FAULT Focus: artist Giulio Iurissevich

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Generally speaking, I think that working without excessive calculation, when you can work with ease and freedom, gives you some creative breathing space. That way, you can work with your own instincts rather than under the pressure of rigorous guidelines. That is what I did with this piece, even though it was a special commission.

Being fearless, I feel, is the best way to reach a true result – both for your own integrity and also for commissioned work, when you have to play the game a bit, when other people are looking over your shoulder.

A lot of my best works are always a perfect accident: authentic, spontaneous, uncontrollable. This, for me, is true inspiration.” – Giulio Iurissevich onThe Queen’ (gif version below), a special commission for FAULT Spring 2013

GIF - daisy-lowe by giulio iurissevich

‘The Queen’, a special commission based on Louie Banks’s shoot with Daisy Lowe for FAULT Issue 14. All images by Giulio Iurissevich

 

FAULT: Tell us how you became interested in drawing and illustration.
Giulio: I don’t know, I was born with interest..I love creating images, I was born with this attitude, this memory

Do you practise or take inspiration from any other creative disciplines?
I love music, I was also a mediocre musician, but the music takes me, everything I do I do it along with the music, listening to me

alessordinary-iurissevichbigonlyheadweb

Cropped version of ‘Alessordinary’

What kinds of messages do you try to convey with your work?
Nothing..are just images, are me

envy

‘Envy’

Do you think there is a clear distinction between passion and technique? If so, which is more important, and why?
I am not a technician, I do not feel like that,yes  to express themselves in a certain field  the technique is important, anyway .. sometimes the technique is an aesthetic exercise of complacency at times, without heart .. but what you get is always the ‘energy of the heart, the engine of passion

Who has been the greatest influence on your work – personally and artistically?
I really don’t know, I love street art also and I think that also influenced my work, but my life has changed reading a graphic story of Daniel Zezelj , he’s really one of the best artist I know-http://www.dzezelj.com/

jung

‘Jung’

Have you had formal training or are you completely self-taught?
self taught

Do you have a favourite piece of your own work?
no

quiet 4 a wrong reason

‘Quiet 4 a Wrong Reason’

What would you say has been the biggest achievement in your career?
Being myself,accepting me and my story

What materials do you like to use and how do you feel these contribute to your unique style?
I work with ink and pen on paper and collage and photoshop with tablet

Are the characters in your images based on real identities or do you create them in your imagination?
depends, when I’m commissioned they come out from the brief of the client, when not I don’t know..they come along with it, I do, but I’m not there, it seems crazy but I find myself with the image made

Can you tell us some of your short and long-term aspirations?
knowing me everyday better, loving all days of my life

What is your FAULT?
My crime was to have thought that  it necessary to please others trying to be what I’m not

ScostakBb (1)

See more of Giulio Iurissevich’s work via The Art Collector

Limited editions of Michael’s work are available to purchase. He is also available for specially commissioned projects. Contact the Art Collector for more information.

Interview by Joelle Thurston

 

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‘White Ice’ – Christine Kreiselmaier’s FAULT

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Coat: Ming Ping Tien

Coat: Ming Ping Tien

Jacket: Ming Ping Tien

Jacket: Ming Ping Tien

Shirt & Trousers: Ming Ping Tien

Shirt & Trousers: Ming Ping Tien

Shirt& Shorts: Ming Ping Tien

Shirt& Shorts: Ming Ping Tien

Top & Trousers: H&M

Top & Trousers: H&M

Jacket: Isabell Yalda Hellysaz

Jacket: Isabell Yalda Hellysaz

Skirt slip: & other stories Cage dress: Ming Pien Tien

Skirt slip: & other stories Cage dress: Ming Pien Tien

Top: & other stories

Top: & other stories

 

Photographer: Christine Kreiselmaier
Stylist: Hannah Beck
MUA/ Hair: Bunny Allen
Model: Agnes @Bookings
Photographic Assistant: Alessandra Gasperini

 

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ART13: Exclusive Review for FAULT Issue 14

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The first three days of March saw London Olympia Transformed into an exciting hub of contemporary art, packed with international collectors, artists, gallery owners and anyone with an interest in art.  

This is ART13.

ART13

photography LOUIS SHERIDAN; text CAROLINE DE BREF

 

Art13’s debut was extremely well received and attended and the fair will doubtless build up as an important event in the global art calendar.

VIP day was very busy with a number of major collectors and a few surprise visitors.

Harry Styles of One Direction turned up and bought Ben Turnbull’s small gun-behind-glass sculpture, In Case of Emergency, along with several other works for his new house.

Other guests included Ron Dennis, executive chairman of the McLaren Group, steel magnate Lakshmi Mittal, American businessman and majority shareholder in Arsenal Football Club, Stan Kroenke, and Dasha Zhukova.

Pearl Lam Galleries, eponymously named after its flamboyant owner, had two stands turned into one and drew a great deal of attention because of the large, bold works, including several by Zhu Jinshi, previously profiled in B Beyond Magazine, FAULT’s sister publication.

On display at our stand at Art 13Michael Taylor‘s ‘Wave 39′ (as seen in FAULT Issue 12)

FAULT had a media stand, along with B Beyond and the Linveco Cultural Foundation (a registered UK charity supporting multi-disciplinary creative talent). The stand showcased not just different issues of both publications but also the works of some of the artists/members of the foundation who have contributed cover artwork and been featured in the periodicals, such as Christy Lee Rogers, Anthony Russell and Michael Taylor [examples of works on display are shown above & below].

christy lee Rogers_0197_The Unending Journey

On display at our stand at Art 13Christy Lee Rogers‘s ‘The Unending Journey’

FAULT MAGAZINE ISSUE 14 (SPRING ’13) – THE TASTE ISSUE – IS AVAILABLE TO ORDER HERE NOW.

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40. Get your single issue  for just £7.20

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MAC makeup artist extraordinaire John Stapleton interviewed for FAULT Issue 14

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john s inside

John Stapleton, senior makeup artist at MAC, gives us an insight into the industry. Photo: Vijat Mohindra

The first thing you should know about John Stapleton is that he has spent time not only behind the camera but in front of it. After a background in fine art, John originally started off in the industry as a professional model. He applied the same principals of his formal artistic training to the fashion world. His approach to make-up, in particular, is simple in the fact that it’s all about the person with whom he is currently working. It might sound obvious but the critical aspect of make up artistry does not lie in any one technique or method, says John, but in approaching each client individually based on their needs.

Make-up, John says, is an art form with the human face as the canvas. The most important factor in that artistic process, however, is the personal interaction between the make up artist and his client(s).

FAULT had the pleasure of working with John and one of his personal clients, Kelly Osbourne, last Summer for FAULT Issue 12. We caught up with John again this year at Sundance Film Festival, prior to his numerous jobs at fashion weeks around the world.

FAULT: With such an incredible portfolio of work, with whom do you like working the most? 

John: I love working with all [my] clients.  Applying makeup is such a personal thing; you really get to know the person.  Seeing the “magic” that makeup can achieve and paying attention to each and every client and making that person (no matter who they are) feel great about themselves – whether it be a model, a celebrity or anyone else – is what it’s all about for me.

FAULT MAGAZINE ISSUE 14 (SPRING ’13) – THE TASTE ISSUE – IS AVAILABLE TO ORDER HERE NOW.

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40. Get your single issue  for just £7.20

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FAULT Focus: Internationally renowned designer Tadashi Shoji for FAULT Issue 14

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Tadashi Shoji

FAULT: Tell us about the inspiration behind your Fall/Winter 2013 collection.
Tadashi: The Fall/Winter 2013 collection tells a tale of exiled nobility, inspired by the splendor of the Russian Empire and the eventual fall of imperial Rule.  I recently visited St. Petersburg, Russia, and was most impressed by the city itself, shrouded in the darkness of winter. The resplendent Winter Palace shone brilliantly against the shadowy backdrop of a darkened sky. It was a time fraught with turbulence. Exiled royalty exiled to Siberia, disguised in peasant clothing. Inspired by this escape, this collection marries aristocratic style with folkloric details.

What are your best moments and biggest achievements in the last 30 years? What moments were more challenging?

The first time I showed at New York Fashion Week in 2007 was a challenging yet proud moment.  I felt that showing in New York would raise the brand image as well as expose us to international customers and editors, which is important to our growth.  Another special moment was seeing Best Supporting Actress nominee Octavia Spencer in my dress at last year’s Academy Awards red carpet – and at the podium when she won the Oscar!

What inspired and motivated you to release this capsule collection? What do these looks mean to you?

We reissued and modernised six iconic dresses from the archives.  These dresses were carefully chosen and hand-picked to be reproduced as they define a signature look: the tiered dress.  I still use this technique to this day in my designs, and women appreciate the way the lines drape over and flatter the body.  I wanted the capsule collection to represent colours from the current Spring 2013 collection but in silhouettes that span the past 30 years.

Tadashi Shoji 1

Find out what’s in store for Tadashi Shoji in the near future and his long-term plans exclusively in FAULT Issue 14!

FAULT MAGAZINE ISSUE 14 (SPRING ’13) – THE TASTE ISSUE – IS AVAILABLE TO ORDER HERE NOW.

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40. Get your single issue  for just £7.20

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FAULT Favourites KAV and Rico the Zombie release new single – ‘Dirty Rejects’

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FAULT Issue 10 stars KAV and Rico the Zombie have joined forces to release this sizzling Summer single.  The pair have been collaborating on an album project together in LA since the start of the year.

rico v kav

Collaborators KAV and Rico the Zombie as featured in FAULT Issue 10. Rico was shot by Kai Stuht and KAV by Benjamin Johnson. Both shoots are exclusive to FAULT. Back copies of this issue are available by clicking above, or from the ISSUES page.

‘Dirty Rejects’ is an ode to the overlooked and marries Kav’s naturally nihilistic bent with Rico’s signature energy on-set.  It’s a tantalising combination that comes together in the form of powerful riffs and a darkly catchy refrain.

‘Dirty Rejects’ is out tomorrow, 21st May ’13, and is available via KAV’s website - www.kavblaggers.com
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In The Blood: Exclusive shoot & Interview with ‘The Host’ star Max Irons for FAULT Issue 14

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 With his quintessential British charm, rugged good looks and a Stephenie Meyer film adaptation in theatres—not to mention his illustrious family ties—Max Irons is on track to serious stardom.

 

Max Irons

Max Irons was shot by Mairi-Luise Tabbakh and styled by Kristine Kilty exclusively for FAULT Issue 14

 

FAULT: You’re a boarding school survivor— nerdy or naughty?

Max: Naughty – very naughty.  I got into a lot of trouble.

Who or what has been your greatest inspirations as an actor?

I don’t know if I can put a single name on it.  I mean, it changes one film at a time.  I guess the actors I’m very into at the moment are Ralph Fiennes, Philip Seymour Hoffman, Paul Giamatti …The normal bunch of people.

Tell us a bit about your new film, The Host.

It’s science fiction; it’s based on a novel by Stephenie Meyer.  It’s the only thing she’s ever written outside of Twilight, so there aren’t any vampires.  In this case it’s a kind of a take on Body Snatchers.  I play a resistance fighter – one of the people whose souls haven’t been taken – fighting against the invasion.  It’s directed by Andrew Niccol.  People consider him to be at the forefront of sic-fi directors, so it was nice to have him on board for the film.

Max Irons 1

Max wears looks by Karl Lagerfeld, Diesel BLK DNM and John Varvatos. Interview by Rebecca Unger

FAULT MAGAZINE ISSUE 14 (SPRING ’13) – THE TASTE ISSUE – IS AVAILABLE TO ORDER HERE NOW.

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40. Get your single issue  for just £7.20

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Dots and Dashes

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Dress Y-3, Cylinder VINTAGE, Handcuffs CLAIRE'S, Shoes STYLIST'S OWN, Socks FALKE, Bracelets VINTAGE

Dress Y-3, Cylinder VINTAGE, Handcuffs CLAIRE’S, Shoes STYLIST’S OWN, Socks FALKE, Bracelets VINTAGE

Women's Shirt CLOSED, Bra STYLIST'S OWN, Leggings Y-3, Shoes ZARA, Gloves VINTAGE

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Coat JUNYA WATANABE, Pants LAURE`L, Shoes STYLIST'S OWN, Belt VINTAGE, Bracelets STYLIST'S OWN

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Dress Y-3, Cylinder VINTAGE, Handcuffs CLAIRE'S, Shoes STYLIST'S OWN, Socks FALKE, Bracelets VINTAGE

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Dress BEATA NITZKE, Coat MISSONI, Shoes HUGO BOSS, Hat STYLIST'S OWN, Belt VINTAGE, Clutches VINTAGE

Dress BEATA NITZKE, Coat MISSONI, Shoes HUGO BOSS, Hat STYLIST’S OWN, Belt VINTAGE, Clutches VINTAGE

Coat JUNYA WATANABE, Pants LAURE`L, Shoes STYLIST'S OWN, Belt VINTAGE, Bracelets STYLIST'S OWN

Coat JUNYA WATANABE, Pants LAURE`L, Shoes STYLIST’S OWN, Belt VINTAGE, Bracelets STYLIST’S OWN

Dress BEATA NITZKE, Gloves ROECKL, Necklace STYLIST'S OWN, Bracelets VINTAGE

Dress BEATA NITZKE, Gloves ROECKL, Necklace STYLIST’S OWN, Bracelets VINTAGE

Dress Beata Nitzke, Gloves ROECKL, Shoes JEFFREY CAMPELL, Necklace STYLIST'S OWN, Bracelests VINTAGE

Dress Beata Nitzke, Gloves ROECKL, Shoes JEFFREY CAMPELL, Necklace STYLIST’S OWN, Bracelests VINTAGE

 

Photographer: Stephanie Trenz
Styling: Beata Isabella Nitzke
Hair&Make-up: Sebastian Salas Rodrigez
Model: Michelle ? Spin Model Management
Post Production: Alexandra Binder
Assistant: Monika Stojanovic

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