FAULT Favourite: The Hot Child jeans – a uniquely designed product specifically for men

 

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If jeans were people then we might have just made a new best friend. The Hot Child (or THC for short) label name comes across as a mix between a chilled out ’70s Cali groover and a dangerously trendy NY noughties chick. Suffice to say that this was love at first sight.

The jeans brand, founded by Octavio Silva this year (2014), is stylish, sophisticated and surprisingly personal in its approach. The Ft Lauderdale, Florida resident clearly cares about each individual product and the way his products fit and generally interact with each of his customers. Of course, part of that is synonymous with owning and operating a brand still in its infancy, but Octavio’s evangelising of his product and eagerness to see each set of jeans go to a happy home transcends a simple self-preservation business instinct.

It may have something to do with the founding principle of THC – the all-too obvious yet previously disregarded notion that perhaps, just perhaps, someone should design a pair of jeans with the male physique in mind. After all, we’ve all heard the horror stories about how tight-fitting and skinny jeans can affect fertility in men. When one really sits down and thinks about, it’s simply mind-boggling that no-one has previously thought about creating a product like the one that Octavio and THC have now pioneered.

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With patents pending internationally, THC are set to go big in the next 2-3 years. The brand is quirky, cool, and original. The playful, tongue-in-cheek JUNK tag complements the brand’s USP: its specially designed pouch in the front to hold a man’s…erm…manhood in perfect comfort. On top of all that, this is a company that cares. In a world were so-called ‘ethical’ brands are now two a penny, THC opts not to adopt the term as a label. They prefer to let their actions speak louder than words:

- A stylish product that celebrates individual body shape and prioritises individual comfort and health.

- A commitment to plant a tree for every product sold.

- An information email and follow-up contact for every customer served.

These are the sorts of things ‘ethical fashion labels’ talk about doing, while THC actually does them.

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THC’s first design, DANK, is already a sell-out success – although you can still purchase sets of their second product run via their website here – and, needless to say, a firm FAULT Favourite. We love everything about this product, right the way through from the unique design to its 98% cotton, 2% lycra selvage material. The buttons on the fly ‘pocket’ or ‘pouch’ are beautifully crafted – as indeed is the finishing all over. When these jeans turn heads, you know that it’s just as much because of their superlative quality as for their idiosyncratic design.

Now that we’ve had a chance to think about it, if jeans were people then THC probably wouldn’t be your best friend. They’d be your lover. Now head on over to www.thehotchild.com to get your hands on THC’s Junk!*

* N.B: If you can’t handle the homosexual connotations of this joke then these jeans probably aren’t for you – because you need to grow a pair!

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All images courtesy of THC

‘L.A Girl’ Exclusive Fashion Editorial for FAULT Online

 
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Photography: Leriam Gonzalez
Styling: Suzi Grgurich
Hair: Anna Lyles for Cloutier Remix
Make-up: Luis Casco
Model: Felicia Karlahag with Hollywood Model Management
Production Manager: Abigail Nieto
Photo Assistant: Daniel Johnson-Kim

‘Hate Me #ILoveYou ‘ – Behind the Scenes of this exclusive editorial for FAULT Issue 18

Get behind the scenes of Roger Weiss’ shoot, ‘Hate Me #I Love You’ – exclusively for FAULT Issue 18: The RAW Issue. The backstage video for ‘Hate Me #I Love You’ was shot by Andrea Todaro and the editorial was styled by Diana Andreea.

For more Behind the Scenes footage and fashion exclusives, visit our FAULT Film page
…and you can also check out some shots from the editorial inside the issue below:
hate me # i love you cover (Custom)
hate me # i love you2 (Custom)
hate me # i love you3 (Custom)
hate me # i love you4 (Custom)

‘Hate me # I love you’ showcases designs by Paul Smith, Calvin Klein, Costume National, Christopher Kane & more. Special Thanks to Studio Soldano.

 

FAULT MAGAZINE ISSUE 18 – THE RAW ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

EXCLUSIVE FASHION EDITORIAL FOR FAULT ONLINE – CATHERINE HARBOUR’S FAULT

I.D Sarrieri Bathing Suit: I.D Sarrieri Cuff: Kara Ross www.kararossny.com

I.D Sarrieri
Bathing Suit: I.D Sarrieri
Cuff: Kara Ross www.kararossny.com

Bathing Suit: Stylists own Cuff:  Kara by Kara Ross

Bathing Suit: Stylists own
Cuff: Kara by Kara Ross

Bathing Suit: I.D Sarrieri  Bracelet: Stylist Own

Bathing Suit: I.D Sarrieri
Bracelet: Stylist Own

Jewelled Bathing Suit: River Island Bee Bracelet: Strange of London

Jewelled Bathing Suit: River Island
Bee Bracelet: Strange of London

Jewelled Bathing Suit : River Island Bee Bracelet Strange: London

Jewelled Bathing Suit : River Island
Bee Bracelet Strange: London

White Bathing Suit: Stylist Own

White Bathing Suit: Stylist Own

 

Photographer:  Catherine Harbour @LHA Represents
Stylist Rachel Gold @ Mandy Coakley
Hair Enzo Volpe @ Mandy Coakley using fudge hair care
Make up Katie Pettigrew @LHA Represents using Mac cosmetics
Black bob hair – Margaux @models 1
Long hair – Danii Newman@ storm models
Photographers assistant Olivia Ezechukwu

Dannii Minogue – exclusive shoot for FAULT Issue 18′s reversible cover

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Dannii Minogue was shot in London by photographer James D Kelly and styled by Rachel Holland exclusively for the front cover of FAULT Issue 18
Click here to pre-order your copy of this issue!

FAULT Magazine Issue 18 – the RAW Issue features multi-talented Australian beauty Dannii Minogue as its reversible cover feature. Dubbed (by us, for the feature ‘s title) the “Down Under Designer Darling”, Dannii’s sense of style is self-evident as she shines in looks by the likes of Nicole Farhi, Missoni and Viktor & Rolf.

Shot exclusively for FAULT at the Hoxton Hotel in London by photographer James D Kelly with styling by Rachel Holland, Dannii’s feature includes an in-depth interview and runs over 9 pages in the magazine, including the Style section cover inside the magazine.

In the interview, Dannii speaks about life in Australia with her 4 year old son, Ethan, her desire to get back into TV in the UK, her dreams of working on her own productions and her continuing achievements in the fields of music and fashion.

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FAULT: We hear that you’re looking to do some other things in future in addition to working on ‘X Factor (Australia)’ – could you elaborate?

Dannii: I’ve been having meetings about TV that I might come back and do here. I definitely want to come back and do something – I’m just trying to find the right thing, Leaving X Factor here when it was just such a juggernaut… you kind of want it [the new project] to be something just as special. I guess I am looking for projects where I can be involved, not just as hired talent but more from the production side. I’m starting to look at that as something I can retire into – not just yet but, at some point, I’d love to being doing both: being on camera and also involved in the production.

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Interview by Louis Sheridan

That’s definitely the way to do it, take control! Let’s talk about music too… I hear you’re back in the studio, can you tell us more about that?

Yeah, I recorded some stuff that I’ve co-written and some stuff that friends have written and others that I’ve found and just love. I’m just trying out loads of different stuff with no pressure of a record company or a deal or a date or anything. I’m actually really enjoying it. I’ve spoken to a few record companies, I’ve said I’m not ready to commit to anything and they’re like, “That’s cool, that’s how it should be. Just do it and enjoy it, and from that enjoyment you’ll find something”, so I’m just seeing if I can find that something special but, again, it’s been so long since I’ve done it that I don’t want to come back with something unless it’s special.

You recently announced the launch of your own online e-commerce store, DanniiShop.com, and have also worked on a clothing line in Australia for petite sized women [Dannii for Target, available in Australia]. Tell us about that?

Yeah, I’ve been working on a big range of stuff, primarily for Australia, at the moment. Earlier this year we were just trying to make sure that you could get the stuff of DanniiShop over here – delivered online and stuff – and now you can. That’s a project that I love working on.

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Get the full shoot and interview – only in FAULT Issue 18.
Click here to order your copy for delivery worldwide!

 …

What is your FAULT?

My fault… I think I’ve noticed I’m a real worrier. Especially since being a mum, I just worry about stuff and I’m like, “I don’t want to be that person!” I worry a lot, it’s stupid. It’s such a waste of energy and time – I need to toughen up!

FAULT MAGAZINE ISSUE 18 – THE RAW ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

FAULT MAGAZINE BACKSTAGE BERLIN FASHION WEEK – Franziska Michael

 

 

 Take a look backstage with FAULT magazine collaboration with photographer Heiko Laschitzki

Fashion Week Backstage

Fashion Week Backstage

Fashion Week Backstage

Fashion Week Backstage

Fashion Week Backstage

 

Fashion Week Backstage

OneRepublic’s Ryan Tedder – first look at our exclusive Men’s section cover shoot for FAULT Issue 18

 

FAULT Magazine Issue 18 – the RAW Issue features OneRepublic front man and unstoppable hit-maker Ryan Tedder on it’s internal Men’s Fashion section cover. In addition to the cover, Ryan’s feature – which includes an in-depth interview and exclusive photoshoot by photographer Kell Mitchell and stylist Patricia Villirillo – runs over 6 pages in the print issue.

 

Rayn Tedder for FAULT Issue 18

OneRepublic’s Ryan Tedder was shot in London by photographer Kell Mitchell and styled by Patricia Villirillo exclusively for the Men’s section cover of FAULT Issue 18
Click here to pre-order your copy of this issue!

… 

FAULT: What was working with Leona Lewis for her break-through single ‘Bleeding Love’ like?

RYAN: I would’ve bet money against that song being a hit anywhere outside of the UK.  That’s how cynical I was. I had no idea of the expectation that there was for it. I didn’t even know till after we did the song that she had been on X Factor.

 

FAULT: Did you feel any pressure from Simon Cowell’s label?

RYAN: Of course. Simon didn’t get to where he’s got by sitting back in the passenger seat and just assuming or hoping that things will just take care of themselves. His label is aggressive, flat out aggressive. They have an objective, they have a goal, a single-minded goal and everyone at that label is dead on in their approach. They’re like, ‘here’s when it’s coming out, here’s when it’s due, boom boom boom boom boom boom.’ When you’re making an album you can move things around, but when you have TV involved it is completely different. Their calendar is their bible. They cannot change the dates of when something is going to broadcast and so because of that they have a more militant approach.

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Ryan wears looks by the likes of Alexander McQueen, Givenchy and Ann Demeulemeester. Interview by Chris Purnell.

FAULT: Does it feel different working on one of OneRepublic songs as opposed to a song for someone else?

RYAN: OneRepublic songs are a lot harder for me. I compare it to theatre. A OneRepublic album is a play written, directed, produced, performed by us, by me, but when it’s for another artist I feel like I wrote the dialogue, but I don’t have to stand on stage and deliver it, so I’m not the one getting tomatoes thrown at ‘em if it doesn’t go well.

 

On making pop music: “You have to have hits all the time: that is your currency. You have to have the most cutting edge, innovative, driving, fantastical songs that the world instantly reacts to. They don’t need a lot of thought, and you don’t have to dig deep. “

 

FAULT: Have you ever worked in the situation where the artist hasn’t been in the driving seat but it’s been the machine behind them?

RYAN: Yes. If the artist is part of the machine then they’re too busy to really artistically care, they just say, ‘Give me the biggest hit.’

 

Ryan Tedder - FAULT Magazine Issue 18 - inside shot 1 WEB

Get the full shoot and interview – only in FAULT Issue 18.
Click here to order your copy for delivery worldwide!

 

FAULT MAGAZINE ISSUE 18 – THE RAW ISSUE – IS AVAILABLE TO PRE-ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

FAULT Magazine backstage Berlin Fashion Week – Augustin Teboul

 

Chaos meets sophisticated Augustin Teboul latest collection.

Take a look backstage with FAULT magazine collaboration with photographer Heiko Laschitzki

Fashion Week Backstage

Fashion Week Backstage

Fashion Week Backstage

Fashion Week Backstage

Fashion Week Backstage

Fashion Week Backstage