The Rise Of Owen Teague – Taken From FAULT Magazine Issue 24

Owen Teague – Taken From FAULT Magazine Issue 24

Photography: Lionel Deluy @loveartistsagency | Stylist: Angel Terrazas | Grooming: Michelle Harvey @opusbeauty | Post Production: Pixretouch.com | Location: Special thanks to US Alteration | Production @loveartistsagency

 

Words: Miles Holder

Owen Teague first caught the eye of FAULT during his captivating performance as Nolan Rayburn in Netflix’s ‘Bloodline’. Despite his young age, Owen’s talent matches that of a performer far beyond his years. Currently filming for upcoming thriller entitled ‘The Empty Man’ and with other large projects in the pipeline, I wanted to catch up with the actor while he’s propelled to greatness.

 

It looks like you have a lot of thrillers and horror projects in your future. Do you find the darker productions more enjoyable?

I’ve always been attracted to darker things, ever since being a little kid. I’ve found that thrillers seem to have the fullest characters, regarding having both a dark and a light side. It’s been these kinds of flawed characters that have drawn me to the darker projects.

 

You play the part of Nolan Rayburn in Bloodline, are there parallels between Nolan’s character and your own personality?

Definitely. We’re both searchers, in at least an existential sense. His search is also for home, and how he’s going to eat and sleep and all that, but he also searches for a philosophical home, where he belongs in the world. I also feel that way. So because of this, we’re both kinds of distrustful of the world, and we protect ourselves, in our different ways. Nolan and I also are pretty creative people. We like making stuff. That’s only hinted at through Season 2, but it’s something I think is a big part of his personality.

That being said, our lives are incredibly different, and we deal with problems in very different ways. Everyone who knows the show tells me I’m so different from him, and it’s mostly true. But there is undoubtedly a part of me in Nolan.

 

What do you look for most when auditioning for a part?

I’ve found I really enjoy playing messed-up people. Not bad, or evil, per-say, but troubled. They’re complex, and becoming those people is always a combination of fun and difficult. 

 

What’s been the favourite part of your acting journey so far?

Bloodline, and playing Nolan. When you’re with a character for a long time — multiple episodes, multiple seasons — they start feeling real to you because you know them so well. So Nolan has become this weird kind of other-me, and the Rayburns this other-family. And working on Bloodline is always such a wonderful experience, because of the people and the feeling of the set. And, you know, the Keys aren’t too bad either. 

 

If you could play any part (even if it’s already been done), what role would be the dream role?

Oh man… well, if they ever made a movie about Jack Nicholson, I would love to play him. I mean, I’d love to work with him above that, but I’d also love to play him. He’s a big source of creative inspiration. 

 

Who is your biggest professional inspiration?

Leonardo DiCaprio. I love his movies and what he’s done as an actor, and also his work for the environment. He’s used his power as a celebrity to do something good for the world — in this case, work to combat what is probably Earth’s biggest issue right now, and will be for a long time to come: climate change — and I think that’s admirable, and important. 

Gets To Know ‘The Gifted’ Star Sean Teale

 

Words: Miles Holder

In recent years, comic book adaptations have dominated box office record books, and with the release of ‘The Gifted’, it would seem that the same magic is being brought to the small screen as well.  

Taken place within the X-Men universe and centred around one’s family’s journey to find acceptance, peace and place to call home – we caught up with actor Seal Teale to find out about the role he plays and just why he loves playing it.

 

FAULT: Could you tell us a bit about The Gifted and the role you play in it? 

Sean Teale: The basic premise of the show revolves around an all American family and a government agency called ‘The Sentinal Services’ who are mobilised to prosecute mutants before their powers are activated.

Thunderbird, Polaris and my character called Eclipse, run an underground mutant network, and we try to find safe passage for persecuted mutants.

Eclipse is a new character created for the show,  he was born to a wealthy family, and at the moment his power is to absorb light and fire them out of his palms. He was born in Bogata and got kicked out of his family for being a mutant, and now he’s in the US looking for a family and a place to finally call home.

 

FAULT: While ‘The Gifted’ is an original storyline, it’s derived from the much loved Marvel comics landscape – do you feel pressure to do fans of the comics justice through your portrayals of characters new and old?

Sean Teale: There is a pressure to take on such a loved series of comics. The team are exploring what the X-Men is all about and taking into account how important the universe is to the fans. There is a middle ground with my character, in one way I can go back and read the comics for background on the world that Eclipse lived in but I also have the joy of introducing a brand new character into the fray.

 

FAULT: As you said, Eclipse hasn’t appeared in the comic or cinematic universe, how did that affect your research process?

Sean Teale: For me, it was always about remembering that while Eclipse is an original character, he comes from the same universe of which the X-men and mutant-kind live. In that mind, there is still a vault of knowledge that I could draw from for my character’s motivations as they pertained to that world. Also, culturally  I’m Venezuelan, and I’ve been to the countries my Eclipse comes from so in many ways we shared a similar cultural history too. Not forgetting that Bryan Singer and Matt Nix who are have been huge parts of the X-Men were on board for any questions I might have had.

 

FAULT: Does being on television as opposed to the big screen help tell character-led stories such as ‘The Gifted’?

Sean Teale: I think you can lose a lot of heart on the big screen with all the spectacle of the special effects, but I don’t believe down-to-earth storytelling is the intention of those blockbuster movies. ‘The Gifted’ has a large budget, and we do have massive set pieces, but we are striving for the best of both worlds.

The intention for me as an actor is to make sure our quieter scenes match the same intensity of the large action ones. I think it’s quite relevant, in today’s world and to be honest, any other decade prior. There has always been people fighting for their fundamental rights regardless of skin colour, sexual orientation, religion, sexuality and that’s what this show is all about.

 

FAULT: You’ve been working on lots of sci-fi projects – is that where your heart lies?

Sean Teale: For me, I just want to try everything and tell good stories. My last few jobs have been sci-fi but what I love so much about all the roles is their inclusion of stories which mirror our real world. That could be environmental issues, immigration, percussion and it just so happens that it’s the sci-fi projects which have been telling those stories.

FAULT: You were born in 1992, which means you grew up with the X-Men animated series on TV, were you sad to not see a rail full of similarly bright costumes?

Sean Teale: I think the whole cast is really hoping that at some point we’ll get to don the bright coloured suits. I know that Emma Dumont is really hoping to wear the bright green and cape Polaris costume but as enjoyable as it’d be, it’s not right for the story we want to tell. We’re not superheroes, we’re trying to tell such a grounded story that donning a cape and flying around wouldn’t be correct for this time in the show.

 

FAULT: What is your FAULT?

Sean Teale: It’s always plagued me professionally and personally; I am my harshest critic. When I was younger there was a project about to be in a big movie, and it fell through for an amalgamation of reasons but this one was personal, I was young, and it was too close to a done deal than it should have been. That knocked me a fair bit. A director once said that if you leave the room feeling like you could have done more then that’s your motivation to do better on the next project. If you’re an actor who always feels you can do more, that can hurt your self-confidence and lead to a vicious cycle of disappointment.

 

 

FAULTless Christmas Gift Guide for all-year wellness

Is the Christmas rush making you anxious about what to buy for your dear ones this holiday season? We’ve got you all covered. Here’s our ultimate last-minute gift guide for the special ones in your life.

We’re all about hectic lifestyles – if you’re anything like us, it’s a daily struggle to keep up with your skin, hair and overall beauty routine. This season, we’ve tested out the best products on the market that are bound to keep you fresh and youthful looking for the party season.

 

Proto-Col

Specializing in collagen technology skincare and baked mineral cosmetics, Proto-Col replenishes and restores your skin to its natural youthful status. The Fresh Faced and Fabulous range includes a microdermabrasion gel and a collagen facial gel. The duo is meant to revitalize and get rid of dead skin cells, resulting in a more glowing complexion. As the party season can take a toll on your skin’s natural wellbeing, we highly recommend the two as a beauty pick-me-up.

 

The microdermabrasion gel contains small particles of pearls and diamonds. Using circular motions, blend the gel into your face and neck area and use a warm towel to clear the skin afterward. It might leave your face looking a little red-ish because of the sudden blood flow to certain areas of your face. This is merely a momentary reaction and is followed by a visible glowing and youthful looking complexion. Following the microdermabrasion gel should undoubtedly be the collagen facial gel. As your pores are open, the collagen technology penetrates the first layer of your skin, leaving it smooth and prepped for the day ahead.

 

We recommend the two as a pair. You can find more details at www.protocol.com – prices range from 35£ onwards.

 

Arganikare

 

 

Part of the AlterEgo family, the new Arganikare Miracle Colour Collection features extra gentile formulations, designed to slow down oxidation and prolong colour intensity, while leaving your locks hydrated and luscious.

 

A personal favourite – the Miracle Colour Silver Maintain Shampoo is made of Organic Goji Berry extracts and helps to prolong hair colour. My experience with the Miracle Colour has ranged from astounding to absolutely disastrous. The shampoo comes in a purple shade meant to maintain your initial blonde shade. Used in excess – which I have – will leave slightly purple highlights in your hair. Oddly enough, they look very flattering. Used in normal amounts – it gives your natural blonde quite a silvery undertone which is flattering to all skin types. I’ve been over the moon with the outside reactions I’ve received after using the product. Not only has it restored my blonde to its former glory, it’s also given it a newfound glory.

 

Another favourite is Arganikare’s Day Therapy Shampoo. It’s light and it tames my hair. It’s an extra gentle shampoo formulated to give body, shine and elasticity to colour treated hair.

You can find more details on http://www.alteregoitaly.com/ – Prices range from 10£ onwards.

 

Skimono – Face and Hands Sheet Masks

 

Skimono’s sheet masks use a brand new technology to restore your skin’s vitality. Sheet masks have seen a popularity increase over the year – from high street brands to luxury, and for good reason that is. They are by far the most effective way of quickly revitalizing your skin cells. Skimono offers a wide range of products, for all skin types.

 

Every Skimono mask, whether it’s for your face, hands or feet is particularly designed to target specific issues. The foot mask’s serum is a blend of chamomile and marigold extracts, perfect for soothing and healing the soles of your feet after a busy day.

 

The advanced moisturisation mask is packed with hyaluronic acid, a skincare favourite that helps your skin retain moisture whilst calming the skin.

 

As a special Christmas package that you will definitely be grateful for after New Year’s day – go for the trio: face, hands and feet. Plus, they come in great packaging and make up the perfect last minute gift for your dear ones.

 

Find your perfect fit at www.skimono.com

 

Hot Hair

 

Looking for a new ‘do’ this season? Hot Hair has got you covered with the most luxurious hair extensions available on the market.

 

Made from 100% Remy human hair, they’re super sleek and come in 10 different shades and 2 different sizes. You can choose from 18’’ and 22’’ – both of which are extremely light, hence there is little to no damage done to your hair.

 

The system is quite easy as well – they come in 3 sleek wefts with as little as 4 clips per weft. Whether you want your hair longer this party season or just looking to add a bit of volume to your already luscious locks, Hot Hair has you sorted.

 

The trick is not to leave them in overnight. Even the best products on the market can get damaged if not looked after properly.

 

In terms of looking after them – they’re quite easy to maintain. Or otherwise said, it’s like having to wash another set of locks as they require just as much attention as your natural mane. Die them at your own risk though, as the chemicals might damage the natural feel. They’re heat resistant though, so super easy to style. We recommend that any straightening or curling be done before clipping them into your own hair.

 

Prices start at 225£ and you can find more details on www.hothair.com

‘Artificial Light’ by Frederick Wilkinson – Exclusive Fashion editorial for FAULT Online

Top- Minan Wong
Pants- Layana Aguilar
Shoes- Marc Fisher
Earring- H&M

Blue pants- Chikimiki
Print blouse- Chikimiki
Shoes- Marc Fisher
Earring- H&M

 

Blouse- behno
Earring- H&M

Long sleeve blouse- Behno
Dress- Layana Aguilar
Shoes- Marc Fisher
Earring- H&M

Long sleeve knit top- Chikimiki
Sleeveless knit top- Chikimiki
Skirt- chikimiki
Shoes- ALDO
Earring- H&M

Coat- Layana Aguilar
Earring- H&M

Top- Chikimiki
Long sleeve blouse (worn around neck)- Vintage
Pants- Chikimiki
Shoes- Marc Fisher
Earring- H&M

Top- Chikimiki
Bralette- KORAL
Pants- Chikimiki
Shoes- Marc Fisher
Earring- MANGO

Dress- Layana Aguilar
Shoes- Marc Fisher
Earring- H&M

Photographer: Frederick Wilkinson @fw_photo

Model: Asia, MSA Models NY @asiaprus @msamodels

Stylist: Lauren Walsh @laaurenwalsh

MUA: Elena Thomopoulos @elvendoe

Wig Stylist: Bamby @bambyofsuburbia

Photographer’s Assistant: Yanutzi Diaz @yanutzi

FAULT Favourites: Marius Janusauskas SS18

Marius Janusauskas SS18

“Yes, I was thinking: we live without a future. That’s what’s queer …” Virginia Woolf

Marius Janusauskas SS18

The Marius Janusauskas SS18 collection marries “a wish-landscape”, mythopoetic categories and queer temporality. The refusal of a certain natural order opens up new possibilities for hope and diversity in the present moment. This celebration of the moment signifies utopian potentiality and an escape from the constraints of reality.

The collection is inspired by uniforms, Andy Warhol’s early hand-drawings and camouflage, which is this context is viewed as an artistic approximation of nature. The process of deconstruction of regular military, white collar and workers uniforms with soft silks and transgender body has progressed into creation of original garments. The suggestion of which is like an unregistered story or a poem.

 

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Photographer: Paulius Zaborskis

Full Collection by Marius Janusauskas SS18

Grooming: Kristina Pasaka Busilaite

Model: Nikita at imagegroup

See more at www.mariusjanusauskas.com

Snow White On The Edge – exclusive fashion editorial for FAULT Online

Kimono: Fendi
Denim: Dior
Accessories: By Highinheels
Shoes: Alaia

Kimono: Fendi
Denim: Dior
Accessories: By Highinheels
Shoes: Alaia

Motor Jacket: Kanye West
Dress: Cos
Necklace: Dior
Shoes: Alaia
Skirt: Vintage Chloe

Motor Jacket: Kanye West
Dress: Cos
Necklace: Dior
Shoes: Alaia
Skirt: Vintage Chloe

Outerwear: Fausto Puglisi
Dress: Versace Vintage
Necklace: Dior
Glasses: Ferre
Shoes: Alaia

Kimono: Fendi
Denim: Dior
Accessories: By Highinheels
Shoes: Alaia

Outerwear: Fausto Puglisi
Dress: Versace Vintage
Necklace: Dior
Glasses: Ferre
Shoes: Alaia

Photographer: Theresa Kaindl – @TheresaKaindl
Stylist: Dominique Reina – @Domi.NYC
Hair + Make Up: Joshua Nyitray – @JoshuaNyitrayhair
Model: Anastasia Salenko – @Miralenko
Agency: Montrueil Group – @MontreuilGroup

‘Label Lust’ – a FAULT Magazine Beauty Story by Sarah Brown

 

PHOTOGRAPHER: Sarah Brown

MODEL: Cynthia @ Elite Models

MAKEUP ARTIST: Sarah Redzikowski

HAIR STYLIST: Sarah Redzikowski

NAIL TECH: Yasmine Elwakil

 

 

Jared Harris: Exclusive FAULT Magazine Issue 27 interview & photoshoot

Jared Harris

“Acting… it’s playing, isn’t it? That’s what’s great about the job. If you don’t enjoy playing then why would someone enjoy watching you do it?”

Jared Harris for FAULT Magazine Issue 27

Photographer | Osvaldo Ponton
Stylist + Art Director | Chaunielle Brown
Groomer | Scott McMahan @ Kate Ryan
Set Designer | Lauren Bahr @ Kate Ryan
Photo Assistants | Nicasio Andrade + Xiangyun Chen
Fashion Assistants | Francis Harris + Ariane Velluire

A far cry from the typical, theatrical masks sputtering their pre-fabricated phrases, Jared Harris is a poised and reflective interviewee. As we banter about Brexit, Boris, and all that bullshit, there’s no suggestion that he’s keen to move things along in the direction of some scripted lines about his next role.

It’s a little surprising that he isn’t fervently plugging what promises to be another significant milestone in his storied career: the role of Absalom Breakspear in Amazon’s 2019 series ‘Carnival Row’. After all, the show reportedly has an enormous budget, stars eye-widening leads in Orlando Bloom and Cara Delevigne, and has been put together largely by his former college pal, René Echevarria. But it’s clear that Jared’s been around the block a few times. When he speaks, it’s with the assurance of someone who knows that the next role is never very far away. And it’s reassuring to get the sense that he’s treating our interview with the same sense of enjoyment as he has the rest of his career to date. It’s all part of the job, after all, so you might as well make the most of it…

FAULT: Tell us about your current project [AMC’s ‘The Terror’]

Jared Harris: The job’s great. It’s sort of special, really: the showrunner is a friend of mine from Duke University, so I’ve known him for a really long time. My younger brother’s on it as well, so I get to work with him. That’s always been a personal goal of mine.

The show itself is really well written, and that’s always the first question that one asks: how’s the script?

Jared Harris for FAULT Magazine Issue 27

There’s often a temptation to qualify actors based on a role call of who they’ve worked with – and you’ve worked with some of the biggest names in the business (Tarantino, Soderbergh, Guy Ritchie, David Fincher etc). How important is that to you? To what extent do you take jobs based on the personnel vs the project?

First of all, it’s the script. That said, when I was starting out – and I’ve kept some of those scripts – I remember reading Dracula (by Francis Ford Coppola) and thinking what a load of old tosh it was! It was almost softcore porn – there were a lot of scenes with girls in flimsy blouses getting their boobs out, and I thought to myself, “What on earth is he doing this for? It’s just dreadful!” But then, of course, you go to see the movie and you think, “wow!”

That’s when I got my first education in dealing with really great directors. You just don’t know what they’re going to do with the project. You have to assume that, with films in particular, it’s almost like a lump of clay. Not quite, because scripts are never entirely shapeless, but the great directors fully intend to reshape the material. That was true when I worked on Natural Born Killers. I read the original Tarantino script and it was completely different to the final film as it was directed by Oliver Stone. So, with films in particular, the director is almost more important than the script.

That said, it’s very difficult to improve a bad script. The shape and the structure has to be there to begin with, otherwise no-one really knows what they’re supposed to be doing. You’ve just got so many people trying to tell a story: the costume designers, the cinematographer… the script is the starting point for all of them.

Jared Harris for FAULT Magazine Issue 27

On that note, what level of influence do you – as an actor – have when it comes to interpreting the script?

It really depends. There are so many different factors at play: what type of movie it is; who’s making it – is it studio or independent; who’s directing it; the size of your role… Generally speaking, if it’s a studio film and you’re not the lead, you have very little input at all and no-one’s really interested in hearing your opinion…! They all just want to cozy up to the movie star and stay there.

That said, when I was working on Sherlock Holmes: A Game of Shadows there was total collaboration with Guy Ritchie and Robert Downey Jr. What tends to happen with that sort of film is that the screenwriter is trying to deliver a fresh product – a new take on an old story – and then, during the endless period of noting (where studio executives give notes on the script), it tends to deviate back to something incredibly familiar. Or, to be blunt, something that you’ve seen a thousand times before…

The studios’ obsession is, “when in doubt, re-state the plot.” Tell the audience what’s going to happen, what’s happening as they’re watching it develop, and then tell them what they just saw. And, of course, it’s fucking boring. So they [Ritchie and Downey Jr] tried to figure out a way of taking out as much of the exposition and plot as possible and delivering just enough so that the audience could stay ahead of the story and yet still be surprised be it: because no-one was as far ahead as Sherlock Holmes.

 

You’ve said that actors nowadays don’t have the same opportunities to rehearse as often as you used to. How do you manage to go between so many different, diverse roles so quickly and without that opportunity to really get into gear?

Well, I’ve never had that opportunity, to tell you the truth. From the beginning, I was always cast late. If you’re the main person on the movie, or the person whom the financing is lining up behind, then you know what you’re going to be doing well in advance. But with me…

George Hall, my principal at Central School of Speech and Drama, said it best, in my opinion. He told us, “You’re not going to have time. You’re going to have to learn how to sketch. You’re going to go into an audition and you’re going to be handed material with 5 minutes to figure something out. You can’t afford to be precious: you can’t do research and character study and work on a back story… you’re not going to have time to do that.” That was some of the most pertinent advice I got from that school.

Jared Harris for FAULT Magazine Issue 27

Special Thank You (Location) | Tomcats Barbershop and Renee McCarty

 

What’s your FAULT?

Oh God. Forget the magazine; you’ll have a phonebook to fill!

I’m never happy with the work that I’ve done. Someone told me once on ‘Mad Men’ that I’d just done an iconic scene, and asked me if that was the one that my character would be remembered for, and that I’d be remembered for then how would I feel about that? And I remember saying, “Can I do it again? Because I think I can do it better…”

Jared’s next project to appear on screens is The Terror for AMC which begins broadcasting right after the finale of Walking Dead. The Terror is an adventure/horror story that fictionalises the real life events surrounding the disappearance of The Franklin Expedition in the Arctic during the Winter of 1847.

 

Find out who else will appear alongside Jared Harris in the issue here

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