FAULT MEETS ETTA BOND

Jacket – H&M / Crop Top – BooHoo / Skirt – Topshop

She’s been called the ‘Skinhead Soul Princess’, and the Guardian has mentioned her as one of the Future 50 rising stars to watch of 2017. Miss Etta Bond – hailing from London – is known and loved for her soulful vocals, self empowerment and visual creativity. Set to release her new solo EP since Emergency Room with Raf Riley, we chat to Etta to find out what she’s been working on.

Etta! Have you had a good day?

Yeah Yeah, (laughs) I’ve had a good day, I’ve not done much, been abit lazy so its been a chilled one for me.

Oh that’s good.

But to be honest I was getting ready to go to the gym before you called, so once I get off the phone, I’m gonna get a little work out in I think.

You’re too good haha. I keep putting it off to the next day, and then it gets to the end of the day and I can’t even be bothered (laughs)

Ah! it’s so easy to do that isnt it? I’ve been meaning to go to the gym all day but i keep making excuses like “oh, i’ll get ready soon” (Laughs) and then finally getting ready now and I thought, “Fuck it i’ll just wait” (laughs) I’ll go eventually!

Dress – Samsoe & Samsoe

 

(Laughs) So! We’ve not heard anything solo wise from you in a while, can you tell us anything about your new EP?

I don’t want to say too much about the EP. It’s about to start revealing itself with the release of ‘Kiss My

Girlfriend’. Chris Loco and I have been working very closely on this project for some time now. I’m so

excited to share it!

You mentioned the EP was with Chris Loco, the last was with Raf Riley – what are the similarities and differences of working with them both?

That’s like asking me to compare two lovers… The similarity is that making music in the presence of either

of them feels very natural to me, there’s a spark. I love them both.

So you’ve got some live gigs coming up, what can we expect from your set?

I’m planning a headline show which is going to be really special. I also have my set at The Secret Garden

Party coming up. I’ve never been before so that’s exciting.

Top – Fila / Trouser – Etta’s own / Boots – Dr Martens

Your new single Kiss My Girlfriend is out today! Who was it inspired by and what was the message

behind the song?

My friend, Jenay, who’s actually standing next to me in the video – she inspired the song. It’s about the

special and unique relationship that exists between women. It’s a reminder for women (myself included)

that men will do and say just about anything to get a piece. We’ve gotta look out for each other, it’s a

beautiful thing when we do.

How involved were you in the direction of the video?

The video was directed by Sophie Jones. We worked very closely together on the concept and

casting. We’ve already started discussing our next creative collaboration!

What was it like working with her?

Second nature! We’ve been friends for years now so it was a really organic process. With support from her,

Zateesha Barbour on hair, Daisy Deane on styling, Grace Vee on makeup, all of their wonderful assistants

and each and every one of the girls that took part – it was a wonderful experience that I’ll never forget. A

day that brought the song and its meaning to life.

Where do you see yourself in one year’s time?

I never tend to think like that, I just end up where I end up. It’s where I’m supposed to be, you know?

Wherever I am, I just hope the music that’s coming has reached the people it’s meant for.

Lastly, what is your fault?

Addiction.

Cape – Felder Felder

 

Words and Photography: Ashleigh Nayomi

Styling: Edith Walker Millwood

Andrew Combs exclusive UK track premiere: ‘Rose Colored Blues’

Texan via Nashville, indie Americana troubadour Andrew Combs exclusively drops his new track ‘Rose Colored Blues’ today in the UK via Fault Magazine. 
 
The freewheeling tune taken from Andrew’s forthcoming and critically acclaimed ‘Canyons Of My Mind’ is reminiscent of classic US songwriters such as Harry Nilsson and Glen Campbell and sees Andrews explore the romanticised view of life on the road.
 

“It’s a romanticized version of being on the road,” Combs says of the song. “I wanted it to be lush, and to feel like you’re driving. The concept is something that’s always been very interesting to me: the whole idea of someone relishing their blues.”

His forthcoming ‘Canyons Of My Mind’ co-produced by Skylar Wilson (Justin Townes Earle, Caitlin Rose) & Jordan Lehning (Rodney Crowell, Caitlin Rose) was recorded at Battle Tapes Studio in East Nashville, TN and has already garnered critical support across the pond from NPR, Rolling Stone, American Songwriter and Garden & Gun with fans in the UK from Line Of Best Fit to Bob Harris!  
Andrew tours the UK in May with a hotly anticipated show at London’s Borderline on 9 May. 
 
Andrew Combs ‘Rose Colored Blues’ will be released tomorrow. Album ‘Canyons Of My Mind’ is released on Loose on 7 April. Tour Dates below:
April 30 and May 1 – Kilkenny Roots Festival
May 2 – Manchester Night & Day
May 3 – Oxford Bullingdon
May 4 – Birmingham Glee Club
May 6 – Edinburgh The Caves
May 7 – Leeds Brudenell Social Club
May 8 – Nottingham The Maze
May 9 – London Borderline
For tickets please visit: https://www.andrewcombsmusic.com/tour/

HTGAWM’s Jack Falahee discusses lessons learnt from the LGBTQ community in FAULT Issue 25

 

Photography by Joseph Sinclair
Styling by Angel Terrazas
Grooming by Mishelle Parry at Celestine Agency

Jack Falahee ‘Playing Connor | Finding Jack’

Words: Miles Holder

How To Get Away With Murder first appeared on our screens in 2014 and is to this day one of America’s most progressive and expertly written television dramas. Oscar award winning actress, Viola Davis stars as the powerful, female, African-American lawyer without a defined sexuality nor reason to explain one. As an African American female actress, she will no-doubt have faced similar prejudices to that of the character she plays; however the same can not be said for the whole cast. Enter, Jack Falahee. Despite years of training at prestigious acting schools, it was the role of a homosexual college student, Connor Walsh that would provide Jack with a clear and untilfiltered glimpse into the LGBTQ community. It’s a credit to Jack’s skills as an actor, that Connor’s character and his sometimes turbulent relationship with his HIV-positive boyfriend have created strong discussions within and outside of the LGBTQ community. With that in mind, I sat down with Jack to find out what the character that means so much to so many different people – means to him.

You’ve got an impressive resume – you’ve studied so many different acting methods, what is it about television and the screen that mean you’ve gone down that route?

When I was at NYU I was originally admitted to study musical theatre but when I started hanging out with kids who had grown up with ballet classes and vocal coaches, I quickly realised I was a bit out of my depths. If I felt that way in a class of forty students, then going to an open audition for a broadway show was going to be a nightmare; and it was and I was cut very quickly.

I went to Amsterdam and studied the experimental theatre and then Shakespeare in the States but when I got into television acting, I was really inspired by the technical side of it. I grew up enjoying movies but when I started studying it I became aware of angles, what “the shot” was and just everything that is done to make a screenplay come to life. That really fascinated me and will likely lead to me producing and directing in my future.

What period of Connor’s character resonated with you the most?

Fundamentally he and I are very competitive and also very jealous people – it’s something which I’m personally working on but I don’t think Connor is! I grew up with 3 siblings and 2 brothers who are all wildly brilliant and whilst it was a house full of love, it was also incredibly competitive so I definitely relate to Connor in that way.

When you first got the role, did you think the show would have such an impact?

Frankly, you’re not thinking about that when you’re a struggling actor; you’re thinking about getting a job so you can pay rent and survive so I never really sat down and considered I’d be spending years of my life on the project.

I’m still not over how the much of an impact the show has made and a lot of that is Connor’s character and his importance to fans. It’s emblematic of my straight privilege, but I never thought his character would be so important to the LGBTQ community. When the finale came out and Oliver proposed to Connor, seeing the Twitter reaction was so overwhelming and I was just overjoyed at how meaningful the character is to people.

What are the best lessons you’ve learnt from your fans?

100% opening my eyes to the LGBTQ struggle and I can’t stress that enough. Going into this, it was never written on the page that “Connor Walsh is a homosexual”; so when it came to the first love scene I just thought, “wow this guy is willing to do whatever it takes to get ahead” and now I know that was the heteronormativity in my mind back then that was rationalising this whole aspect of his character. It wasn’t until Pete Nowalk was like “oh no, Connor is gay” that I’ve been really trying to become a student of the history of LGBTQ rights and learning more about the struggle of those in the past and in the present day.  I asked Pete and my friends for a reading list on LGBTQ history because one of my favourite aspects about being an actor is that I’m continually having to learn about things I’ve been very uneducated on in the past. I’ve grown up with friends and family who aren’t straight white males so it was important for me  to do Connor’s character justice. The outpouring of love from the fans was so gratifying and humbling for me. Receiving messages from fans saying “Connor & Oliver helped me come out to my parents” is deeply rewarding and to be any small part of the courage needed to come out will forever be a blessing to me.

Are you comfortable with your sex symbol status?

No! Well, it depends [laughs]. I go back and forth on this, on one hand, it’s a great boost to my confidence but on the other hand, it’s a very vulnerable thing to be. Women live their lives being objectified and reduced to just their bodies every day and it is awful so I’ve been discussing it with the women close to me. I obviously can never understand how women can go through life that way but I can see a glimpse of what that experience might feel like and it’s not a nice one.

Nine times out of ten, it’s all good fun and nice things are being said but that 10% of the time when people disregard my space or my wellbeing is not okay. People tell me “that’s what you signed up for” and I really don’t think it is! I was this chubby, awkward kid and now I’m a sex symbol with the help of great makeup and lighting experts making me look a certain way on tv and magazines.

What is FAULT?

I think that there is a part of me which is always seeking validation which is very informative of why I’ve become an actor; regardless of what might happen, I think I’ll always be seeking approval.

Read Jack’s full interview and see more exclusive photographs only in FAULT’s Special #25

AVAILABLE TO PRE-ORDER NOW

FAULT Focus: Further Reading with the Editors of Ladybeard Magazine


Starting at the beginning, where did the idea for Ladybeard come from?

Ladybeard was borne out of a frustration with the mainstream – we take underrepresented and misrepresented topics and open them up to fresh feminist perspectives.

Launching a magazine (especially a print magazine) in the past decade has been risky business. What drives and inspires you to keep creating?

Ladybeard is purely driven by passion – we make it in and around our full-time jobs. Sometimes it’s hard to see the sense, but it always feels worth it once the magazine is made. We are driven by the need for thoughtful, interrogating, inclusive reportage that stimulates people – while there is still a need for this, we are inspired to carry on with the magazine.

Ladybeard is a glossy magazine however you’re a far cry from the “How to keep your man” “how to be thin and nothing else” titles on newsstands. What thought process in particular led to you choosing the glossy format for Ladybeard?

We love the way a glossy feels, looks, its weight, its texture. The abstract qualities of a glossy – its luxuriant, covetable, personal qualities – very much inform the format of Ladybeard. We don’t, however, like the harmful and narrow messages it so often perpetuates.

What would you say was the main goal of Ladybeard?

To reimagine topics that so define us, but that have been reduced to simple, white, cis, exclusionary forms, like ‘sex’ and the ‘mind’ and in this way offer something exciting and interesting to readers. Something that better reflects their world and their experience of the world.

Can you talk us through your thought process when choosing your issue themes? 

In some ways sex was obvious: it permeates all media, in particular the pages of women’s glossies, and dominates feminist discourse. So we started there, with something explicit, controversial, and present. In contrast, there was a distinct lack of discussion surrounding the ‘mind’ when we chose it for our second issue. The move from ‘sex’ to ‘mind’ was a move inward, to something more introspective and intangible.

In late 2016 you released your Mind Issue which (by our interpretation) challenged the notion of binary thinking. However people need to be willing to be enlightened before they can reflect on the issues raised in the magazine – is it hard tackling the “ignorance barrier” many erect when faced with new ways of thinking?

Perhaps it’s a case of preaching to the converted, but we have only received positive messages to the issue. We try, as far as possible to encompass a multitude of voices and experiences, rather than force a particular agenda on our readers. Yes, the magazine as a whole challenges the notion of binary thinking, but we don’t feel that to be the most challenging thing in the magazine – over the recent years, we’ve seen a huge cultural shift in our understanding of the self and gender. Binary thinking is more often rejected, and constantly held up to scrutiny.

With your issues selling out and events receiving rave reviews, it’s easy for an onlooker to say that Ladybeard is enjoying a lot of success. However, on a more personal level, how do you define a successful issue? 

It’s difficult to say, we’ve only made two issues and they each took a year! From the outside it may appear that Ladybeard enjoys traditional standards of success, however we make no money from the issues, and for 6 months of the year work nights and weekends to pack it all in. It sounds clichéd but what really matters is the magazine – as long as we are honestly happy with everything that has gone in, then we feel it’s a success.

What can we expect to see from Ladybeard in the coming months?

Another snail-paced race to make a magazine – this time our theme is beauty.

*What scares you about the year ahead?

Ha! Aside from the disintegration of safe spaces for any marginalised community and the implementation of divisive, repressive policies on a global scale, we feel a little scared about doing the issue all over again, about making it work, about growing up.

…and in contrast, what are you excited for in 2017?

Making another issue, seeing where it takes us.

Could you pin-point a single book, movie, talk that impacted the way you saw the world? 

A lot of people on the team would say Susie Orbach’s ‘Fat is a Feminist Issue’ – reading that while still a teenager was incredible formative.

What are your FAULTs?  

We’re impatient and critical and never satisfied.

 

Words: Miles Holder

Read more about Ladybeard on www.ladybeardmagazine.co.uk 

SONNY curates FAULT Magazine Playlist of the week

Despite not legally allowed to drink in the UK until last week, Sonny’s voice is filled with the rich tones of the jazz singer whose spent years perfecting his craft in smoky jazz dens. His debut single entitled ‘Princess’ oozes with soul whilst containing elements of folk and jazz all rolled up in a modern pop ballad for contemporary audiences.

“My first release ‘Princess’ is a very personal song about a challenging relationship. It’s a little tongue in cheek but I’ve tried to be as honest as possible and I hope that shows throughout the lyrics in this song.”

Produced by Rum And Bug, Princess is taken from Sonny’s upcoming EP, ‘Hopeless Romance’ that drops on the March 24th. (Preorder available HERE)

We wanted to find out how a young performer could be imbued with such old-school soul and what better way to find out than to have Sonny curate this weeks FAULT Playlist below!

 

Stevie Wonder – He’s misstra know it all 

This song has always been a big part of my life, it’s one of my Mums favourite songs and artist. I’ve been influenced by Stevie Wonder from such a young age but out of all of his songs, this one really stands out for me. It’s quite a serious song until he lets loose at the end and adds in some really fun and jokey vocals. Only Stevie could do this! It’s really iconic.

 

Drake – Hold on we’re going home 

This song was when I first discovered Drake, and it’s the song I’ll always remember him for. It’s quite different to what he usually does but the melodies are so catchy and powerful. He is always very understated yet powerful at the same time. This song makes me want to get up and dance.

 

Paolo Nutini – Loving you.

 

Paolo has such a distinctive voice and I love it! So I had to buy the album. After a few car journeys I stumbled across this tune and never looked back. It was so relevant at the time because I was in a really happy place.

 

Penny and the Quarters – You and Me

 

This song featured in a movie called ‘Blue Valentine’. I fell in love with it instantly, it’s so old school and soulful. Right up my street!! With one female vocal accompanied by several males, I found it really unique. I love the story behind this song and how it was discovered. 

 

John Martyn – May you never.

I was introduced to John Martyn by my Dad who is also an acoustic guitar player/ singer. He would teach me how to play it and then I added it into my set list! Its really folk and a different type of songwriting which I liked. 

 

Coldplay – Everything’s not lost

Coldplay have always been one of my favourite bands. This song is typical Coldplay! A slow build up throughout the whole song and then a big finish. It helped me out through a tough time, I would just sit and listen to it on repeat. It’s from the album ‘Parachutes’ which I feel really defined Coldplay and is kind of my favourite albums. 

 

 

Sonny On the web

TWITTER | FACEBOOK | INSTAGRAM | YOUTUBE

Preview: Camila Cabello on the cover of FAULT Magazine Issue 25

Photography: Giuliano Bekor | Styling: Cat Wennekamp | Hair: Marcus Francis | Makeup: Allan Avendano | Nail Tec: Kim Truong

Despite still being very much within its infancy, Camila Cabello‘s solo career has already been rather unfairly mired in rumours surrounding her choice to split from her former girl group, ‘Fifth Harmony’. From the day Camila announced her departure, wild speculation and venomous allegations flew through the airwaves with no comment of ill from either party; seemingly the narrative of five bickering women proved more newsworthy than that of them respecting each other’s career choices. Nevertheless, Camila moves graciously through the attempted adumbration of negativity into the spotlight and onto our issue cover. With an AMA, VMA and countless other awards under her belt as part of Fifth Harmony and seldom mentioned co-writing credits for acclaimed artists Machine Gun Kelly and Shawn Mendes respectively, the sky is the limit for Camila Cabello. With that in mind, we sat down to find out more about the pressures and pleasures of going it alone.

Words: Miles Holder

 

Hi Camila, what’s been the scariest part of transitioning to a solo artist?

I think the scariest part about it is leaving a successful project to pursue a new dream with a path full of questions of self-discovery that only you can answer. But even when I feel so grateful for the opportunity to be a part of my former group, expressing myself as an artist became a necessity.

 

Do you feel a lot of pressure to have to get everything perfect?

I’ve always felt pressure to get everything perfect, and I’ve never gotten there, but I think that’s what keeps me growing, and keeps me frustrated with myself and keeps me reaching. I think if you’re ever comfortable and think “wow. This is it. I’ve figured it out.” , you stop trying and you stop growing.

What should fans expect to hear from your new music?

They are going to feel who I am. They are going to get a chunk of my heart, my experiences, my fantasies and everything in between.

 

What do you have lined up musically for 2017?

We’ll be touring worldwide for the rest of the year.

 

If you could describe the sound in 3 words, what would it be?

I couldn’t possibly boil it all down to three words but it will be me in sound form.

It feels like you’ve been working non-stop for the past 5 year, where did you find the time to prepare for your solo career in that time?

I was always writing, not necessarily for myself, but just because I really wanted to be a songwriter. I think as I was writing I found my own voice as an artist and as a person, and I’m discovering more about it every day.

 

What’s been the best part of the solo journey so far?

Working with so many talented writers and producers and following my own musical vision. I love the ability to create something out of nothing altogether.

 

You’re a young artist and it’s a very tough industry, where is your happy place when it all becomes too much?

My family and movies.

If you could give any advice to you younger self, what would it be?

Everything has to happen the way it’s going to happen so that other things can occur. And also, don’t be so hard on yourself.

 

There’s a lot of pressure on young artists (female performers especially) to be forced by the media to act a certain way or become bullied into dressing a certain way. What’s something you would never apologise for?

I think it’s important to make your own decisions about what feels right to you and follow your inner voice. Never compromise if it doesn’t feel right.

 

What’s the best advice you’ve ever been given?

Everything is temporary and life has seasons of its own. Just like flowers don’t bloom all the time, there are moments of sadness and happiness, struggle and joy, and being human means feeling all of it, even in the bad times, so that you’re that much more grateful for the good times when they come.

 

What are your plans for the rest of 2017?

I hope to release my first few songs before summer and then go from there and hopefully an album in the Fall.

 

What is your FAULT?

Overthinking, worrying about things that may not be in my control and not being present. I am sometimes too hard on myself and I get frustrated with how sensitive and emotional I can get, but I’m learning to love myself a little more during the times when I am sad or insecure, and I just remind myself that feeling those emotions is just a part of being human, and we have to love all the parts of our humanity, because they’re not there to hurt us, they’re there to make us understand ourselves a little better.

 

Read Camila Cabello’s full interview and see more exclusive photographs only in FAULT’s Special #25

 

James Magee in Exclusive Fault editorial by photographer Charl Marais

Shirt: Di Liborio / Trousers- Di Liborio / Pendant – Pyrrha / Hat- Lyonard

Shirt: Di Liborio / Trousers- Di Liborio / Pendant – Pyrrha / Hat- Lyonard

Sweater – Rui Xu / Trousers- John Varvatos / Rings on left hand- Pyrrha / Rings on right hand – Northskull

Sweater – Rui Xu / Ring- Pyrrha

Jacket – Bodybound / Sweat Pants- Bodybound

Jacket – Bodybound / Sweat Pants- Bodybound / Trainers- Nike / Socks- Nike

Sweater – Bodybound / Sweat Pants- Bodybound

Sweater- Wood Wood

T-shirt – Element / Trousers- Di Liborio / Boots – H London

Photographer: Charl Marais @ Kayte Ellis Agency

Fashion Editor: Kristine Kilty

Grooming: Kristina Vidic using: Mac cosmetics, skincare Dr. Hauschka

Photography Assistant: Lotti Brewer-Gmoser

Model: James Magee @ Select

Kehlani: Focused, Fashionable and FAULTY in FAULT Magazine #25 Covershoot

 

Photography by Jacob Hodgkinson
Styling by Rachel Holland
Makeup by Nicky Weir
Hairstyling by Stefan Bertin
Styling assistance by Ines Oom, Tara Theiss & Stephanie – Min Hua Choo

Kehlani – ‘A Rise With Grace’

Words: Miles Holder

The rise of Kehlani hasn’t been an easy one; at every stage in her career she has been given a new cross to bear or obstacle to climb but despite all her hardships, she has always emerged triumphant. Releasing her critically acclaimed debut album ‘SweetSexySavage’ in January 2017 and currently on her highly rated world tour, while it’s been a long time coming, it would seem that Kehlani is finally seeing the fruits of her many years of hard labour. Speaking with a delicate manner but a hardened confidence far beyond her 21 years of age, we sat down to find out more about one of R&B’s most exciting artists.

Looking back, were you happy with how your album did?

I think it was really good for the time that it came out. There was a lot of negative commotion happening especially in my country with the US election so I think that something easy and positive was definitely needed at that time.

You air your personal feelings and fears out there on the album, is it hard to expose so much emotion for the world to hear?

With me, it’s all or nothing; go hard or go home. We all as know what’s really going on and people will feel it if it’s not really me on the track. I want to make people feel through my music – we all put up with fake shit all the time so I wanted to contribute something that’s the real me.

Music has always been your life and it’s something you’ve been working on for so long, did that not put a lot of pressure on you to succeed when dropping new music?

For me, the pressure doesn’t come from outside people, it’s all what I put on myself in the creative process. I’m asking myself “Could I hit that note better” or “should I shift beats differently”, but I’m not thinking about the sales-numbers because that doesn’t really matter. I just worry about making sure whatever I’m working on is a better project than the last.

How do you deal with the pressure of all the show business?

I’m doing so much that I never have time to really stop and think about it all. I don’t have the focus and it’s hard to manage but at the end of the day, it’s got to get done! Ain’t non of this shit easy for anyone.

What advice would you give to your younger self?

I’d tell myself to just stay focused and get as much rest as you can because you’re about to turn up! [laughs] But seriously, I’d tell myself to learn how to prioritise myself and to learn how to protect my energy. If I had entered the industry with more knowledge on self, how to protect myself and emotional take care of my life then things would have been much easier.

Being a sensitive, open and loving person has definitely led to some downfalls but I do wish I’d learnt some emotional grounding as a kid but I don’t beat myself up about it because it’s hard and most people don’t even learn half of that until they’re old.

When you shut your eyes and you think of your perfect future, what is it?

I want to be a mum. I want to have my kids and just settle down. If I keep going as fast as I’ve been going, I’m going to be over it and it’ll be time for the quiet life one day.

What’s your message to all young people out there who might have gone through or are going through the same struggles you have?

Don’t let the world discourage you or let the things that weigh on your shoulders crush you. Know that for me, it’s really hard and as a woman especially because we’re so caring and we have large hearts which make us want to fix the unfixable and carry a weight too large to bear. I just hope everyone out there knows to just breathe through it and to take everything at their own pace. Most importantly, people should never forget to take care of themselves.

What is your FAULT?

I don’t know how to answer that because I’m so human and I never stop to imagine that I’d only ever have one fault. We all have FAULTs, being twenty-one-years-old reminds me that I’m human because I’m pretty sure I have a fuck up every single day. I can’t think of just one thing -that’s my FAULT.

Read Kehlani’s full interview and see more exclusive photographs only in FAULT’s Special #25

AVAILABLE TO PRE-ORDER NOW