FAULT Magazine Summer 2017 Festival Guide

Who

Frank Ocean , Jamie Xx , Mac Miller , Solange , Sampha , Kaytranada , Ray Blk , Mick Jenkins , Rex Orange County , The Fedz , Raheem Bakaré , Noisey Djs, Rag’n’bone Man , Rüfüs , Sälen Chase & Status (Live) , Jess Glynne , Annie Mac , Dj Ez , Kano , Anne-marie , Raye , Club Drive

What

Lovebox have now announced Solange and Frank Ocean as headliners for 2017 and we are more than excited. Both performers released critically acclaimed albums respectively in 2016 and fans will sure to be excited for the release of these details. Being the eclectic festival that they are, there’s truly something for everyone this year. Rag ‘n’ Bone Man, Jamie XX, Mac Miller, Chase & Status and many more FAULT Favourites will be there.

As they enter their fifteenth year, Lovebox has made a name for itself with lineups featuring taste making-headliners and need-to-know acts from Britain and around the world.

Where

London – Victoria Park

When

14-15th July

Tickets

www.loveboxfestival.com

Who

Metronomy, Crystal Fighters, Toots & The Maytals, Wild Beasts , Peaches , Ray Blk , Honne ,,jagwar Ma , Jeremy Loops , Rejjie Snow ,tom Misch , Kate Nash , Akala , Jorja Smith , Fickle Friends , Bonzai , The Moonlandingz , Deap Vally , All Them Witches , Jain , Pumarosa , Zak Abel , Will Joseph Cook , Tom Grennan , Mabel , Etta Bond , Be Charlotte , Toothless , North Downs ,?Let’s Eat Grandma , Seramic , Charlotte Oc , Laurel , Anteros , Aine Cahill , Cosmo Sheldrake , Mont Jake

What

This year, our FAULT Favourite Festival ‘Secret Garden Party’ is back with a clear message to the fame worshipping and excluding masses, “bore off, we all run this town!” This summer the Secret Garden Party invites all into the most inclusive VIP-LOL-OFF for their 15th SGP ever themed – “Sweet Dreams. Are made of these? And who are we to disagree…” It’s no surprise that we LOVE attending SGP each year and would likely still attend even if the lineup wasn’t to our taste but time and time again they have filled their lineup with FAULT Favourite bands and this year is no exception.

Where

Cambridgeshire – Mill Hill Field

When

20-23 July

Tickets

http:,,www.secretgardenparty.com,

Who

Radiohead, Foo Fighters, Ed Sheeran, The xx, The National, Biffy Clyro, Katy Perry, Barry Gibb, Royal Blood, Stormzy
Chic, Major Lazer, Alt-J, Boy Better Know, Lorde, Solange, Run the Jewels, Laura Marling, Kris Kristofferson, The Jacksons, Emeli Sandé, Phoenix

What

Come on, you know about Glastonbury by now! Not to mention the lineup is batshit crazy but we love it. Whether you have a an eclectic music taste or just a large group of mates with diverse music tastes; you’re bound to have fun at Glasto 2017. Skank out to Stormzy, jive with The Jacksons and sing your lungs out to Solange all in the same week – chances are you won’t get many chances to see so many great performers under the proverbial roof that is Glastonbury.

Where

Glastonbury – Worthy Farm

When

21st – 25th June

Tickets

www.glastonburyfestivals.co.uk

Who

Chance The Rapper Skepta The Weeknd Abra Cadabra AJ X DENO Big Narstie Big Tobz Bryson Tiller (UK Festival Exclusive) Bugzy Malone Cadet Dave Desiigner DJ Charlsey Fetty Wap (UK Festival Exclusive) Flatbush Zombies G-Eazy (UK Festival Exclusive) Geko Hilltop Hoods Jez Dior Kojo Funds Lil Dicky Lil Uzi Vert Lil Yachty (UK Festival Exclusive) Mike Skinner and Murkage Present TONGA MoStack Nas (UK Festival Exclusive) Nef The Pharaoh Noname Post Malone Rae Sremmurd (UK Festival Exclusive) Sean Paul Section Boyz Stefflon Don The Age of L.U.N.A Tim Westwood Topaz Jones Tory Lanez Travis Scott (UK Festival Exclusive) Ty Dolla $ign Tyga Wiley WizKid Young T and Bugsey Young Thug (UK Festival Exclusive) Yuna Yungen Zara Larsson

What

Wireless Festival today adds five further artists to its 2017 line up, including some of the biggest names in home-grown talent Bugzy Malone, Geko and Kojo Funds, as well as international stars Fetty Wap and Travis Scott for two UK festival exclusive performances.

Where

London – Finsbury Park

When

7-9th July

Tickets

http:,,www.wirelessfestival.co.uk,tickets

What

Now in it’s 11th year, Field Day has consistently proved itself to be one of the leading festivals in the UK. Exceptional programming over the years have seen the best in upcoming and legendary acts and this year Field Day is set to surpass expectations once again with Aphex Twin playing in a brand new stage plus Flying Lotus, Slow Dive and many more confirmed to grace the festival’s many other stages in

Who

Aphex Twin, Fatima Yamaha – live, Flying Lotus, Marcel Dettmann, Midland, Moderat, Nicolas, Forest Swords ,Forth Wanderers, Gaika, Haelos

Where

London – Victoria Park

When

3 June

Tickets

fielddayfestivals.com,tickets

Who

Arcade Fire, Bon Iver, Frank Ocean, the xx, Aphex Twin, Grace Jones, Slayer, Solange, and Van Morrison,Run The Jewels, Mac DeMarco, Miguel, Flying Lotus, the Magnetic Fields, Angel Olsen, Grandaddy, Sampha, Swans, Broken Social Scene, Mitski, the Afghan Whigs, Against Me!, the Damned, the Descendents, Priests, King Krule, Gordi, Pinegrove, Mannequin Pussy, Cymbals Eat Guitars,

What

Year after year, Primavera have paired contemporary and culturally relevant artists alongside living legends who paved the way for originality within the music industry and 2017 is looking to be no exception to that rule. Classic festival favourites Arcade Fire, Aphex Twin and Bon Iver tear the stage up at every appearance and we’re sure Primavera Sound 2017 will be no different. Solange, Frank Ocean and The XX arguably released three of the best albums of 2016 and on their merit alone will bring music lovers from across Europe and beyond to Barcelona next May.  That’s all before we even mention that Run The Jewel, Skepta, Flying Lotus and FAULT #23 Alumni Miguel will also be performing. Alongside these contemporaries, festival goers can also bask in the presence of legends Van Morrison and  Grace Jones who have made undeniable contributions to music throughout their respective careers.

Where

Spain – Barcelona

When

31 May – 4 Jun

Tickets

www.primaverasound.com

Who

Aphex Twin, Fatima Yamaha – live, Flying Lotus, Marcel Dettmann, Midland, Moderat, Nicolas Jaar, Nina Kraviz

What

Hideout is firmly cemented as the leading electronic music festival in Europe, the six open air stages will once again play host to the best in electronic music. With Croatia now a globally recognised destination for dance music, Hideout Festival is at the forefront of the scene. Six incredible years of stand out line-ups spanning the whole spectrum of electronic music, Hideout has become one of the definitive european dance music events in the calendar.

Where

Croatia – Pag

When

26th – 30th June

Tickets

http:,,www.hideoutfestival.com,

Who

Rae Sremmurd, French Montana, Sean Paul, Lady Leshurr, Krept & Konan, DJ Jazzy Jeff

What

Fresh Island is Europe’s leading hip-hop and urban music festival, set against the backdrop of the stunning island of Pag in Croatia. The festival has become renowned for welcoming the finest international talent to the shores of Zrce Beach to play across its three open-air superclubs and in the last five years has hosted performances by Chris Brown, Wiz Khalifa, Snoop Dogg, Eve, Action Bronson, Joey Bada$$, Stormzy, JME and many more.

Where

Croatia – Pag

When

11th – 13th July

Tickets

Fresh-island.org

FAULT Magazine Alumni – Bleachers are back with new single, ‘Don’t Take The Money’

Avid FAULT readers will know that we have a (healthy) obsession with all things Bleachers; today we’ve been graced with the release of their brand new single, ‘Don’t Take The Money’. The heart-pounding single is the first single from their upcoming second album which is slated to be released early summer.

In 2015, we caught up with lead-man Jack Antonoff for our FAULT Online cover shoot (read here) where we discussed music, touring and FAULTS – on this latest single, he had this to say:

“Don’t Take The Money’ is a phrase I say in my head all the time. It has nothing to do with actual money. It means to follow the light. Don’t ignore a gut feeling. ‘Don’t take the money.’ I repeat it to myself when I’m trying to stay on track. Specifically in this song I’m writing about my relationship and the verse and chorus run quickly through the past and the fight leading to the euphoria of seeing the light with someone else.”

The track is the syth-pop track we’ve been waiting for to get summer started right! It’s guaranteed to be a massive festival favourite this summer and if ‘Don’t take the money’ is anything to go by, Bleacher’s second album is going to be another masterpiece to add to the collection.

 

To Buy or Stream ‘Don’t Take The Money’:
iTunes: http://smarturl.it/DTTMi
Apple Music: http://smarturl.it/DTTMa
Spotify: http://smarturl.it/DTTMs
Amazon: http://smarturl.it/DTTMaz
Google: http://smarturl.it/DTTMg

Follow Bleachers:
Website: http://www.bleachersmusic.com/
Facebook: https://www.facebook.com/bleachersmusic
Twitter: https://twitter.com/bleachersmusic
Instagram: https://www.instagram.com/bleachersmusic

HTGAWM’s Jack Falahee discusses lessons learnt from the LGBTQ community in FAULT Issue 25

 

Photography by Joseph Sinclair
Styling by Angel Terrazas
Grooming by Mishelle Parry at Celestine Agency

Jack Falahee ‘Playing Connor | Finding Jack’

Words: Miles Holder

How To Get Away With Murder first appeared on our screens in 2014 and is to this day one of America’s most progressive and expertly written television dramas. Oscar award winning actress, Viola Davis stars as the powerful, female, African-American lawyer without a defined sexuality nor reason to explain one. As an African American female actress, she will no-doubt have faced similar prejudices to that of the character she plays; however the same can not be said for the whole cast. Enter, Jack Falahee. Despite years of training at prestigious acting schools, it was the role of a homosexual college student, Connor Walsh that would provide Jack with a clear and untilfiltered glimpse into the LGBTQ community. It’s a credit to Jack’s skills as an actor, that Connor’s character and his sometimes turbulent relationship with his HIV-positive boyfriend have created strong discussions within and outside of the LGBTQ community. With that in mind, I sat down with Jack to find out what the character that means so much to so many different people – means to him.

You’ve got an impressive resume – you’ve studied so many different acting methods, what is it about television and the screen that mean you’ve gone down that route?

When I was at NYU I was originally admitted to study musical theatre but when I started hanging out with kids who had grown up with ballet classes and vocal coaches, I quickly realised I was a bit out of my depths. If I felt that way in a class of forty students, then going to an open audition for a broadway show was going to be a nightmare; and it was and I was cut very quickly.

I went to Amsterdam and studied the experimental theatre and then Shakespeare in the States but when I got into television acting, I was really inspired by the technical side of it. I grew up enjoying movies but when I started studying it I became aware of angles, what “the shot” was and just everything that is done to make a screenplay come to life. That really fascinated me and will likely lead to me producing and directing in my future.

What period of Connor’s character resonated with you the most?

Fundamentally he and I are very competitive and also very jealous people – it’s something which I’m personally working on but I don’t think Connor is! I grew up with 3 siblings and 2 brothers who are all wildly brilliant and whilst it was a house full of love, it was also incredibly competitive so I definitely relate to Connor in that way.

When you first got the role, did you think the show would have such an impact?

Frankly, you’re not thinking about that when you’re a struggling actor; you’re thinking about getting a job so you can pay rent and survive so I never really sat down and considered I’d be spending years of my life on the project.

I’m still not over how the much of an impact the show has made and a lot of that is Connor’s character and his importance to fans. It’s emblematic of my straight privilege, but I never thought his character would be so important to the LGBTQ community. When the finale came out and Oliver proposed to Connor, seeing the Twitter reaction was so overwhelming and I was just overjoyed at how meaningful the character is to people.

What are the best lessons you’ve learnt from your fans?

100% opening my eyes to the LGBTQ struggle and I can’t stress that enough. Going into this, it was never written on the page that “Connor Walsh is a homosexual”; so when it came to the first love scene I just thought, “wow this guy is willing to do whatever it takes to get ahead” and now I know that was the heteronormativity in my mind back then that was rationalising this whole aspect of his character. It wasn’t until Pete Nowalk was like “oh no, Connor is gay” that I’ve been really trying to become a student of the history of LGBTQ rights and learning more about the struggle of those in the past and in the present day.  I asked Pete and my friends for a reading list on LGBTQ history because one of my favourite aspects about being an actor is that I’m continually having to learn about things I’ve been very uneducated on in the past. I’ve grown up with friends and family who aren’t straight white males so it was important for me  to do Connor’s character justice. The outpouring of love from the fans was so gratifying and humbling for me. Receiving messages from fans saying “Connor & Oliver helped me come out to my parents” is deeply rewarding and to be any small part of the courage needed to come out will forever be a blessing to me.

Are you comfortable with your sex symbol status?

No! Well, it depends [laughs]. I go back and forth on this, on one hand, it’s a great boost to my confidence but on the other hand, it’s a very vulnerable thing to be. Women live their lives being objectified and reduced to just their bodies every day and it is awful so I’ve been discussing it with the women close to me. I obviously can never understand how women can go through life that way but I can see a glimpse of what that experience might feel like and it’s not a nice one.

Nine times out of ten, it’s all good fun and nice things are being said but that 10% of the time when people disregard my space or my wellbeing is not okay. People tell me “that’s what you signed up for” and I really don’t think it is! I was this chubby, awkward kid and now I’m a sex symbol with the help of great makeup and lighting experts making me look a certain way on tv and magazines.

What is FAULT?

I think that there is a part of me which is always seeking validation which is very informative of why I’ve become an actor; regardless of what might happen, I think I’ll always be seeking approval.

Read Jack’s full interview and see more exclusive photographs only in FAULT’s Special #25

AVAILABLE TO PRE-ORDER NOW

FAULT Focus: Further Reading with the Editors of Ladybeard Magazine


Starting at the beginning, where did the idea for Ladybeard come from?

Ladybeard was borne out of a frustration with the mainstream – we take underrepresented and misrepresented topics and open them up to fresh feminist perspectives.

Launching a magazine (especially a print magazine) in the past decade has been risky business. What drives and inspires you to keep creating?

Ladybeard is purely driven by passion – we make it in and around our full-time jobs. Sometimes it’s hard to see the sense, but it always feels worth it once the magazine is made. We are driven by the need for thoughtful, interrogating, inclusive reportage that stimulates people – while there is still a need for this, we are inspired to carry on with the magazine.

Ladybeard is a glossy magazine however you’re a far cry from the “How to keep your man” “how to be thin and nothing else” titles on newsstands. What thought process in particular led to you choosing the glossy format for Ladybeard?

We love the way a glossy feels, looks, its weight, its texture. The abstract qualities of a glossy – its luxuriant, covetable, personal qualities – very much inform the format of Ladybeard. We don’t, however, like the harmful and narrow messages it so often perpetuates.

What would you say was the main goal of Ladybeard?

To reimagine topics that so define us, but that have been reduced to simple, white, cis, exclusionary forms, like ‘sex’ and the ‘mind’ and in this way offer something exciting and interesting to readers. Something that better reflects their world and their experience of the world.

Can you talk us through your thought process when choosing your issue themes? 

In some ways sex was obvious: it permeates all media, in particular the pages of women’s glossies, and dominates feminist discourse. So we started there, with something explicit, controversial, and present. In contrast, there was a distinct lack of discussion surrounding the ‘mind’ when we chose it for our second issue. The move from ‘sex’ to ‘mind’ was a move inward, to something more introspective and intangible.

In late 2016 you released your Mind Issue which (by our interpretation) challenged the notion of binary thinking. However people need to be willing to be enlightened before they can reflect on the issues raised in the magazine – is it hard tackling the “ignorance barrier” many erect when faced with new ways of thinking?

Perhaps it’s a case of preaching to the converted, but we have only received positive messages to the issue. We try, as far as possible to encompass a multitude of voices and experiences, rather than force a particular agenda on our readers. Yes, the magazine as a whole challenges the notion of binary thinking, but we don’t feel that to be the most challenging thing in the magazine – over the recent years, we’ve seen a huge cultural shift in our understanding of the self and gender. Binary thinking is more often rejected, and constantly held up to scrutiny.

With your issues selling out and events receiving rave reviews, it’s easy for an onlooker to say that Ladybeard is enjoying a lot of success. However, on a more personal level, how do you define a successful issue? 

It’s difficult to say, we’ve only made two issues and they each took a year! From the outside it may appear that Ladybeard enjoys traditional standards of success, however we make no money from the issues, and for 6 months of the year work nights and weekends to pack it all in. It sounds clichéd but what really matters is the magazine – as long as we are honestly happy with everything that has gone in, then we feel it’s a success.

What can we expect to see from Ladybeard in the coming months?

Another snail-paced race to make a magazine – this time our theme is beauty.

*What scares you about the year ahead?

Ha! Aside from the disintegration of safe spaces for any marginalised community and the implementation of divisive, repressive policies on a global scale, we feel a little scared about doing the issue all over again, about making it work, about growing up.

…and in contrast, what are you excited for in 2017?

Making another issue, seeing where it takes us.

Could you pin-point a single book, movie, talk that impacted the way you saw the world? 

A lot of people on the team would say Susie Orbach’s ‘Fat is a Feminist Issue’ – reading that while still a teenager was incredible formative.

What are your FAULTs?  

We’re impatient and critical and never satisfied.

 

Words: Miles Holder

Read more about Ladybeard on www.ladybeardmagazine.co.uk 

SONNY curates FAULT Magazine Playlist of the week

Despite not legally allowed to drink in the UK until last week, Sonny’s voice is filled with the rich tones of the jazz singer whose spent years perfecting his craft in smoky jazz dens. His debut single entitled ‘Princess’ oozes with soul whilst containing elements of folk and jazz all rolled up in a modern pop ballad for contemporary audiences.

“My first release ‘Princess’ is a very personal song about a challenging relationship. It’s a little tongue in cheek but I’ve tried to be as honest as possible and I hope that shows throughout the lyrics in this song.”

Produced by Rum And Bug, Princess is taken from Sonny’s upcoming EP, ‘Hopeless Romance’ that drops on the March 24th. (Preorder available HERE)

We wanted to find out how a young performer could be imbued with such old-school soul and what better way to find out than to have Sonny curate this weeks FAULT Playlist below!

 

Stevie Wonder – He’s misstra know it all 

This song has always been a big part of my life, it’s one of my Mums favourite songs and artist. I’ve been influenced by Stevie Wonder from such a young age but out of all of his songs, this one really stands out for me. It’s quite a serious song until he lets loose at the end and adds in some really fun and jokey vocals. Only Stevie could do this! It’s really iconic.

 

Drake – Hold on we’re going home 

This song was when I first discovered Drake, and it’s the song I’ll always remember him for. It’s quite different to what he usually does but the melodies are so catchy and powerful. He is always very understated yet powerful at the same time. This song makes me want to get up and dance.

 

Paolo Nutini – Loving you.

 

Paolo has such a distinctive voice and I love it! So I had to buy the album. After a few car journeys I stumbled across this tune and never looked back. It was so relevant at the time because I was in a really happy place.

 

Penny and the Quarters – You and Me

 

This song featured in a movie called ‘Blue Valentine’. I fell in love with it instantly, it’s so old school and soulful. Right up my street!! With one female vocal accompanied by several males, I found it really unique. I love the story behind this song and how it was discovered. 

 

John Martyn – May you never.

I was introduced to John Martyn by my Dad who is also an acoustic guitar player/ singer. He would teach me how to play it and then I added it into my set list! Its really folk and a different type of songwriting which I liked. 

 

Coldplay – Everything’s not lost

Coldplay have always been one of my favourite bands. This song is typical Coldplay! A slow build up throughout the whole song and then a big finish. It helped me out through a tough time, I would just sit and listen to it on repeat. It’s from the album ‘Parachutes’ which I feel really defined Coldplay and is kind of my favourite albums. 

 

 

Sonny On the web

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Preview: Camila Cabello on the cover of FAULT Magazine Issue 25

Photography: Giuliano Bekor | Styling: Cat Wennekamp | Hair: Marcus Francis | Makeup: Allan Avendano | Nail Tec: Kim Truong

Despite still being very much within its infancy, Camila Cabello‘s solo career has already been rather unfairly mired in rumours surrounding her choice to split from her former girl group, ‘Fifth Harmony’. From the day Camila announced her departure, wild speculation and venomous allegations flew through the airwaves with no comment of ill from either party; seemingly the narrative of five bickering women proved more newsworthy than that of them respecting each other’s career choices. Nevertheless, Camila moves graciously through the attempted adumbration of negativity into the spotlight and onto our issue cover. With an AMA, VMA and countless other awards under her belt as part of Fifth Harmony and seldom mentioned co-writing credits for acclaimed artists Machine Gun Kelly and Shawn Mendes respectively, the sky is the limit for Camila Cabello. With that in mind, we sat down to find out more about the pressures and pleasures of going it alone.

Words: Miles Holder

 

Hi Camila, what’s been the scariest part of transitioning to a solo artist?

I think the scariest part about it is leaving a successful project to pursue a new dream with a path full of questions of self-discovery that only you can answer. But even when I feel so grateful for the opportunity to be a part of my former group, expressing myself as an artist became a necessity.

 

Do you feel a lot of pressure to have to get everything perfect?

I’ve always felt pressure to get everything perfect, and I’ve never gotten there, but I think that’s what keeps me growing, and keeps me frustrated with myself and keeps me reaching. I think if you’re ever comfortable and think “wow. This is it. I’ve figured it out.” , you stop trying and you stop growing.

What should fans expect to hear from your new music?

They are going to feel who I am. They are going to get a chunk of my heart, my experiences, my fantasies and everything in between.

 

What do you have lined up musically for 2017?

We’ll be touring worldwide for the rest of the year.

 

If you could describe the sound in 3 words, what would it be?

I couldn’t possibly boil it all down to three words but it will be me in sound form.

It feels like you’ve been working non-stop for the past 5 year, where did you find the time to prepare for your solo career in that time?

I was always writing, not necessarily for myself, but just because I really wanted to be a songwriter. I think as I was writing I found my own voice as an artist and as a person, and I’m discovering more about it every day.

 

What’s been the best part of the solo journey so far?

Working with so many talented writers and producers and following my own musical vision. I love the ability to create something out of nothing altogether.

 

You’re a young artist and it’s a very tough industry, where is your happy place when it all becomes too much?

My family and movies.

If you could give any advice to you younger self, what would it be?

Everything has to happen the way it’s going to happen so that other things can occur. And also, don’t be so hard on yourself.

 

There’s a lot of pressure on young artists (female performers especially) to be forced by the media to act a certain way or become bullied into dressing a certain way. What’s something you would never apologise for?

I think it’s important to make your own decisions about what feels right to you and follow your inner voice. Never compromise if it doesn’t feel right.

 

What’s the best advice you’ve ever been given?

Everything is temporary and life has seasons of its own. Just like flowers don’t bloom all the time, there are moments of sadness and happiness, struggle and joy, and being human means feeling all of it, even in the bad times, so that you’re that much more grateful for the good times when they come.

 

What are your plans for the rest of 2017?

I hope to release my first few songs before summer and then go from there and hopefully an album in the Fall.

 

What is your FAULT?

Overthinking, worrying about things that may not be in my control and not being present. I am sometimes too hard on myself and I get frustrated with how sensitive and emotional I can get, but I’m learning to love myself a little more during the times when I am sad or insecure, and I just remind myself that feeling those emotions is just a part of being human, and we have to love all the parts of our humanity, because they’re not there to hurt us, they’re there to make us understand ourselves a little better.

 

Read Camila Cabello’s full interview and see more exclusive photographs only in FAULT’s Special #25

 

Kehlani: Focused, Fashionable and FAULTY in FAULT Magazine #25 Covershoot

 

Photography by Jacob Hodgkinson
Styling by Rachel Holland
Makeup by Nicky Weir
Hairstyling by Stefan Bertin
Styling assistance by Ines Oom, Tara Theiss & Stephanie – Min Hua Choo

Kehlani – ‘A Rise With Grace’

Words: Miles Holder

The rise of Kehlani hasn’t been an easy one; at every stage in her career she has been given a new cross to bear or obstacle to climb but despite all her hardships, she has always emerged triumphant. Releasing her critically acclaimed debut album ‘SweetSexySavage’ in January 2017 and currently on her highly rated world tour, while it’s been a long time coming, it would seem that Kehlani is finally seeing the fruits of her many years of hard labour. Speaking with a delicate manner but a hardened confidence far beyond her 21 years of age, we sat down to find out more about one of R&B’s most exciting artists.

Looking back, were you happy with how your album did?

I think it was really good for the time that it came out. There was a lot of negative commotion happening especially in my country with the US election so I think that something easy and positive was definitely needed at that time.

You air your personal feelings and fears out there on the album, is it hard to expose so much emotion for the world to hear?

With me, it’s all or nothing; go hard or go home. We all as know what’s really going on and people will feel it if it’s not really me on the track. I want to make people feel through my music – we all put up with fake shit all the time so I wanted to contribute something that’s the real me.

Music has always been your life and it’s something you’ve been working on for so long, did that not put a lot of pressure on you to succeed when dropping new music?

For me, the pressure doesn’t come from outside people, it’s all what I put on myself in the creative process. I’m asking myself “Could I hit that note better” or “should I shift beats differently”, but I’m not thinking about the sales-numbers because that doesn’t really matter. I just worry about making sure whatever I’m working on is a better project than the last.

How do you deal with the pressure of all the show business?

I’m doing so much that I never have time to really stop and think about it all. I don’t have the focus and it’s hard to manage but at the end of the day, it’s got to get done! Ain’t non of this shit easy for anyone.

What advice would you give to your younger self?

I’d tell myself to just stay focused and get as much rest as you can because you’re about to turn up! [laughs] But seriously, I’d tell myself to learn how to prioritise myself and to learn how to protect my energy. If I had entered the industry with more knowledge on self, how to protect myself and emotional take care of my life then things would have been much easier.

Being a sensitive, open and loving person has definitely led to some downfalls but I do wish I’d learnt some emotional grounding as a kid but I don’t beat myself up about it because it’s hard and most people don’t even learn half of that until they’re old.

When you shut your eyes and you think of your perfect future, what is it?

I want to be a mum. I want to have my kids and just settle down. If I keep going as fast as I’ve been going, I’m going to be over it and it’ll be time for the quiet life one day.

What’s your message to all young people out there who might have gone through or are going through the same struggles you have?

Don’t let the world discourage you or let the things that weigh on your shoulders crush you. Know that for me, it’s really hard and as a woman especially because we’re so caring and we have large hearts which make us want to fix the unfixable and carry a weight too large to bear. I just hope everyone out there knows to just breathe through it and to take everything at their own pace. Most importantly, people should never forget to take care of themselves.

What is your FAULT?

I don’t know how to answer that because I’m so human and I never stop to imagine that I’d only ever have one fault. We all have FAULTs, being twenty-one-years-old reminds me that I’m human because I’m pretty sure I have a fuck up every single day. I can’t think of just one thing -that’s my FAULT.

Read Kehlani’s full interview and see more exclusive photographs only in FAULT’s Special #25

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FAULT Magazine Issue 25 Preview: Counterfeit. – Together We Are Stronger

 

 

Surely you remember the Counterfeit. boys fronted by our FAULT issue 22 Cover Jamie Campbell Bower. Long story short, they’re basically part of the FAULT family now. When we last caught up, the boys were only just releasing their debut EP. Well, fast-forward six months and they’ve got a brand new record out. We caught up again with the group and here’s a little teaser for what’s about to come out in our FAULT Issue 25. 

 


It’s been 6 months since we last caught up and back then you were only just releasing your EP. Look at us now, with you guys releasing your debut album! What’s the vibe in the Counterfeit. camp at the moment?

Jamie: It’s pretty good. We’ve made an album over the past six months since we saw you last. We’ve sort of been gearing up for the release ever since, while being locked away in a tiny room.

Now that you’ve got a full body of work that represents Counterfeit. if we were to listen to your EP back to back with your album, would we notice any differences?

Tristan: Yes definitely, it’s a step up from our EP. Mitch, the guy who we worked with on our album, is really talented. He’s worked with people like Rattlesnakes and the sound that he’s created for us is really raw.

Jamie: The album in comparison to the EP is a lot tighter and closer. Sonically, it’s a lot beefier and thicker than what we’ve done before. The sound that we wanted for the album compared to the EP comes from this love of a nice kick and a heavy snare rather than a roomy sound, so that’s definitely a step up in terms of how we went about it. But it’s still very much Counterfeit. It hasn’t changed. There’s room for mistakes in the record and those moments of ‘Oh what’s that?’ are really nice on an album. As opposed to, you know, something general and clean-cut from beginning to end.

 

I remember you were saying that most of your songs come from a very personal and honest place. Which one was the hardest for you to write and put out there and what’s the back-story?

Jamie: There are a few out there that are quite tough. The record opens with a song called ‘Washed Out’ and that’s a reflection of a period of my life from about 15 to 26 when my life was going in a direction and I didn’t really know which way it was going. I would actively do things that were negative that would have a negative impact on my life. Just the way that I acted or certain actions that I did, I wasn’t really ready to accept life on life’s terms. It was more about blowing everything up, because I didn’t really feel I had control. I was always trying to put a brave face on, like ‘No, I’m fine, I’m cool, I’m grand!’ But the past like two and a half years, I think all of us collectively just did some growing up. I also made some significant changes in my life, in regards to the way I behaved and the things that I did. ‘Washed Out’ was probably one of the first tracks that I wrote. It was a tough song to write. It’s hard to talk about being a mess and it’s not an easy thing to look back on.

 

What was the most difficult part of producing this record? You already had quite a solid body of work beforehand, but surely there must’ve been times when you felt stuck.

Sam: We all had moments when we went away from it for a little and when we came back we could discuss what troubles we had with the others with a clear head. We work quite well together when it comes to communicating ideas.

Jamie: There was one song – You Can’t Rely – that we’ve never played live, it was written at home and it was still very much in demo format. The chorus part needed to be changed and as soon as we got into the studio we realized that it needed some work. But it wasn’t like something that took a week to get over; we did it in like 4 hours. But the record was made quite quickly; it just took a while to find the time to do it, because we’ve all got our own things going on. But if you were to accumulate all the time that we spent together, it basically just took us 25 days to make a record. And I think that’s a really important factor in terms of what this record is. It’s frantic and struggling to survive and I think recording it over such a sort time-span contributed to those feelings.

 

Come March-April – you’re going back on the road again. Will we see anything different from Counterfeit on stage?

Jamie: I think the show this time is going to get like bigger and better. We’re getting our own technicians in to do our stuff for us. This band is very much home grown and passion grown, so it’s very important to us to have our own people with us on the road. We want to continue to take the show to bigger and better places. The way that we see it and the way that we see it in our minds is like a huge fucking rock show, and that’s what it needs to be and that’s what we have to provide for these people. We’ve done the tours already, it’s great, cool, and fun, call it whatever and we want to step it up. We want to give it the beans in terms of visuals as well. But yeah, Sam will definitely be put in danger again. I’m thinking less boat this time. I don’t know, maybe an inflatable whale.

Sam: Or just floating from above. Hang me from a cable. Sounds fun.

 

 Without getting political – but taking into account the current political climate, you come across as the kind of band who is not afraid to speak up. Now that people have something to rebel against, is this an area you’re willing to explore?

Jamie: I don’t think we are the kind of band that is afraid to speak up. We are reactive to what we experience and what we’re shown around us. Would I be afraid to take it into a political direction? No. But would I consciously make an effort to be a beacon? I don’t think I would do that either because I’m sure as shit no pillar of morality myself. Of course there are some horrifically negative people in this world and the things that are happening around us right now tare very scary. I think that maybe if we feel the desire and burning passion to make a socio-political comment on that, then we should and it would be right to do so. But I would never force us to go into that direction. It wouldn’t be a conscious thought. If we were to do it and if we had to do it, it would have to be genuine.

Roland: Another interesting thing is the fact that the album is called ‘Together We Are Stronger’ and for us, it’s like a thank you to our fans. But at the same time it’s a message of unity and coming together. We seem to just live in a world where people just cut you off and simply don’t care. Our message is basically that whoever you are, it’s all good.

Jamie: The world does feel very fractious. I definitely get the sense of fracture and isolation and I think that’s terrifying. Because I don’t come from a place where I want to live on my own and lock all my door and shut all my windows. I’m not a small-minded individual. I truly believe in acceptance, love, understanding and peace.

And on that happy note, have you guys acquired any new FAULTs over the past few months?

Sam: I’m still losing things! I’m losing fewer things though cause I’m taking less things with me.

Jamie: He’s losing less things cause he lost most things already.

Roland: I used to be very good at bowling, but last time I went I lost, so that’s a fault.

Jamie: Over the last six months, I think I’ve been under a lot of pressure and haven’t actually managed to deal with stress in a positive way. I let it get to a point where I just blew up.

Tristan: My fault was disappearing for two days while doing the album.

Jimmy: I’m perfect.

You can order Together We Are Stronger here – available NOW

In anticipation for FAULT Issue 25 – check out an exclusive behind the scenes video with Counterfeit. More to come!

 

Words: Adina Ilie

Photography: Chris Moore

Photography Assistant: Matthew Lloyd
Grooming : Fabio Vivan @ Emma Davies Agency using Bumble and bumble and grooming with Braun
SPECIAL THANKS TO TAPE LONDON – TAPE LODGE