warpaint shows no signs of slowing down, with several tour dates in the diary for 2018. FAULT caught up with Wayman in between shows to talk more about her debut solo offering, the challenges facing women in the music industry, and dream festival line-ups…

 

So, you’ve just released a solo album, which is pretty exciting! What made you decide to do that alongside Warpaint?

I just needed to be expressing more than I can do in Warpaint; it’s been 14 years being in a collaborative process, and I wanted to experience being on my own and having more control.

 

Did you approach this album differently at all to how you approach creating an album as a band? What were the challenges in that?

I didn’t have to do it in any specific timeframe, so I was able to indulge myself and question things more. It was scary to do that at times, and I worried I would never make it to the end – sometimes it seemed like I could keep questioning forever, but I figured it out!

 

You examine love and relationships in a number of ways across different tracks, but I’m also intrigued by the album’s title ‘LoveLaws’ – how did that come to be?

I thought of that title as a good concept to build an album from. I was feeling ruled by love and romance, and also seeing love as being a fundamental of life in so many ways. It seemed important to write about it.

 

Who would you say your influences have been, both in your own music and as a band? 

First and foremost, my music is always influenced by my emotions and mood. I tend to go into starting a song feeling blind, like I have no idea what will come out of me until I see it on the page. But then I start to hone it and let influences in, like Al Green, Sade or Trip Hop like Portishead and Massive Attack. Also current artists like King Krule, Rihanna and Adele, and that song ‘Get Free’ by Major Lazer.

 

How do you feel Warpaint’s sound has developed over the last 14 years?

I think Warpaint has gone in many directions over the years; we’re becoming more concise with our arrangements and clearer in what we’re saying. We used to jam a lot and write together in a room, but we did less of that on this last album – I think we’re into the idea of going back to that again, just because that old way now seems like something new and different.

 

 

It’s impressive that, as an all-female four-piece, Warpaint has stood the test of time in a notoriously misogynistic industry – how have you dealt with challenges that you’ve faced over the years in this respect? 

I think there’s more freedom in the indie-rock world for a girl band to exist, and not feel as much pressure and expectation to be something appealing to men. I think that’s a lot more common in the pop world.

 

I’ve generally felt very welcomed by our male peers, although there are times I’ve felt excluded from “the boys club”, like I can’t be a part of some technical conversation or ask questions. But I think the guys that act like that are the most insecure, and ultimately want to exclude women just because they just don’t know how to talk to them or don’t feel attractive to them.

 

Are there any new artists that you’re into at the moment you think we should keep an ear out for?

Kali Uchis, who I’m sure you’ve already heard of! And Dick Stusso – he’s from Oakland, he’s a really great singer/guitar player/overall musician, and he’s self-produced.

 

You guys have a few tour dates  over summer, including playing at All Points East Festival – are there any bands you happened to catch while you were there, or at other festivals?

Yes! War On Drugs at All Points East, and I saw Bjork and Fever Ray at Primavera – they were absolutely incredible!

 

If you were to host a festival, anywhere in time and space, what would your dream location and line-up be? 

Probably on the beach somewhere in the Caribbean. It would be Bjork from the Homogenic tour, so that she’s playing songs from debut and post too, with Portishead, Nirvana, Al Green, Kendrick Lamar, Fever Ray, Tina Turner, Aretha Franklin, Nina Simone, and Bob Dylan playing all my favourite songs from over the years (I would get to choose)… the list could really go on and on!

 

Lastly, something we ask all of our guests, what is your FAULT?

I can be really stubborn and not let things go, and I always need to be right. I’m working on it!

 

LoveLaws is available to buy now – visit ttlovelaws.com for more info.

 

Rolling Stones: A never-ending love affair

The Rolling Stones taught us how to be young and now they’re teaching us how to be old. One day in the not-so-distant future, jaw-dropping evenings like these could be an experience only kept alive in our memories. The Rolling Stones are and will forever be a force to be reckoned with. Once again, they prove themselves in front of more than 60,000 people at London Stadium on a warm May evening.

Vanishing any doubts about their eternal youth and vigour in the late years, The Rolling Stones take the audience through highs, tender lows, laughter, and jubilation, at a show delivered with a flair that astounds and delights.

Mick Jagger is omnipresent, bursting on to the enormous stage in a silver, black and red jacket to the rumbling strains of “Street Fighting Man”, moving directly into “It’s Only Rock ’N’ Roll” then soothing us with “Tumbling Dice”, prompting roars with those opening notes of “Paint it Black”.
Mick, of course, is the consummate showman, remaining snake of hips and utterly fabulous with every curl of the lip and shake of the mane.




Guitar legend Keith Richards remains the rock pirate, Ronnie Wood dubbed the ‘Ryan Giggs’ of the band by Jagger for his youthful vigour, we presume, and Charlie Watts the driving pounding force on the drums.
For their second London Stadium show on the No Filter tour, The Rolling Stones were joined onstage by Florence Welch, for a special version of Wild Horses. Welch joined Jagger on stage for a staggering and passionate rendition of the Sticky Fingers classic, with the two singers trading verses, sharing choruses, locking eyes and holding hands as if entangled in musical conversation.


Earlier in the night, Florence and the Machine had served as one of the Rolling Stones’ all-star opening acts during this European stretch of No Filter Tour dates. Welch previously tweeted of the gig, “It is a huge honour to be playing with one of our biggest influences.”

Satisfaction closed out the style, with Jagger taking one last opportunity to prance remorsefully around the stage as only he can. Marriages, presidents, wars, and technology come and go, but The Rolling Stones remain, testing the limits of the rock ‘n’ roll dream. No longer the greatest, but still the greatest; a band that will forever stand the test of time.

First Aid Kit talk Ruins, burnout & brave new beginnings for FAULT Online cover

FAULT Magazine X First Aid Kit

Photographer: David Yeo, Fashion Editor: Rachel Holland

 

FAULT: Stay Gold came out in 2014. What were you doing for the four years until Ruins?

Johanna (First Aid Kit): We toured Stay Gold intensely for about a year and a half following it’s release. After that we felt quite burnt out and exhausted. We could’ve kept touring forever. However, since we’d toured pretty much non-stop since we were teenagers we felt like we needed a little break. We needed time to figure out our lives, beyond First Aid Kit. We lived in separate countries. I stayed in Stockholm while Klara moved to Manchester for two years. It was necessary to get a break from not just the band and the music, but from each other. It was pretty difficult but we feel like we learnt so much about ourselves and about life during this time period. We built serious relationships, bought our own apartments. Klara started taking acting classes. I got a driver’s license. We needed to catch up on some grown up things we’d been missing out on.

 

When did you start work on Ruins?

Johanna (First Aid Kit): When we took our break we told ourselves we didn’t need to work on new material straight away, we didn’t want to rush another record. We didn’t even have to listen to any music or go to any shows if we didn’t want to. However, pretty quickly after the touring ended we felt quite eager to perform and write again. Klara broke up with her boyfriend and had a little bit of a life crisis. This inspired the theme of the album and sort of got us started on it.

We went to Los Angeles for six weeks in April 2016. We rented a house in Echo Park and went on road trips across California. We hung out with other musician friends and gathered inspiration. That’s when we finished writing most of the tracks that ended up on Ruins.

 

 

How does it differ to your previous records?

Johanna (First Aid Kit): We wanted to try new things on Ruins. Because it’s dealing with a relationship ending, the lyrics are both more personal and more universal than on our previous records. Before our lyrics were a lot more fictional and had more story telling elements. This time the songs are more direct. I think it stems from us being older, more experienced and more in touch with our own emotions. We’re also braver in a sense, it takes a lot of courage to write so openly about your inner feelings.

We decided to work with a new producer in a new city, so we reached out to a long-time favorite producer of ours, Tucker Martine. We told him we wanted to make an album that was less polished, had more of a live feel and a little more edge. Previously, we’d been pretty strict about the sounds we allowed on our records. It had to be very folky, pretty and acoustic. This time we sort of through all those ideas away, and we’re very open to new things. Whatever fit the song, we went for. It was super refreshing.

 

First Aid Kit - FAULT Magazine

Johanna Wears: Red Silk Slip Dress by Amanda Wakeley, Black Poloneck Top by Alice McCall, Red Boots by Zadig & Voltaire, Pearl Hooped Earrings by Dower & Hall

 

Obviously, this is your fourth album, has the process been different to your others? 

Klara (First Aid Kit): The songwriting process hasn’t changed that much since we started, but this time we wanted to make sure we really took the time we needed not to rush the record. All songs stem from a line, an idea, a lyric and then we work from there. Sometimes that takes less than five minutes, sometimes it takes years. In the end the most important thing for us is that we end up with songs that feel real and interesting. Something that makes us curious.

This time the recording process was different because we had a live session band that improvised a lot in the studio. It was so much fun! Getting to hear all these musicians that we’ve looked up to for so long play on our songs was a dream come true.

 

First Aid Kit - FAULT Magazine

Klara Wears: Black Blazer by Stine Goya, Red Tule Skirt by Amanda Wakeley, Black Top by Black Gold by Diesel, Red Loafers by Kim Kwang, Gold Curved Earrings by Dower & Hall, Silver Ring by Dower & Hall

 

How have you grown since your 2010 debut?

Johanna (First Aid Kit): When I watch old YouTube clips of us performing I feel like we’ve changed so much. We were just kids when we started out, although we felt like we were so much older back then. We were pretty insecure. We can hear in our old songs when we’re trying to imitate our idols and it’s kind of cute. It’s definitely not something we’re ashamed of.

We’ve always been good at what we do and had a strong core in our music, but we’ve just grown so much more confident with the years. Both in the studio and on the road, we trust our instincts much more and can relax. I don’t think we care so much about what people think anymore. We’ve always sort of been following our gut feeling, and it’s lead us this far…so we must be onto something, right?

 

Does this last album feel like the most “First Aid Kit” like album?

Johanna (First Aid Kit): I think all records are very ”First Aid Kit”-like in their own pretty ways. They’re just documents of who we were at that certain period of our lives. We think of them as time capsules. We don’t want to stick to a sound too much, we truly are open for experimenting. Who knows what the future will bring, getting too comfortable in a certain style is boring.

 

So talking about Ruins, can you tell me a bit about the lyrical inspirations behind it?

Klara (First Aid Kit): When we went to Los Angeles to write the record I had just gone through a breakup. The wound was quite open. I thought I was going down one road and then it all changed. The songs came through that and so of course, they all mirror that intense experience of this major loss. Visually, we see the record as a ruin of a relationship, walking around it, exploring it and trying to understand it. It felt like an important record to write as honestly and boldly as possible. That is how you get a real connection with people, which is always what we strive for.

 

And musically?

Klara (First Aid Kit): We always follow where we feel the songs want to go, arrangement wise. We usually have more a broad sense of what we want a record to be – this one we felt needed to be a little more raw with more of a live sound. Honestly, it’s all about the gut feeling. You go on in with ideas and expectations but in the end you go with what feels right and good.

We were listening to a lot of different music during the writing process, like Big Thief, Angel Olsen, Whitney and Mitski. We are always returning to our old favorites Townes Van Zandt, Joni Mitchell, Gram Parsons, Bob Dylan too. The list is endless. It’s hard to pinpoint where the inspiration comes from, it can be so random.

 

You’ve said that most of the record is about questioning yourself following the breakdown of a relationship. Can you tell me a bit about that?

Klara (First Aid Kit): It’s so easy to grow comfortable and be blinded by what you once thought was good. It’s hard to uproot yourself and leave it all behind. You feel so very lost. In the midst of all that it’s hard not to second guess yourself, looking for simple answers to things that will never really make sense. The record was written during a really vulnerable, exciting, scary time.

 

Do you find it cathartic to write about these kinds of subjects?

Klara (First Aid Kit): It is very cathartic. Writing is the way that we deal with whatever is hard in life, which is why our music is so sad, haha. Getting to share our deepest emotions with people, even though that can be scary, is so rewarding. The connection that we feel with people who love our songs is so special. Playing shows and singing the lyrics to another human being in the crowd, seeing their reaction and knowing the song means so much to them, there is nothing like it.

 

You’ve previously said that you wanted this album to be “more real”. Can you tell me about the ideas behind that? 

Klara (First Aid Kit): That wasn’t something that we planned to do but the songs ended up being more direct and open. Like we previously stated, we wanted to have more of a raw feel, of a live performance.

 

First Aid Kit - FAULT Magazine

Klara Wears: Tan Leather Jacket by Scotch & Soda, White Embroidered Shirt by MCQ by Alexander McQueen, Black Leather Skirt is Klara’s Own, Black & White Ankle Boots by Malone Souliers, Silver Ring by Dower & Hall

 

Is it difficult knowing that such personal songs will be listened to around the world?

Klara (First Aid Kit): All the songs and themes are very universal. We left out names or anything that felt too personal. The songs are still very emotional and of course that can be scary but it’s ultimately the most rewarding thing, when people react to something that came straight from the heart.

 

How has your relationship with each other changed during this album?

Johanna (First Aid Kit): I think our relationship is stronger now than ever. Touring together for so long has been hard. We’ve been put under a lot of pressure and pretty much been around each other 24/7. No wonder we some times argue and can’t get along.

For a while I think we were on totally different wavelengths. We wanted different things for the band but didn’t express it clearly enough. We’re much better at communicating now to make sure we’re on the same page. We also know when we need space from each other. We have so much more fun together now, too!

 

Now that it’s out, how has the reception been?

Johanna (First Aid Kit): Honestly, it’s been pretty darn amazing. Releasing Ruins was scary, especially after that four year break in-between albums. We didn’t know what kind of reaction to expect from either music critics or our fans. We didn’t know if anyone was still into our music. We never expect anyone to care or take our popularity for granted.

Also, when we’re making music we’re constantly torn between feeling like what we’re doing is the greatest thing ever and feeling like it’s a complete piece of shit. Sometimes when you’re in the studio singing a song you feel like it’s a masterpiece. Then when you get home and get some perspective on it, you listen to it and get doubts about it. That definitely happened with Ruins in a sense. However, it’s been amazing playing these sold-out tours full of crowds who know the new songs by heart. When we look at our listeners we can tell that the songs mean so much to them. It’s powerful.

 

First Aid Kit - FAULT Magazine

Johanna Wears: Pink Embroidered Suit by Alice Archer, Silver Silk Shirt by Bogdar, Silver Mules by Jones, Gold Earrings by Dower & Hall, Silver Rings by Dower & Hall, Bracelet by Dower & Hall

 

What do you want people to take away from your latest album? 

Johanna (First Aid Kit): We want people to feel comforted, to not feel alone in their feelings. We hope it’s a relatable album. Everyone goes through heartbreak in their lives, one way or another. It’s important to realize that it’s completely normal and that things are going to be OK. That’s the beauty of sad songs. They allow you to wallow in those sad feelings for a while and then hopefully gather the strength to move on.

What are you working on next?

Johanna (First Aid Kit): Though we just started touring Ruins, we’re already thinking about the next record and future tours. We can’t say much at this point. All we know is we think we’ve got a really exciting future ahead of us.

 

Interview by Ely Watson

To find out more and to purchase RUINS, visit here.

Photographer: David Yeo
Fashion Editor: Rachel Holland
Make-up artist: Jaimee Thomas at Untitled Artists
Hair Stylist: Jordan Leigh
Nail Artist: Diana Drummond
Stylist’s Assistant: Ana Carnu
Photographed at Yoyo Studios

Wireless Festival 2018 set to be the best yet

 

Entering its 13th year, Wireless Festival 2018 is ready to continue its dominance of the London day festival scene. Taking place across 6th, 7th, 8th July, this year’s iteration sees the heavyweights you hear on Spotify every day making their way to Finsbury Park. It’s proved to be the hottest ticket in London town, with all 3 days sold out.

Friday sees the return of J Cole as a headliner to the main stage. Since his appearance in 2016, he’s released two albums both topping the charts in the US. Friday also sees the return of Post Malone, who has had an incredible 2018 with his album Beerbongs & Bentleys breaking the first day streaming records on Spotify. Supported by PARTYNEXTDOOR, Big Sean and British behemoths Wretch 32 and Wiley, Friday promises to kick the weekend off in style.

Man of the moment and king of grime Stormzy take the stage to headline on Saturday. From a late afternoon appearance in 2015 away from the main stage, Stormzy’s elevation to the main stage speaks volume of the impact he’s had on the music scene since. He’s supported by hip hop’s power group Migos and Stormzy’s heir apparent to the throne, J Hus.


Closing out the festival will be DJ Khaled and friends, with some exciting surprises in store for festival-goers. The notable headliner is supported by revered grime artist Grime and the energetic Lil Uzi Vert.

Each day sees a whole host of emerging British talent taking the stage from 3.30pm onwards, including Mist, Kojo Funds, Big Shaq and Mostack to name a few.

For those lucky enough to grab their ticket, it promises to be a stunning weekend. And one which will leave people already looking ahead to Wireless 2019.

MNEK roars back with exclusive FAULT Magazine Photoshoot and new video ft. Hailee Steinfeld

Words & Photography: Miles Holder

Styling: Edith Walker Millwood

Grooming:Bianca Simone Scott

Styling Assistants: Leslie & Felicia

 

MNEK returns today with a brand new track from his upcoming debut album! It’s hard to imagine, but despite years of releasing hits to the world, MNEK is still only 23 years old. New track entilted ‘Colour’ also features vocals from Hailee Steinfeld. We sat down with MNEK to talk all things music, his big battles and look to what will no doubt be, an even brighter future.

 

In other interviews, you’ve mentioned never having a figure like yourself in the industry, is it harder to pen an album when you don’t have a reference to learn from? 

I think when I say that, I mean that I don’t have an artist who is like me. Just as far as being out and being an openly gay musician and I drew influence from different areas of music that I love. I always grew up loving 90’s rob, prominent voices and dance music and so it was just an amalgamation of all those things but with my spin on it. Doing it without a point of reference makes it more fun too because there aren’t any rules that I have to follow.

Colour by MNEK & Hailee Steinfeld on VEVO.

 

Your early music and all-around demeanour at the start of your career was far more muted that it is today, did you ever feel like you were being pressured to tone it down back then?

 

I think I was figuring it out. I think sometimes we get so caught up in the evolution of artists being a sudden “now I’m the real me and doing when I want” but really evolution is about the changes that lead up to that point. I can say that getting to that point 18/17 when I was releasing records, that’s who I thought I was. There were some things that I was maybe surprising, but I guess that comes from the knowledge that I have now. Now, when I’m surpessing something, I know that I’m doing it, but more importantly, I remember when to stop. When I first started putting out records, I didn’t think I was gay. So all the rudimental records stuff, was me figuring things out while growing up and being on tour and getting into the Industry and it was a lot! Now thankfully I’ve established myself as a writer-producer which has given me the comfortability to be myself and find myself

 

 

What would you say is the goal of this record?

I have a bigger goal and more of a target and what more my career can do. I think when I was putting out music, these were all songs that I loved and I’d written, but now I come with the knowledge that if I’m putting myself out there, it has to help people or for me to be the template for young artists that I didn’t have.

 

And what is the overall goal of your career in music?

To be the template, I think the main thing for me is not to be the main one, while it’s great for me to be out here saying “I’m the only openly gay pop star” what my goal is, is for me not to be the last.

 

You’ve made a point about always being yourself, but that can be a detriment to your fanbase and people who don’t agree with your choices – why not stay silent?

 

Everything happens for a reason, and I have a unique career in the way that it’s not conventional for the person I am to be making music that I’m making. I think that everything I’ve done up to this point has happened for a reason and I’m at a point where I’m doing all that I could have dreamed of.

 

It’s a great album, I was expecting because of the messaging, for it to be a more melancholic album, but it’s really uplifting!

I sometimes think when it comes down to the gay narrative, it can come across as unrequited love and sadness or that being gay is a hard knock life when in fact, being gay is jokes and so much fun. I have great friends, incredible stories to tell both mine and others and I think there are ways of singing about our experiences and still having a good time. I have ballads on there which are sad, but it’s mixed with sass and my score sting.

 

You’ve written a lot for other artists, how different is your process when writing for yourself?

It’s both different and the same. When I’m writing for another artist, I’m tailoring it for them. I’ve got to talk to them, and I ask “what are you going through” but when it’s for me, it’s the same conversation, but I’m just having it with me. The way I see the world is different to how DUA will see the world or Zara or Beyonce so I can help paint the picture but it’s got to come for them.

Is it hard putting so much of yourself into your music

No, because I started in the industry when I 14, what was I going to write about at that age. So I grew up and went through things, and that inspires what I sing about now, and I don’t have a problem with it. What’s exciting about releasing this album, is it not belonging to me anymore and it will belong to the fans.

 

What’s your biggest fear?

Failure, but that comes in different forms. I haven’t learnt to drive a car, but I’ll be damned if I have to kill someone and to be in control of my transport.

 

What is your FAULT?

I’m incredibly self-conscious which is more from a vanity point of view, as a result of being a big kid and having the weight issue. I’m working at it, and we should all work on our mental health every day and making sure we are our best selves.