Susanne Sundfør exclusive photoshoot and interview for FAULT 22

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Maroon polo neck: DAGMAR
Circle loop Earrings: HPR (SMITH GREY)
Gold Ring: Spanner Wingnut

 

 

Susanne Sundfør might well have recorded the most audacious pop album of 2015. Endlessly inventive and unrepentantly her own, Ten Love Songs—her fifth long player since 2007—sees the Norwegian chart topper skillfully weave complex layers of synthetic and organic instrumentation to create a mix of precision-engineered electro and drama-soaked mini-symphonies. It is the sound of an artist operating without boundaries, seeing each idea through towards its maximum potential.

 

There’s so much to love about Ten Love Songs and the lead single, ‘Delirious’, is a certain standout. How did that one come together?

Thank you! Well, I wanted to record a pop song. Most of the arrangements were written in bed, actually. The melody was the first thing I wrote. Sometimes I just start with beats or baselines, which is what I did with ‘Insects’, and the vocals came later. I don’t have a recipe for how I do it. It’s completely random what comes first.

Lyrically, ‘Delirious’ is dark: “I told you not to come, my victim number one.” It feels quite aggressive compared to a lot of the other tracks on the album.

It’s sort of a game, isn’t it? I wanted to write from a femme fatale perspective. It’s still a pop song, and pop music doesn’t necessarily have to be fun. Arrangement-wise, it’s definitely more pop than anything I had written before. I wanted it to have a spy movie-vibe to it as well. The harmonies were inspired by Depeche Mode.

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Pale blue Top: Filippa k
Suit: Filippa k
Grey Shoes: Melissa x Alexandre Herchcovitch
Pearl Claw Gold ring: Tessa Metcalfe
Gold ring: Spanner Wingnut

What kind of parameters do you set for yourself when you’re making music?

Since it’s a big task, I’m a fan of being in the moment. That just works really well in the way I like to work conceptually. I think coming up with a concept for an album is the hardest part. Luckily, I work with people in the business who don’t push me. The only pressure put on me is my own doing. They just know how musicians like to work. There are certainly musicians out there who can tour with a 9 to 5 job and go into the studio at night, but I don’t work like that. When I work on someone else’s music, I would never want to give them something I’m not happy with.

 

What are some early ideas you’re toying around with for the next album?

I think I’ll maybe go a little more ambient and darker, and not so much pop. I don’t really know yet because I haven’t had the time to think about it in-depth. It’s like Ten Love Songs and how I wanted it to be very dark and industrial. I recorded ‘Fade Away’ and that made the album something different. So that’s what’s in my head.

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Black Polo neck: Theory
Navy Textured Wool suit: 2nd Day
Khaki shoes: Filippa K
Brown socks: item m6

What is your FAULT?

I’m whimsical and forget things all the time!

 

Photographed at the Urban Villa Hotel

Words: Kee Chang

Fashion Editor: Rachel Holland

Photographer: Woland

Make-Up: Faye Marie Quinton

Hair Stylist: Kieron Lavine

Stylist’s Assistant: Belda Chung

Phoebe Ryan interview and photoshoot for FAULT Magazine

 

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EARRINGS: KENNETH JAY LANE NECKLACE: LULU FROST BRACELET: BEN-AMUN COAT: KAELEN BLUE DRESS: LUBA BY HANNAH PAYNE PURPLE SKIRT: CAMILLA AND MARC STOCKINGS: FALKE SHOES: SANTONI

Blasting into the world of pop in a tangle of R Kelly mashups and vivid green hair, 24-year-old singer Phoebe Ryan has taken Soundcloud by storm. She boasts over two million plays for her collaborations with Jaymes Young and Skizzy Mars, and perhaps it’s not too surprising to find her recent single, ‘Mine’ with over a million hits on YouTube. With the likes of Taylor Swift listing to Ryan’s latest single under her selection of songs ‘that will make your life more awesome’, things are looking pretty peachy for this LA-based songstress.

 

What’s been your favourite part of your whirlwind journey into the world of music so far?

Waking up every day and remembering that I’m lucky enough to be living my dream. Still can’t really wrap my head around it sometimes. It rules. I’ll never take it for granted.

 

Earrings: Kenneth Jay Lane White short sleeve:Nanette Lepore Black and White Lace Jacket: Tadashi Shoji Tulle dress: Betsey Johnson

Earrings: Kenneth Jay Lane
White short sleeve:Nanette Lepore
Black and White Lace Jacket: Tadashi Shoji
Tulle dress: Betsey Johnson

What’s your creative process when it comes to songwriting?

Honestly it’s different every time I sit down to write. Sometimes I’ll start with a word, sometimes a concept, sometimes a melody. It’s also important for me to write every day, even if it’s just a couple of sentences. I find that being consistent about it helps me fight writer’s block.

 

How do you find inspiration for your music?

I find relationships to be a great source of inspiration, not just with other people but with myself and the world.

Jacket: ICB Necklace: Lulu Frost Tshirt: Junkfood

Jacket: ICB
Necklace: Lulu Frost
Tshirt: Junkfood

 

 

We all heard Taylor Swift give you a shout out back in October – what was your reaction?

 

Complete disbelief, shock, and gratitude. It was one of the highlights of my year. If I’m ever in Taylor’s position to be such a tastemaker, I will certainly pay it forward and give credit to up and coming musicians, too.

 

Your producer, Kyle Shearer, has worked with the likes of Tove Lo and Augustana, both of whom produce pretty big and epic sounds; who, if any, would you say are the main influences on your music?

That’s really hard to answer, because I’m influenced by so many artists in a really big way. Even if I’m not completely obsessed with someone’s music, I’m still influenced by their work ethic and the way they carry themselves. I always want to know what makes a great artist tick, and I feel like I’m constantly studying. Whether it’s Katy Perry or some dude at an open mic night at a bar…   

 

What’s your plan for 2016?

Keep doing my damn thing. Go on tour, put out a record, meet more fans, write songs for other artists, stay focused and healthy.

 

Sunglasses: Thierry Lasry Necklace: Kenneth Jay Lane Jacket: Nanette Lepore Dress: Michael Kors

Sunglasses: Thierry Lasry
Necklace: Kenneth Jay Lane
Jacket: Nanette Lepore
Dress: Michael Kors

 

Any dream collaborations you have in mind or hopes for the future?

I want to do a hologram duet with Ray Charles. Been listening to him a lot lately. That would be cool, right?

 

Your hit song ‘Mine’ seems to be all about loving yourself for who you are. It’s a strong message for anyone – were you singing to a younger-you perhaps? Who are you trying to get through to with this track?

I was definitely singing to a younger me. I had gone through a really rough period in my life, maybe as most people in their early 20’s do. I want to reach people who feel the same way I did. I get messages pretty often from people who totally understand and relate, and that’s the best thing in the world.

 

Jacket: Kaelen Earrings: Kenneth Jay Lane Necklace: Lulu Frost Teal blouse: Cynthia Rowley Skirt: ÖHLIN / D Pants: Betsey Johnson Shoes: Manolo Blahnik

Jacket: Kaelen
Earrings: Kenneth Jay Lane
Necklace: Lulu Frost
Teal blouse: Cynthia Rowley
Skirt: ÖHLIN / D
Pants: Betsey Johnson
Shoes: Manolo Blahnik

 

What is your Fault?

I can be so moody sometimes. I try not to take it out on other people, but it’s really hard for me. It sucks, I always feel bad. But I’m working on it!

 

Words: Josie Carder

Photographers: Alex + Iggy
Stylist: Chaunielle Brown
Stylist Assistants: Donika Hoxhaj + Kerry Robinson
Hair: Akihisa Yamaguchi Using Aveda Hair Care
Makeup: Kuma For Mac Cosmetics
Manicurist: Michelle Matthews/Rona Represents Using Zoya Nail Polish
Manicurist Assistant: Karla Carrington

 

Anne-Marie Photoshoot and Interview for FAULT #22

Today Anne-Marie has released the first single from her upcoming album and so to celebrate, we’re sharing some excerpts and images from our feature with the young star in FAULT #22.

Anne-Marie has been spending the past two years touring the world with Rudimental and now she’s progressing to pop’s waiting list after the release of her debut EP ‘Karate’. She’s clearly no rookie to the music industry and has her eye on the prize.

Suit jacket: Filippa K Slim trousers: Filippa K Cross kiss ring: Meghan Farrell Jewellery Single beat ring: Meghan Farrell Jewellery  Single beat cuff: Meghan Farrell Jewellery  Rose gold jawz earrings: Meghan Farrell Jewellery

Suit jacket: Filippa K
Slim trousers: Filippa K Cross kiss ring: Meghan Farrell Jewellery
Single beat ring: Meghan Farrell Jewellery
Single beat cuff: Meghan Farrell Jewellery
Rose gold jawz earrings: Meghan Farrell Jewellery

You’re first and foremost known as Rudimental’s Anne Marie. Can you talk us through your history with them? How did it all come about?

I had a writing session with them about three years ago and that was before I had any music out, so we just became friends basically. And we stayed friends until they needed someone to go on tour with them and that’s when they chose me.

Do you remember what your first show with them was like?

It was quite scary. I remember just being on stage and being stiff and quite overwhelmed. It was quite a lot to take in. It was a big show as well, it was at a festival in Wales. I ended up getting used to it though. I’m a little bit better now but back then it was a bit scary.

Floorwork Cream Top: Antipodium Taylor Denim Skirt: Pepe Jeans Black Leather Jacket: Filippa K Abbott Stud Black Boots: Rebecca Minkoff Cross Kiss Ring: Meghan Farrell Jewellery Single Beat Ring: Meghan Farrell Jewellery

Floorwork Cream Top: Antipodium
Taylor Denim Skirt: Pepe Jeans
Black Leather Jacket: Filippa K
Abbott Stud Black Boots: Rebecca Minkoff
Cross Kiss Ring: Meghan Farrell Jewellery
Single Beat Ring: Meghan Farrell Jewellery

 

Now you’re coming into your own and releasing your own music as well. What do you feel is the main difference between yourself as an artist and yourself as a featured artist? How do you plan on differentiating yourself?

Well, apart from the obvious outcome of being a featured artist where all you do is sing other people’s music, which I love doing nonetheless, as my own artist, I can write my own stuff, I can put across something that I want out there. I always write about personal experiences or experiences that other people who are close to me have been through. So, it’s finally fine to sing about something that is important to me, which I’m really looking forward to. Obviously when you’re singing other people’s music, it’s still important to have a connection with it, but it’s not the same as it is with your own writing.

Music Video for Anne-Marie’s latest single – Do It Right

Pink Embroidered Faux-Suede Jacket: Fyodor Golan

Pink Embroidered Faux-Suede Jacket: Fyodor Golan

What’s your FAULT?

My biggest fault is that I’m really impatient. And I need to learn how to be patient; it’s becoming a problem.

Words: Adina Ilie

Photographer: Daniele Fummo

Fashion Editor: Rachel Holland

Make Up Artist: Nicky Weir at Sarah Laird using Bare Minerals

Hair Stylist: Kieron Lavine using L’Oreal

Stylist’s 1st Assistant: Belda Chung, Emma Ellen

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Robert Sheehan for FAULT Magazine issue 22 – Sneak Peek

 

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Irish actor Robert Sheehan brings an air of tragedy to every part that he plays. Now he’s touching new grounds and has taken on the role of auteur as well as actor in his upcoming production ‘Jet Trash.’ Prior to that, you’ve seen him deliver compelling and dynamic performance in ‘The Road Within,’ where he plays a young man with Tourette’s syndrome, proving his versatility once more. His latest release,
‘The Messenger,’ sees Sheehan as a wayward character, a bit homeless looking, who shows up at people’s funerals and talks to dead people. There wasn’t too much debate on who else would’ve been a more suitable fit. After going back into theatre for ‘The Wars Of The Roses,’ we caught up with the Irish actor and it’s safe to say that his excitable, charming, yet compelling, and substantial characters aren’t a far cry from the real deal.

 

Now you’ve taken on the role of auteur as well as actor in ‘Jet Trash.’ This was your first time producing and building something from the ground up. How was the whole process for you?
All in all, it’s been about a two and a half year experience. Andy Brunskill, who’s the main producer, came to my agent with
a treatment of about 15 pages and said ‘Would Rob like to come on as an actor but also as a producer?’ And for over six to 12 months we commissioned a writer to do the script, who was actually the writer of the book that ‘Jet Trash’ is based on. Initially, we weren’t too happy with it and had to transform it into a more complex body of work. That was a brilliant experience because it was the director, Charlie, and myself sitting in my kitchen until five or six in the morning, managing sections of the script. Afterwards, we all went out to film
in India for five weeks and had this sort of chaotic experience. It was something that we’ve been developing and growing for a year and a half and all of a sudden, we had all these people helping us make it. It wasn’t without it’s chaos but it was a really joyous experience.

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Since you were so heavily involved in it, did you manage to keep any sort of objectivity?

I don’t think so, no. The only way you can improve it, particularly in post-production is to keep watching different manifestations of it, take notes, see what bits stuck with you most and then fight for those bits. I was in LA, so I was watching cuts of the film digitally, taking notes and then comparing the notes to the last thing. I was trying my best to have objectivity, but, by definition, you can’t because you’re so close to it. You feel loyal to bits that might not entirely work. But you get better at it; you learn to kill your smaller babies in order
to save the bigger babies.

 

Of all the roles that you’ve played, which one do you reckon was the one that you could relate to most?

I think in my early 20s, I was more like the character Lee in ‘Jet Trash.’ Not as selfish as him, but I was always trying to be the life and soul of the party and absolutely craved human company. But I was a decent kind of person who was doing stuff kind of hair-brained. I’ve mellowed out to some extent in my old age.

 

What’s your FAULT? 

My biggest fault is the ability to forget everything that’s not in front of my face. If someone’s not getting me to focus, it just goes clean out of my head.

 

Find the whole interview and photoshoot exclusively inside FAULT 22

Words: Adina Ilie

Photography: Joseph Sinclair
Styling: Krishan Parmar

Grooming:Stefano Mazzoleni @ EMMA DAVIS

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Jamie Campbell Bower is FAULT Issue 22’s Menswear cover

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Sweater:Scotch & Soda
Necklaces: Pyrrha 
Cuff: Pyrrha
Large knuckle ring: Pyrrha
Bronze Ring: Dominic Jones
Silver Ring: Chrome Hearts

 

You’ve seen Jamie Campbell Bower everywhere ever since his acting debut in 2007 with ‘Sweeney Todd’. In the meanwhile, he’s done a Burberry campaign, started a band and played in the all-top fantasy film franchises (‘Twilight’, ‘Harry Potter’, ‘Mortal Instruments’, you name it, he’s done it). He’s the kind of character who uses all of his creative outlets when he’s going through shit and makes something worthwhile out of it. Living in a day and age where instant gratification is a given, Jamie Campbell Bower is a prime example of how sometimes you just have to work really hard and be patient in your pursuits.

On the Menswear cover of FAULT Issue 22, we catch up with the young star about his experiences within the industry, and where he hopes to take his craft.

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Tshirt: Jil Sander
Jacket: BLK DNM
Jeans: BLK DNM
Boots: Aigle
Necklace: Pyrrha

You’ve worked with both Johnny Depp and Sir Ian McKellen. Which one of them stuck with you?

Johnny was really lovely to me, he could tell that I was nervous; he could tell that I was a bit rash and quite young. And with Ian I spent about five months. I tend to go a bit stir crazy when I’m on set just because it’s quite a weird experience, and Ian was always there, he was around when things would get a bit hectic. I think we come from the same genes, we’re pretty similar and he’s a phenomenal actor. I’ve always been the kind of person who’s a bit of a magpie. I’ve always taken little bits of other people’s performances or other people’s writing and tried to make them my own. Art is imitation at the end of the day. But yeah, I loved them both. I think of myself as quite a personable person. I like to talk; maybe I piss people off sometimes. But I like to find out about people’s lives and try to do the best that I can.

What about the music? What happened with The Darling Buds?

The music is going mental as well. We put The Darling Buds to bed at the beginning of this year. It’d been going for so long and I loved it, but there was something about it that didn’t seem like me. It was all very light and I’ve been through some hefty shit in the past year or so and I needed something that allowed me to rid myself of the things that really affected me. Music allows me to be me. To say what it is that I feel, how I feel, in an artistic fashion. I’m trying to be genuine and honest. I’m trying to be as real as I possibly can be on a day-to-day basis. And so, we changed the name of the band to Counterfeit and it’s the most raw and fucking real thing that I will have ever put out there. There are things out there that I haven’t told anyone and there are things out there that I’m nervous to talk about. But at the same time, they come across on the record and they come across beautifully. And it’s fucking loud. Jesus Christ, is it loud.

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Shirt: BLK DNM
Jeans: BLK DNM
Boots: Aigle
Necklace: Pyrrha

Of all the things that you’ve done so far, which ones are closest to your heart?

I couldn’t live without every single thing that I do. If my acting was to fall away, I’d be crushed. If my music was to fall away, I’d be crushed, if my creativity was taken away from me, I don’t know what I’d be. This isn’t to say that I define myself by what I do, I define myself by how real I am with what I say and what I give. I put so much effort and work into everything that I do that if one of them was taken away, it would feel like a part of me was missing. I wouldn’t be able to function anymore.

What’s your FAULT?

Because of the way that my mind works, I wake up and send emails to people at five o’clock in the morning and, within an hour, if I haven’t received a response, I’d lose my shit. I have to constantly remind myself that not everyone else is as mental as I am and that they’re not up at five o’clock in the morning. I need more patience. I need to learn to be mild, to be calm and to be calculated rather than be a fucking lunatic at all times.

Words: Adina Ilie
Photographer: Sarah Dunn
Fashion Editor: Kristine Kilty @ Lovely Management
Grooming: Lee Machin @ Caren
Fashion Assistant: Belda Chung
With special thanks to Team Rock

 

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Robert Sheehan Brings Cartoons To Dalston With Joe Sangre’s Exhibtion “The God Damn Beauty Of It All”

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A cartoon show will fill the basement of BSMT’s space as of this week. Produced by Irish actor Robert Sheehan who will be appearing in FAULT issue 22, the exhibition will showcase an abundance of cartoons inspired by the Great Depression, courtesy of artist and filmmaker Joe Sangre.

Accurately entitled “The God Damn Beauty Of It All”, Sangre’s work is heavily rooted in the 1930s depression era with a 1980s counterculture aesthetic. Keeping Max Fleischer’s work at the conceptual forefront (also known as the father of animation and no, it wasn’t Disney who thought of it first), the cartoons have their own language and ambiguity.

Born and raised in the suburbs of North London, Sangre’s early years have been heavily influenced by counterculture rebellion amongst youngsters. Artworks from bands like the Black Flag, The Minuteman and Subhumans were formative influences on his early conceptual developments and strokes of it resurface in his work.

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The core subject matter of his upcoming show is the 1930s depression era, used merely as a reflection of modern times, as opposed to a sentimental nod. The cartoons emphasise even further the fact that one of the strange characteristics of contemporary bourgeois life is the sheer pleasure we take in inverting it, our darker natures finding pleasure in allusions to misery.

As Sangre said, the fact of the matter is that “using bold images in mainly black ink allow me to take sometimes complex issues or feelings and represent them visually with simplicity, but at the same time leave a certain amount of nuance or ambiguity. I have to remind myself that I’m not making bumper stickers or greeting cards, at least not until Hallmark offer me a good price for my tattered, soiled mattress of a soul.”

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The exhibition will be running on 5 Stoke Newington starting December 11th and will last until the 17th. The artworks will also be available for purchase at the gallery.

 

Preview – Fleur East Exclusive Debut on FAULT Magazine

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Words: Olivia Pinnock Photographer: Zoe Mcconnell
Fashion Editor & Art Director: Rachel Holland
Make Up Artist: Nicky Weir @ Sarah Laird using MAC
Hair Stylist: Takuya Morimoto @ Brooks and Brooks
Nail Artist: Diane Drummond @ Baptiste Agency Set Designer: Andy Macgregor
Photographer’s Assistant: Nick Graham
Styling Assistant: Emma Ellen
Photographed At Holborn Studios

 

The music industry has hit out at X Factor contestants in the past for being wannabes who take the easy route. Last year’s runner up Fleur East, certainly doesn’t fall into that category. In between her first appearance on the show in 2005 as part of fiery girl group Addictiv Ladies and her show- stopping finale performance of ‘Uptown Funk’ last year, Fleur has been chasing her dreams hard.

With nothing to apologise for, Fleur is taking the first and (arguably) the hardest steps of her career as she attempts to put X-Factor defeat behind her and reach for the stars! We caught up with Fleur in an exclusive photoshoot and interview! Pre-Orders for FAULT Magazine – The Unapologetic Issue are available here.

In the mean-time, enjoy this preview below!

 

What made you go back to X Factor a second time?

To be honest with you, I felt like I’d tried everything else. I got to the point where I’d featured on songs, I’d done backing singing for major artists, I’d done all these shows but it was always for other people. At this point I thought ‘What do I do now?’ I either go, just get a job doing something else, but that terrified me because all I know and all I love is music. My friends and family were saying to go on X Factor. I was dreading it and I didn’t really want to, I just knew how much pressure it was and how much of a risk it would be but I thought, I’ve got nothing to lose.

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What is it actually like going through the X Factor process?

It’s a lot less glamorous than it appears. It’s a lot of hard work. It’s probably the most stressful thing I’ve ever done. There’s so much pressure but I think if you really love it, if you truly love it and it’s your passion to sing, then that’s what will get through. I think if you don’t have that, you’ll realise quickly.

 

Was there are any part of you that wanted to be a runner up because in the past they’ve had more success?

A lot of people were saying that to me when I joined the process but I never really thought that because, how do I go into a competition and not want to win? That doesn’t even make sense. I was a little scared afterwards to be honest because I was thinking, ‘a contract is only guaranteed for the winner and I’ve come second, it’s not guaranteed for me.’

Is there a theme to the new album?

It’s all very positive, very uplifting. I think that music can sometimes be taken too seriously. I enjoy what I do and I want people to feel that. I’ve put a lot of time and a lot of love into it and I hope that people really get behind me and enjoy the music as much as I do.

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What do you want people’s reaction to be?

I just want people to react to it as though it’s a breath of fresh air. It’s sort of old school meets new school. It’s got a lot of old school influences, old school funk, old school hip hop, sounds that people miss. Influences like Michael Jackson, Luther Vandross, proper good music that we all love.

 

Simon (Cowell) has said that with this album you ‘discovered who you wanted to be’, who is that?

I was fortunate enough that on the show, the songs that I was given represented the sort of direction that I wanted to go in. It’s basically really strong, sassy, full of attitude, really confident, vibrant and energetic.

 

What would you never apologise for?

I would never apologise for being myself and doing what I believe in. I think for years I was always like that. I was really shy. I’ve got to the point where I know, you’re not going to get anywhere if you think like that.

 

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Sofia Richie models for FAULT Magazine’s Beauty Cover

Photography IRVIN RIVERA @ GRAPHICSMETROPOLIS Stylist ART HUNTER & BRANDON NIQUOLAS Hair ALEX THAO Make up JOSEPH ADIVARI Nails JENNIE NIPPARD USING MAC Production CHRISTINE LARA, BEN KUI, DARWIN ABAD, AMANDA YIB

Photography IRVIN RIVERA @ GRAPHICSMETROPOLIS
Stylist ART HUNTER & BRANDON NIQUOLAS
Hair ALEX THAO
Make up JOSEPH ADIVARI
Nails JENNIE NIPPARD USING MAC
Production CHRISTINE LARA, BEN KUI, DARWIN ABAD, AMANDA YIB

At a mere 16, Sofia Richie is arguably already in the famous lyrics of her father, Three Times A Lady. She’s not only following in his footsteps by starting to cultivate her singing career, but has also been making a real splash in the world of fashion and modeling. She chats to Fault about her recent signing and what it’s like to be a model, her love of fashion design and where it came from, and also what the future might hold. Full of life, this girl knows what she wants and has a pretty good idea about how she’s going to get it.

Take a peek inside FAULT Issue 21 where we chat to the rising model about her future, fears and favourite parts about the industry she is determined to crack.

FAULT: So, you’ve recently been signed to Select Model Management, are you enjoying being a model?

Sofia Richie: Yeah I love it, it’s definitely different to anything I’ve ever done in my life, but I really enjoy it and I’m so excited about what’s coming up.

Great, what would you say your favourite part about being a model is?

Honestly I just love wearing all the different clothes I’m put in, so mainly everything about the fashion part of the job.

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It’s great that you say you want to be taken seriously in the fashion industry – does it ever upset you if other people, even your colleagues, say that people who come from a place within the public eye have it much easier as a model?

It doesn’t really upset me because it’s obviously their problem if people think we’re not working to get where we are today. It honestly just makes me want to work even harder and be more successful, because at the end of the day we are certainly working hard whether people realise or not.

What’s your dream for 10 years time? Where do you want to be?

I want to work towards my own fashion line and doing collaborations with fashion lines; I’m really focused on my fashion and modeling right now.

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Is fashion design something you’ve always been interested in?

Yeah, I’ve always been super interested. When I was younger my parents bought me this little sketch book with blank girls in it so you can draw clothes on them. That’s something I started out doing a long time ago, and it’s how I think I became seriously interested in fashion by just being creative with it.

Finally, what is your FAULT?

I’m very harsh on myself. I’m critical and judgmental of myself when it comes to everything I do.

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