FAULT Music

FAULT Favourite Jacob Perlmutter’s debut album FREE DOWNLOAD + new music video premiere

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Our Twitter followers might remember our Summer love-in with globe-trotting renaissance man Jacob Perlmutter. After coming to our attention many moons hence as a gifted filmmaker, Jacob announced the impending release of his debut album, Meanwhile, in Rio, earlier this year in late July.

The album was recorded with Brazilian producer Diogo Strausz in March this year. Now considered one of Brazil’s top music producers, Diogo’s most recent album soared to number 2 in the iTunes charts in Brazil. ‘Kicking Back’, track 5 on Meanwhile, in Rio, also features Castello Branco, a Brazilian songwriter whose album Strausz also produced and has had over 150,000 downloads.

Not convinced? Well, luckily for you cynics, we’ve managed to secure an exclusive premiere for Jacob’s brand new music video for track #4 from Meanwhile, in Rio, ‘We Share a Cloud’. Check it out here:

After what one can only hope has been a brief respite following a hectic 18 months attracting support for, writing, recording and promoting Meanwhile, in Rio, Jacob has recently announced his intention to start working on a new multimedia project, starting with around 40 new tracks which will eventually be boiled down into a sophomore album.

In the meantime, however – perhaps that should be ‘Meanwhile, at FAULT‘ – we’ve been lucky enough to secure an exclusive opportunity for our readers to download Jacob’s entire debut completely free of charge.

To get your free copy, simply head over to www.meanwhileinrio.com and click the download link for around 76MB (or, more conventionally speaking, 10 tracks) of FAULT-approved, Rio-recorded musical whimsy.

Jacob Perlmutter by Eduardo Magalha_es 1 (Medium)

Photography by Eduardo Magalhaes

Video footage from one of Jacob’s early gigs in London’s Portobello Road reveals his ability to capture the imagination, not only with his recorded material but also by sheer force of personality in a live context:

For more information on Jacob, please visit:

www.meanwhileinrio.com
www.twitter.com/jacobperlmutter
www.facebook.com/jacobperlmutterartist
www.jacobperlmutter.com

Tyga – FAULT Issue 19 Music section cover star

 

Tyga - FAULT Issue 19 Music cover

FAULT Issue 19’s Music section cover star Tyga was shot by Dove Shore and styled by Leah Adicoff and Leah Henken.
Click here to order your copy of this issue!

Cash Money/Young Money rapper and entrepreneur Tyga is hard at work perfecting The Gold Album: 18th Dynasty, set to drop November 18th. This could explain why, despite numerous efforts to connect with Tyga, he was unavailable to speak with FAULT. Nevertheless, this third studio release seems to be an early 25th birthday present, a passion project that has been gestating since the summer.

Tyga has been steadily rolling out select tracks from the album, including ‘Wait For a Minute’ featuring Justin Bieber and ‘Hookah’ featuring Young Thug. Additionally, Tyga has teamed up with past collaborator Chris Brown for the Fan of a Fan 2 mixtape, the follow-up to the 2010 release that featured ‘Deuces’.

Tyga for FAULT Magazine Issue 19

Tyga wears designs by Official Last Kings, Saint Laurent, Givenchy & more in this FAULT exclusive shoot.Words by Vanessa Willoughby

Like any good mini-mogul, the rapper has made efforts to gain inside knowledge of his business ventures. The rapper flew from California to New York City to attend NY Fashion Week, where he made an appearance at Alexander Wang’s Spring 2015 show.

With such a packed schedule, it’s easy to see why Tyga is always on the go. After all, when you’re busy overseeing a fledgling empire, who really has time to make small talk?

Tyga - FAULT Issue 19 (inside 2)

Get the full shoot and interview – only in FAULT Issue 19.
Click here to order your copy for delivery worldwide!

FAULT MAGAZINE ISSUE 19 – The Millions Issue – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Usher UK + EU tour: FAULT Issue 19 cover star announces UR Experience – on sale now

Usher for FAULT Issue 19

FAULT Issue 19 front cover star Usher was shot by Sinisha Nisevic and styled by Sammy and Judy/Cloutier Remix.
Click here to pre-order your copy of this issue!

FAULT Issue 19 front cover star Usher has announced his first UK  and European tour in 4 years. The UR Experience tickets went on sale TODAY, with the star visiting 23 cities over a period of nearly two months starting February 13th 2015. Usher’s upcoming shows are said to include a fresh take on early and recent hit songs – as well as some new music from his much-anticipated forthcoming eighth studio album.

Speaking about the tour, Usher said, “With The UR Experience, I want to give my fans an ever-changing live show full of surprises and special guests. I am really excited to be with my fans and give them an Usher experience like they’ve never seen or heard before.”

THE UR EXPERIENCE
*All dates and venues below subject to change.  Additional dates to be announced

Date               City                              Venue                          On-Sale

Feb. 13       Montpellier, FR              Park & Suites Arena      Oct. 3
Feb. 15       Paris, FR                      Zenith                           Oct. 3
Feb. 20       Oslo, NO                       Spektrum                      Oct. 10
Feb. 21       Stockholm, SE              Globen                          Oct. 6
Feb. 23       Helsinki, FI                    Hartwall                         Oct. 10
Feb. 27       Copenhagen, DK            Forum                           Oct. 10
Feb. 28       Hamburg, DE                 O2 World                      Oct.10
Mar. 2         Koln, DE                       Lanxess Arena              Oct. 10
Mar. 3         Antwerp, BE                  Sportpaleis                    Oct. 10
Mar. 4         Amsterdam, NL             Ziggo Dome                   Oct. 3
Mar. 6         Zurich, CH                     Hallenstadion                 Oct. 10
Mar. 9         Munich, DE                   Olympiahalle                 Oct. 10
Mar. 10       Vienna, AT                    Stadthalle                      Oct. 10
Mar. 12       Mannheim, DE               SAP Arena                    Oct. 10
Mar. 14       Nottingham, UK             Capital FM Arena           Oct. 3
Mar. 15       Sheffield, UK                 Motorpoint Arena           Oct. 3
Mar. 17       Glasgow, UK                 The SSE Hydro              Oct. 3
Mar. 18       Newcastle, UK               Metro Radio Arena         Oct. 3
Mar. 20       Dublin, IE                      3Arena                          Oct. 3
Mar. 21       Belfast, UK                    Odyssey Arena              Oct. 10
Mar. 23       Manchester, UK             Manchester Arena          Oct. 3
Mar. 24       Birmingham, UK            NIA                               Oct. 3
Mar. 26       London, UK                   O2                                Oct. 3

For the latest tour information please visit www.usherworld.com or www.livenation.co.uk

Join the conversation at #URXTOUR

FAULT REVIEWS: UNKNOWN FESTIVAL

 

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We couldn’t find a better festival to end the season than Croatia’s UNKOWN Festival. It is a truly unique experience with an unbelievable amount of activities to participate in and to make the whole experience better, it’s on a beach! As far as foreign festivals go, this one’s easy to get to from the UK flying direct to the nearest town Rovinj with organised coaches collecting you to ensure your safe arrival at the site. Of course you get the opportunity to camp at the event but for the less adventurous or the more self-indulgent, guests may choose to stay at the 4-5* accommodation on and off site. We swiftly checked into our Villa which offered great views of one of the stages and the beach, a breath of fresh air from the usual grey polluted South London we escaped from!

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The Festival runs from Monday – Friday and even though we arrived on the Sunday evening, the site was fairly busy already with several balconies having their own mini ‘warm up’ parties, the beach and pool area strewn with bikini clad bodies. The crowd had a great age mix, not too young like many mainstream UK festivals now, and everyone was on a festival high, chatting away to fellow festival goers. With a quick food and booze run to the town centre, we returned in the early evening to find the house DJ’s already livening up the atmosphere at the ‘Pool Terrace’ which was a nice unexpected surprise as the festival hadn’t even officially opened yet.

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The following five nights were a mixture of chilling on the beach, dancing by the pool, pier jumping and hammock swinging in the forest. With it being a longer festival, but not too big you get to know quite a few people on the site very quickly, always bumping into each other at one of the six stages. Tuesday saw the opening of the main stage. Chvrches drew in a huge crowd with their synthy pop tracks. Headlining was Chic Ft Nile Rogers- such a party atmosphere and so many smiles. Followed by a wander to the Forest Stage to catch the end of Erol Alkins booming set, Daniel Avery and finished off with a dance at the ‘Just a Little Medina’ stage to some BeeGees, Madonna and other equally cheesy tunes!

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With bellies full of pizza (the food of choice – delicious in this region due to its proximity to Italy) and recharged by the sun, day 2 saw the first set of boat and island parties which all sold out in minutes. Kink played an eagerly awaited live set, getting the crowd going, even in the sudden downpour of rain. Crowds still remained strong throughout an extended four hour muddy Seth Troxler set, and George Fitzgerald kept up the Forest Stages reputation for finishing the night on a bang, never fails to please!

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The final two nights were loud and muddy! Ten Walls played to a massive crowd, with Walking with Elephants being the perfect track to stomp to in the now pretty deep mud. Moderat finally played the festival after having to cancel in 2013, were the highlight of our festival, closing the main stage with a bang. And of course, Unkown Festival’s legend being Jackmaster closing the whole festival on the Forest Stage, billed for 4-6 we could still hear him playing ‘bangers’ when we went to bed at 9am…

Keep an eye on FAULT Online to stay up to date with all LXN’s amazing coverage.
For live updates, you can also follow their social media accounts
Twitter: @noahlxn  @_L_X_N
Facebook: /LXNCollective

FAULT issue 10 stars Far East Movement release new track: ‘Grimey Thirsty’

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Remember when the airwaves were dominated by ‘Like a G6‘? FAULT Issue 10 stars Far East Movement, the group behind the aforementioned 2010 Billboard Hot 100 hit, have just dropped a new song from their upcoming KTown Riot EP.

The track, ‘Grimey Thirsty‘, a trap-heavy party anthem, features a high-energy verse by YG. When asked about the recording process for the song, Far East Movement member Kevin Nish said, “When we were in the studio with Rell [Central-American EDM producer] working on the Murder Was The Bass project, we were just messing around and slowing down all the 150bpm trap tracks we had to 100bpm. The drums snapped in a different way that reminded us of some old school MOP energy that our fans could really rock with.”

The group has started to slowly unveil the tracklist for KTOWN Riot with previous releases such as ‘Bang It To The Curb’ and ‘The Illest’, which featured Riff Raff.

Can’t wait for the full EP? You’re in luck; the wait isn’t too long. KTOWN Riot has an official release date of October 28th. The group is currently on their Rager Nation tour and recently played for eager fans in Australia.

Words: Vanessa Willoughby

THE MADDEN BROTHERS – TASTER FROM OUR EXCLUSIVE SHOOT FOR FAULT ISSUE 19

 

 

The Madden Brothers were shot in London by photographer Miles Holder exclusively for FAULT Issue 20 Click here to order your copy of this issue!

The Madden Brothers were shot in London by photographer Miles Holder exclusively for FAULT Issue 19
Click here to order your copy of this issue!

 

FAULT Magazine Issue 19the Millions Issue will feature instantly recognisable rock siblings the Madden Brothers inside its Men’s section. Fresh from their reincarnation as a double act after their successes as founding members of Good Charlotte, Benji and Joel have released a new album – Greetings from California – under their own name.

FAULT: Why have you decided to fully focus on the Madden Brothers project?

Benji: I think it was a natural progression… it would be easy to sit back and say “we can go around the world and get paid just doing stuff we’ve done for years “– but it’s not fulfilling. I want to make something new and relevant to now, and that was where the real desire was – that’s what we set out to do with this record.

Joel: [When we started Good Charlotte, aged 16] we were kids making music about shit we were going through. Well, we’re not going through that any more – I’m married with two kids and we’re living life… We’re full-grown so we have to make music which is relevant to our lives now.

 

Miles Holder

Interview by Kevin Lyster

 

FAULT: What direction do you see Madden Brothers going in with Greetings from California and beyond?

Benji: When people heard ‘We Are Done’, most said, “Who is this?!” It doesn’t sound like anything we’ve ever released. It can go anywhere we want it to – we were talking about it recently, one of the things we’ve always loved doing is harmonies – it’s one of the things people remembered about Good Charlotte – so we decided we were going to do it properly. We worked a lot with Pharrell on the record – we wrote two songs on the record with him – he really gets the vision and supports it. Three years ago, when we decided to do this Madden Brothers thing, we told him how we wanted it to be and he was like, “Yeah the Eagles, I can see that shit.” He’s a visionary and then we started writing songs [together].

Joel: We listened to The Beach Boys, The Eagles and then, as teenagers, Sublime and then Dre’s Chronic and all these hip hop records – we’ve been in California for 10 years and while we are from the East Coast, it was [always] our dream to get to California.

Miles Holder

 

FAULT: What brought you to the decision to split the album into two sides?

Joel: The thing that brings both sides together is that California vibe. Whereas one side is more Phil SpectorBrian Wilson, the other side feels like The Eagles, Steely Dan, Steve Miller Band – it’s a trip but it oddly works!

 

The Madden Brothers’ debut single ‘We Are Done’ and album ‘Greetings From California’ are both out now on Capitol Records.

FAULT MAGAZINE ISSUE 19 – THE MILLIONS ISSUE – IS AVAILABLE TO PRE-ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Meet The Dove & The Wolf

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By Corrina Gramma

The Dove and The Wolf are two French girlfriends who started to play music together at age 14. They came to FAULT’s attention through Nowness that recently shared Lou + Paloma’s The Words You Said music video directed by Zack Spiger and featuring models and actors Paul Boche and Jessamine Bliss Bell. A special thanks to Paloma’s mother for matching these two souls together and to fashion designer Gaby Basora + singer Rachael Yamagata who sort of boosted up their music career… Meet the dove, Paloma Gil, and the wolf, Louise Hayat-Camard.

FAULT : Louise, Paloma, who are you ?

Paloma : We are both twenty-four and were full-time students up until 6 months ago – as we were offered to go on a 7 week long US and Canada tour, we both decided to drop out of school. I was studying cinema.

Louise : And I was studying architecture.

FAULT : School is out of mind, forever ?

Paloma : We’ll see. For now we’re taking the year off to focus on music, because that’s what we really want to do.

FAULT : How did you two connect ? Tell us how it all started please.

Louise : We actually met online, ten years ago, at age 14. I was living in Martinique and I met Paloma’s mother IRL, at a dinner party. We had a very long talk and I guess I somehow reminded her of Paloma so she thought it’d be fantastic to meet. But because I lived across the Atlantic, that had to happen on MSN messenger!

Paloma : Yes, we were only talking about music. We met two months later, in April 2004, when Lou was visiting her father in Paris.

FAULT : Where does this passion for music come from ?

Paloma : I don’t really know… I started playing the viola when I was 4, and then I got into playing the guitar when I was 13. I enjoyed it more cause I could sing along.

Louise : I started with the piano, and played it for years – I was taking lessons but I smoothly stopped as I was not really into reading music sheets… So at 13, I swapped the piano for the guitar. The first guitar I played was my birth’s gift from my father.

FAULT :  How would you describe your musical genre ?

Paloma : A friend of ours once described us as a ‘ambient pop-folk’ band, and I liked it. I think it is pretty accurate.

Louise : It is a tricky one. We don’t really have a specific genre – it is a mix of 1960’s harmonies and modern sounds.

FAULT : Where do your respective musical influences meet ?

Paloma : We listen to the same music. I mean, we first became friends because we were listening to the same bands…

Louise : And we spend almost all of our time together, so our references are very similar. We used to listen to a lot of British bands but most of the music we listen to now, is american. We listen to everything… From Boyz II Men to Grizzly Bear, Sharon Van Etten, James Blake.

Paloma : And Beyoncé !

FAULT : What is on your mind at the moment ?

Louise : I recently went to see Phox live – they gave such a generous performance, it was magical !

Paloma : Blake Mills’s new record just came out and I have been listening to it a lot… We also went to see Lauryn Hill a few days ago. It felt amazing to immerse ourselves in her music again.

FAULT : Why did you pick an English name for your French band ?

Paloma : Lou woke up one day and said she had a dream about us being called The Dove and The Wolf. It felt right.

Louise : Paloma is Spanish for « dove » and people call me « Lou » which is almost « Loup », « wolf » in French.

FAULT : And do you think it suits both of you in the end? Paloma being the dove and Louise, the wolf…

Paloma : I think there is a little bit of both in each of us.

FAULT :  Woodstock, NY vs. Paris : was it more inspiring to record in NY ?

Louise : I’m not sure whether or not it was more inspiring to record in NY, it was just a very different experience. One thing is for sure, we enjoy recording in houses surrounded by the woods! We recorded our first EP (4 tracks) two years ago in the countryside two hours away from Paris. We packed the car with a bunch of instruments and recording equipment that we borrowed from friends and we locked ourselves in for ten days to make music. And six months ago, we went up to Woodstock, NY, to record a full album. It was such an incredible experience. We’re only releasing two of the songs we recorded because right now we do everything ourselves, from A to Z, and it would’ve been difficult to mix, master and press a full record all by ourselves. It will be our first full album and we want to do it the right way. We’re hoping to release it with the help of a label ; we will see after touring with Rachael Yamagata what is next for us.

FAULT :  How did you meet Rachael Yamagata?

Paloma : We met Rachael two years ago after she played in Paris and we had a mutual crush on each other. We kept in touch and she invited us to sing with her in NYC a few times when we were visiting. When she heard that we were going to record an album in Nashville, she said there was no way we’d go there and that we were to record in her home studio in Woodstock, NY. No question asked! So we did, and it was amazing!

FAULT : I read a piece about you and your very first video Springtime through the New York Times blog. Nice for a young French duo…

Paloma : We collabotared with Gaby Basora, the fashion designer for Tucker, for our Springtime video. The deal was to make a promotional video for her new collection and in exchange we’d have a music video for our new track. It was shot at Far Rockaway, in Queens. It was a lot of fun. The director had planned that I would be driving a car in the video. Except that I didn’t have my licence! So in the video, when you see me arriving in a legit 1968 Mustang, I am actually being pushed by the team not to take any risks: the owner of the car was on set! (Laughs) Anyways, It was a fantastic experience.

Louise : The director, Yelena Yemchuk, is a wonderful artist. I feel very lucky we got to work with her. She also paints and does photography ; she has directed music videos for The Smashing Pumpkins before… So the combo of the indie New Yorker fashion designer + the young french duo + the artist/director caught the eye of the New York Times and they wrote a piece about it.

FAULT : And this post led you to acclaimed photographer Sebastian Kim.

Louise : It was an incredible experience to work with Sebastian. It was so easy to pose for him. We stayed in touch since ; the cover of our new record is actually an illustration by Corinna Gramma based on one of the photographs he took for the New York Times.

FAULT : Since your early beginnings, what are the best encounters you’ve made ?

Paloma : The Swedish singer Isabel Sörling who sang on two of our former tracks and the singer/guitar player of the band The Shivers. I saw him play at a house show in Brooklyn ; we talked and kept in touch. We asked him to play on our new album because he is just so fucking talented…

FAULT : You seem to be surrounded by a cool crowd of friends… Can you tell us more about your collaboration with Zack Spiger please ?

Louise : A friend, who works with Zack told me about him. I started watching all of his videos and I literally fell in love with his work. He has a very unique way to film music, I’m not sure how he does it but it is magic! And I find it so amazing that he uses film only. We both really support that.

Paloma : About a year ago, we met up and started talking about working together. When we got back from Woodstock, we played him the rough mixes, and he picked The Words You Said.

FAULT : How do you two write and compose ?

Louise : We write and compose together. Paloma sometimes comes up with a chord progression and I find a melody to go with it or vice-versa. It’s a bit like in our daily routine when we finish each other’s sentences… For the most part we write the music first and the words come along.

FAULT : And the words naturally come in English…

Louise : To be honest, we don’t really know how to write songs in French!

Paloma : And besides the fact that we both speak english a lot on a regular basis, our musical background is mostly American, so writing in English feels more natural to us.

FAULT : Can you tell us about your Sofar Sounds experience please ?

Louise : I first heard about this series of gigs through friends. Our mutual friend Sophie attended a gig and she thought it would be awesome to have us performing at the next session so she introduced us to the Parisian organizer and he contacted us. We played in a beautiful apartment at les Abbesses. I had never experienced that before. An acoustic set can be very tricky but playing for people who were being very attentive, with no glasses being broken or doors being slammed, that was amazing.

Paloma : We had played at the Bus Palladium the night before so it was definitely different! And even if the audience didn’t know us at all, they were really listening to our music. Makes playing and singing a lot easier!

Louise : And when we played our sing-along song and they sang with us. It was a lot of fun.

FAULT : What if music wears you out one day… ?

Paloma :  It won’t ever happen !

Louise : For the moment we have no other aspirations than to share our music and I hope it will stay that way.

FAULT : What is your FAULT ?

Louise + Paloma : We are too cool for school !

 

Tour dates US & Canada, with Rachael Yamagata, October 2nd – November 18th.

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Meet New Yorker contrabassist Aakaash Israni, DoM.

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Qasim Naqvi, Amino Belyamani and Aakaash Israni

I remember when I first found out about them. It was during the Winter Jazz Festival 2014 in New York city at Le Poisson Rouge. I was primiraly coming to see perform my friend Keren Ann for a little hour, where I unexpectedly met the French couturier Maxime Simoens and his Press officer Tomek Kolarski. We chatted for a bit until the next band… Red stripe done, I was totally washed out and went to the exit when I got curious about three guys playing new sounds in the pitch dark room with tiny blue spots lighting their instruments. I wanted to listen more so I stayed and I got trapped into their lawless universe… I rushed to the NYC Law School, a few doors down from Le Poisson Rouge, to buy their record and I played it five times in a row before sleeping. The New York Times, NPR Music, Pitchfork, The New Yorker, BBC 3 recently raved about them and now FAULT invites you to take a minute and listen to their haunting -perverse in a good way- music. Meet New Yorker contrabassist Aakaash Israni of the promising band Dawn Of Midi.

 

FAULT : Who are you, Aakaash Israni ?

Aakaash: I was born in India and raised in California. I never felt quite right anywhere until moving to New York at age 29. I started music in 3rd grade, mesmerized by Beethoven’s 5th symphony and Paco de Lucia as a child…. I grew up in San Diego, which is 2 hours south of LA.

FAULT : How did you connect with Amino and Qasim –the pianist and the drummer of the band respectively?

Aakaash : We met at CalArts as friends before we ever thought of playing music together. Amino and Qasim were in a trio with an excellent bassist named Sam Minaie already, so instead we played tennis.

FAULT : Who were your mentor(s) at school ?

Aakaash : The great bassist and composer Mark Dresser and the Master Ghanaian drummer Alfred Ladzekpo.

FAULT : What does DoM mean ?

Aakaash : Dawn of Midi was a phrase Qasim spoke once describing the music of the classical composers of the early 1980’s. It was sort of a non-sequiter in relation to the music we were making at the time (Our debut album First), which was freely improvised and sort of avant-garde. It made no sense. We had no idea we would make an album years later (Dysnomia) that would make the band name appear deliberate.

When we started we only made completely improvised music, so obviously there was no leader. Dysnomia, which leans heavily on the knowledge of African rhythmic concepts, has shifted this dynamic a bit. The album was composed by Amino and myself. Both Amino and I studied in Paris, but at different times. He was at the conservatoire for piano before leaving for CalArts, whereas I left CalArts to go to Paris and study music composition.

FAULT : Can you share with us an anecdote when writing/composing for Dysnomia, please ?

Aakaash : There was a lot of tension, Qasim was losing his father to cancer and was being given these incredibly challenging drum parts to learn and we had about 150 rehearsals before we went to the studio. By the time the album was recorded, our girlfriends had all left us, Qasim’s father was gone, and the hard times were only just beginning!

FAULT : Why creating/performing in darkness ?

Aakaash : This began at CalArts when we first met. I’ve always enjoyed closing my eyes at concerts and have always wanted to give concerts in complete darkness. I think vision dominates our perception and removing it enhances our experience of sound so when we first began improvising together I suggested we do so in the dark.

FAULT : What kind of music do you listen to ?

Aakaash : A lot of African drumming music -from Ghana and Morocco. Also a lot of pop music. I like to try and understand what makes pop music work on the ear the way it does. It is extremely efficient, it has to make you fall in love in three minutes.

FAULT : What are your latest findings in music ?

Aakaash : Shing Kee by Carl Stone.

FAULT : What is your dream collaboration ?

Aakaash : A music video with dancer Marquese Scott directed by David Lynch.

FAULT : What is your FAULT ?

Aakaash : I care too much

 

Dysnomia

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