#LikeforLikes – Christopher Polack’s ‘selfie’-inspired editorial for FAULT Online

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swimsuit MESKITA necklace and earrings CORNELIA WEBB

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top MILLY bikini bottom AQUARELLA SWIMWEAR bracelete CORNELIA WEBB

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top MILLY bikini MESKITA nuckle ring MAX STEINER trench KAELEN necklace LOSSELLIANI

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Sunglasses ETNIA BARCELONA top STYLIST OWN skirt MILLY shoes UNITED NUDE earrings WOUTERS & HENDRIX

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(as above)

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top MILLY bikini MESKITA nuckle ring MAX STEINER trench KAELEN necklace LOSSELLIANI

 

photographer CHRISTOPHER POLACK
stylist FAUSTINA ROSE
model OLGA VLASENKO @ MAJOR MODELS
hair and makeup JOSEFINA FERNANDEZ

Dannii Minogue – exclusive shoot for FAULT Issue 18′s reversible cover

Dannii Minogue- FAULT Magazine Issue 18 - reversible cover WEB

Dannii Minogue was shot in London by photographer James D Kelly and styled by Rachel Holland exclusively for the front cover of FAULT Issue 18
Click here to pre-order your copy of this issue!

FAULT Magazine Issue 18 – the RAW Issue features multi-talented Australian beauty Dannii Minogue as its reversible cover feature. Dubbed (by us, for the feature ‘s title) the “Down Under Designer Darling”, Dannii’s sense of style is self-evident as she shines in looks by the likes of Nicole Farhi, Missoni and Viktor & Rolf.

Shot exclusively for FAULT at the Hoxton Hotel in London by photographer James D Kelly with styling by Rachel Holland, Dannii’s feature includes an in-depth interview and runs over 9 pages in the magazine, including the Style section cover inside the magazine.

In the interview, Dannii speaks about life in Australia with her 4 year old son, Ethan, her desire to get back into TV in the UK, her dreams of working on her own productions and her continuing achievements in the fields of music and fashion.

Dannii Minogue - FAULT Magazine Issue 18 - inside 1 WEB

FAULT: We hear that you’re looking to do some other things in future in addition to working on ‘X Factor (Australia)’ – could you elaborate?

Dannii: I’ve been having meetings about TV that I might come back and do here. I definitely want to come back and do something – I’m just trying to find the right thing, Leaving X Factor here when it was just such a juggernaut… you kind of want it [the new project] to be something just as special. I guess I am looking for projects where I can be involved, not just as hired talent but more from the production side. I’m starting to look at that as something I can retire into – not just yet but, at some point, I’d love to being doing both: being on camera and also involved in the production.

Dannii Minogue - FAULT Magazine Issue 18 - internal Style section cover WEB

Interview by Louis Sheridan

That’s definitely the way to do it, take control! Let’s talk about music too… I hear you’re back in the studio, can you tell us more about that?

Yeah, I recorded some stuff that I’ve co-written and some stuff that friends have written and others that I’ve found and just love. I’m just trying out loads of different stuff with no pressure of a record company or a deal or a date or anything. I’m actually really enjoying it. I’ve spoken to a few record companies, I’ve said I’m not ready to commit to anything and they’re like, “That’s cool, that’s how it should be. Just do it and enjoy it, and from that enjoyment you’ll find something”, so I’m just seeing if I can find that something special but, again, it’s been so long since I’ve done it that I don’t want to come back with something unless it’s special.

You recently announced the launch of your own online e-commerce store, DanniiShop.com, and have also worked on a clothing line in Australia for petite sized women [Dannii for Target, available in Australia]. Tell us about that?

Yeah, I’ve been working on a big range of stuff, primarily for Australia, at the moment. Earlier this year we were just trying to make sure that you could get the stuff of DanniiShop over here – delivered online and stuff – and now you can. That’s a project that I love working on.

Dannii Minogue - FAULT Magazine Issue 18 - inside 2 WEB

Get the full shoot and interview – only in FAULT Issue 18.
Click here to order your copy for delivery worldwide!

 …

What is your FAULT?

My fault… I think I’ve noticed I’m a real worrier. Especially since being a mum, I just worry about stuff and I’m like, “I don’t want to be that person!” I worry a lot, it’s stupid. It’s such a waste of energy and time – I need to toughen up!

FAULT MAGAZINE ISSUE 18 – THE RAW ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

OneRepublic’s Ryan Tedder – first look at our exclusive Men’s section cover shoot for FAULT Issue 18

 

FAULT Magazine Issue 18 – the RAW Issue features OneRepublic front man and unstoppable hit-maker Ryan Tedder on it’s internal Men’s Fashion section cover. In addition to the cover, Ryan’s feature – which includes an in-depth interview and exclusive photoshoot by photographer Kell Mitchell and stylist Patricia Villirillo – runs over 6 pages in the print issue.

 

Rayn Tedder for FAULT Issue 18

OneRepublic’s Ryan Tedder was shot in London by photographer Kell Mitchell and styled by Patricia Villirillo exclusively for the Men’s section cover of FAULT Issue 18
Click here to pre-order your copy of this issue!

… 

FAULT: What was working with Leona Lewis for her break-through single ‘Bleeding Love’ like?

RYAN: I would’ve bet money against that song being a hit anywhere outside of the UK.  That’s how cynical I was. I had no idea of the expectation that there was for it. I didn’t even know till after we did the song that she had been on X Factor.

 

FAULT: Did you feel any pressure from Simon Cowell’s label?

RYAN: Of course. Simon didn’t get to where he’s got by sitting back in the passenger seat and just assuming or hoping that things will just take care of themselves. His label is aggressive, flat out aggressive. They have an objective, they have a goal, a single-minded goal and everyone at that label is dead on in their approach. They’re like, ‘here’s when it’s coming out, here’s when it’s due, boom boom boom boom boom boom.’ When you’re making an album you can move things around, but when you have TV involved it is completely different. Their calendar is their bible. They cannot change the dates of when something is going to broadcast and so because of that they have a more militant approach.

Ryan Tedder - FAULT Magazine Issue 18 - inside shot 2 WEB

Ryan wears looks by the likes of Alexander McQueen, Givenchy and Ann Demeulemeester. Interview by Chris Purnell.

FAULT: Does it feel different working on one of OneRepublic songs as opposed to a song for someone else?

RYAN: OneRepublic songs are a lot harder for me. I compare it to theatre. A OneRepublic album is a play written, directed, produced, performed by us, by me, but when it’s for another artist I feel like I wrote the dialogue, but I don’t have to stand on stage and deliver it, so I’m not the one getting tomatoes thrown at ‘em if it doesn’t go well.

 

On making pop music: “You have to have hits all the time: that is your currency. You have to have the most cutting edge, innovative, driving, fantastical songs that the world instantly reacts to. They don’t need a lot of thought, and you don’t have to dig deep. “

 

FAULT: Have you ever worked in the situation where the artist hasn’t been in the driving seat but it’s been the machine behind them?

RYAN: Yes. If the artist is part of the machine then they’re too busy to really artistically care, they just say, ‘Give me the biggest hit.’

 

Ryan Tedder - FAULT Magazine Issue 18 - inside shot 1 WEB

Get the full shoot and interview – only in FAULT Issue 18.
Click here to order your copy for delivery worldwide!

 

FAULT MAGAZINE ISSUE 18 – THE RAW ISSUE – IS AVAILABLE TO PRE-ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Pixie Lott – first look at our exclusive shoot for FAULT Issue 18′s front cover

Pixie Lott: “Beauty comes from the inside out. If you are feeling good on the inside and give out love and kindness it does show, and makes you look and feel more beautiful.”  

Pixie Lott - FAULT Magazine Issue 18 - cover WEB

Pixie Lott was shot in London by photographer Simon Harris and styled by Marika Page exclusively for the front cover of FAULT Issue 18
Click here to pre-order your copy of this issue!

FAULT Magazine Issue 18 – the RAW Issue features British songstress Pixie Lott in anticipation of the imminent release of her eponymous third studio album. In addition to the front cover, Pixie’s feature – which includes an in-depth interview and exclusive photoshoot by photographer Simon Harris and stylist Marika Page – runs over 9 pages in the print issue. Pixie also covers the issue’s Music section inside the magazine.

The shoot, based on the issue’s theme of ‘RAW’, shows off Pixie’s natural beauty with the singer taking up some frank, unassuming poses to complement FAULT’s traditionally distinctive, often monochromatic, editorial style.

In the interview, entitled ‘Made for This‘, Pixie discusses the pressures of life in the public eye and her approach to staying positive, regardless of public reaction to her life away from music. She reflects on how the new album reflects her personality better than anything else she has released and her total conviction, even from an early age, that she was destined for a career in music.

Pixie Lott - FAULT Magazine Issue 18 - inside 1 WEB

Interview by Chris Purnell

FAULT: I was wondering how it feels as a musician to have so many other aspects – particularly your fashion and beauty choices – sometimes overshadowing your chosen mode of expression?

PIXIE: I always want my music and live shows to be the most important [thing], as that means the most to me. There is no better feeling for me than singing live for people and I really want that to come across, especially with the new sound of my new album. But I do have a passion for fashion, make up and costume, and it’s fun that I get to combine it all.

You have said that your new record best represents you as opposed to your others. Why is that?

It’s very soul influenced but still current. I grew up listening to music from the 60s/70s and mixed that with who I am. It’s the favourite album I’ve made so far. It best represents me, with is why I named it ‘Pixie Lott.’

Pixie Lott - FAULT Magazine Issue 18 - inside 2 WEB

Did you go into the studio with a clear plan for what the record was going to be, or was it more of a process?

I knew I wanted it to have a cohesive sound and not lose the soul.  It’s what I want my second album to be, but that didn’t end up happening.

From an early age you seemed destined to be singing and performing. Is that how it feels?

Yes, definitely. I always wanted to be a recording artist. I always had that goal to strive towards from an early age.

Pixie Lott - FAULT Magazine Issue 18 - internal music cover WEB

Get the full shoot and interview – only in FAULT Issue 18.
Click here to order your copy for delivery worldwide!

Was there ever any doubt that what you were doing was the right thing?

Never.

Is there ever any doubt now?

Not at all.

FAULT MAGAZINE ISSUE 18 – THE RAW ISSUE – IS AVAILABLE TO PRE-ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

FAULT Issue 18 – The RAW Issue – is now available to pre-order

We are pleased to announce that FAULT Issue 18 – The RAW Issue – is available to order NOW.

Official release: 20/07/14

Pixie Lott was shot in London by photographer Simon Harris and styled by Marika Page exclusively for the front cover of FAULT Issue 18  Click here to pre-order your copy of this issue!

FAULT Issue 18 front cover star Pixie Lott was shot by Simon Harris and styled by Marika Page. Reversible cover star Dannii Minogue was shot by James D. Kelly and styled by Rachel Holland.
Click here to pre-order your copy of this issue!

FAULT Magazine  - the RAW Issue - proudly presents exclusive shoots and interviews with:

Dannii Minogue – REVERSIBLE COVER FEATURE

Pixie Lott

Ryan Tedder/One Republic

Example

Stromae

Ella Eyre

Lydia Hearst

Zara Martin

Corinne Bailey Rae

Alpines

SXSW ’14 – backstage exclusives

Plus a FAULTless selection of the the finest Film, Fashion, Music & Photography that ripped up the status quo in 2014 – all presented in style that juxtaposes, on the one hand, a sense of minimal, effortless style characterised in the world of contemporary fashion and, on the other, the untamed, in-your-face passion that underpins so much of the natural talent in the arts and entertainment industries.

 

This is your FAULT

 

FAULT MAGAZINE ISSUE 18 – THE RAW ISSUE – IS AVAILABLE TO ORDER NOW

 

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

 

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

RAW – Britta Leuermann’s exclusive editorial for FAULT Online

RAW is the theme of FAULT‘s upcoming Issue 18, which will be available to pre-order tomorrow, 8th July

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Dress: Killian Kerner Senses Cape: Swing Necklace: Dyrberg/Kern Shoes: Topshop

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Dress: Religion Shoes: Cheap Monday

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Top: Cheap Monday Skirt: By Malene Birger Necklace: Vibe Harsløf Shoes: Cheap Monday

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Top: asos Skirt: NovaBelle Necklace: COS

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Coat: Julie Kleid: Filippa K. Necklace: Selected Femme Shoes: Topshop

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Dress: Henrik Vibskov Coat: Monki Necklace: asos Ring: Sabrina Dehoff Shoes: Minimarket

Photographer: Britta Leuermann
Art Director: Lisa Kirchner
Hair & Make-up: Astrid Glänzel @ LigaNord
Styling: Jennifer Knopf @ Blossom MGMT
Model: Vivian @ M4 Models

Ameriie – exclusive interview and photoshoot for FAULT Online

 

American-Korean artist Amerie Mi Marie Rogers first hit the airwaves back in 2002 with ‘All I Have’ – although it was 2005′s ’1 Thing’ that really pushed her to international prominence, reaching number 8 in the Billboard Hot 100 and number 4 in the UK.  Fast forward to 2014: the name is now Ameriie (spot the extra ‘i’), and she’s back with a bang.

After a few years experimenting with different musical styles, Ameriie has been keeping a beady eye on the pop industry in recent times. New single ‘What I Want’ is a punchy, 80’s inspired song that feels right at home in today’s music climate. With a plethora of different projects on the way, both within music and outside of it, she found time to chat to FAULT about her new single and plans going forward.  ‘What I Want’ is available as a lyric video on YouTube now, while Cymatika Vol. 1 and Because I Love It 2 are the next projects to look forward to. FAULT Online got an insight into Ameriie’s creative process in this exclusive London interview:

 

Dress : Julien MacDonald Earrings: Maria Black

Dress : Julien MacDonald
Earrings: Maria Black

 

FAULT: What have you been up to in the last 5 years?

Ameriie: The last 5 years I’ve been constantly creating new music, it’s something I always do. I was recording for Cymatika, which is Part 1 of a Trilogy, that I’ll be releasing in the future and also simultaneously recording songs for BILI [Because I Love It] 2.

I’ve been recording songs, writing and co-producing as well – and then depending on the sound of the song, that dictates which project the song will be landing on because Cymatika has a very distinctive sound, sonically it’s very tight. BILI 2 has a certain sound as well, but the sound is not as extremely specific as Cymatika is.

I’ve been doing that, and I’ve also been writing – because when I was younger, I used to write little short stories and I would staple them together and make little books and newsletters and see if neighbours would buy them, which some of them did because they were very nice!

 

How does it feel to be releasing music, and what made you decide that now was the right time?

Whenever I’m about to release a new album, I usually feel like a new artist, maybe because I’m constantly creating and so I’m always used to hearing it and I usually keep a lot of the music to myself. I don’t really give it out or play it for a lot of people, it’s just something I create and put away and so it’s kind of the first time people are really hearing it because it’s not like I play it for a lot of my friends, everything feels very fresh.

It feels like the right the right time because both projects are close to being complete.

 

The single What I Want is a your lead single – what made it the choice for your first single, and is that indicative of the sound we can expect to hear from you on future music?

It came about because my husband who produced the record, he really knows what I love and gravitate towards. I love percussions and break beats, so he had the idea and I loved it and so he ended up creating the track and I was like ‘wow this is really great!’

It’s a bit of a departure for me because for the most part I’ve been recording these new songs, creating the track around the melody, coming up with the melody, lyrics and everything, so in this instance, it was amazing!

The song took a long time – sometimes I can create a song in literally 5 minutes and it just comes but you never know if that will be the case. In this instance it took 8 months because I didn’t want to force it. I never sat down and said ‘it’s time to write the song and let’s just do this’, it had to be organic, it had to come to me, I didn’t want to think about it, and I wanted it to be driven very much by feeling and nothing cerebral. One day the pieces really started falling together and it just came.



Black Leotard: Reckless Wolf Coat: Daniel Pillott

Black Leotard: Reckless Wolf
Coat: Daniel Pillott

 

What kind of music have you particularly been listening to and do you feel that’s changed since you first started out?

No I pretty much listen to the same music, the thing about it is I don’t actually listen to a lot of music – and when I do listen to music, I tend to get into a zone and I listen to the same few songs over and over.

I love Kanye’s music, I really enjoyed his ‘Yeezus’ album – I wouldn’t say it necessarily inspired this project but I think everything is an inspiration…whether it’s television, films, paintings, music, books…just ideas.

I’m inspired a lot by things that aren’t usually related to what I’m doing, to me this was more of an aura of energy and I was inspired a lot by human energy of the frantic sort. I did a lot of running, and a lot of exercising while I was listening to it –I’ve really been listening lately to Lorde, Lana Del Ray, Kanye and lots of instrumentals, Hans Zimmerman, a lot of scores.

 

Do you feel the music industry for you has changed since you began?

I think everything changes. I think that right now it’s a great time because there’s so many opportunities. I think the mixing of genres, as far as in the music we listen to is so much more open to different genres. Mixing genres isn’t strange, and you have people that listen to Taylor Swift and Lorde, who also listen to Kanye and they listen to everything.

I can appreciate that – I think that’s changed a bit – but I think that’s not just music, I think it’s just what happens with the world, it’s globalisation. People in NY are eating sushi and people in LA are eating Ethiopian food and we’re all enjoying everyone’s culture, and that includes music, food, film, clothing and style. There’s less division with people now, which I think is good, and an appreciation of different things.

 

Black Leotard: Reckless Wolf Coat: Daniel Pillott Shoes: Christian Louboutin

Black Leotard: Reckless Wolf
Coat: Daniel Pillott
Shoes: Christian Louboutin

 

Is there anyone you would want to collab with in the future?

Doing something with Kanye [West] would be really cool, I really have a lot of respect for him as an artist. I hear what he’s doing and I feel like, without speaking to him about it, I know where he’s coming from artistically and so I feel a certain kinship with him, sonically with the things he puts together so he’s someone I would like to work with.

 

What do you feel the future holds for Ameriie (both musically and also outside of that)?

I’m just riding the wave. I look forward to everything that life has in store for me and I’m in a really great place, and I’m open.

Leotard: Zeynup Kartal

Leotard: Zeynep Kartal

What is your FAULT?

I’ve got better at it but  one of the things I’ve always struggled with is that I’m a perfectionist and a lot of that has to do with my personality. I’m a little OCD, certain things will bother me if they’re not in the right place.

Recently I’ve realised that everything does not have to be perfect. You can be as precise as you want when you’re creating a song or you’re designing something, but you have to accept that everything will always be imperfect because we’re human beings.

Now I strive for things to be perfect in their imperfection. As an artist, you have to know when to stop. You can continue to do something over and over again, do a vocal over and over again, over think something, a video treatment, anything – and sometimes that can stagnant and stall you, and you have to know when to let it go.

Ameriie on the web: Twitter/ Facebook/ YouTube

Photography: Miles Holder - www.milesholder.com

Words: Kevin Lyster

Styling: A+C Studio

Grooming: Patricia Obaro Odje

FAULT Favourite photographic artist Christy Lee Rogers launches new series, ‘ÉLAN’, with June solo show in London

FAULT Favourite photographic artist Christy Lee Rogers has announced her latest solo exhibition, this time with The Outsiders Gallery in London – the sister project to famous gallerist Steve Lazarides’ Mayfair-based gallery.

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‘Ciel de Pluie’

Christy’s latest series is entitled ‘ÉLAN‘ - French for vigour, spirit, and an enthusiasm typically revealed by assurance or brilliance of performance. It is a fitting title for her new body of work, another triumph of typically un-manipulated aquatic photographs. The series consists of 24 pieces in total and each will be sold as a number of very limited editions in varying sizes. Each piece has been heavily and patently influenced by the circus and, specifically, performances associated with Paris, such as the Moulin Rouge.

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‘La Promesse’

“I was inspired by Paris, the performances of the Moulin Rouge, the old circuses, wild abandonment and that feeling of letting go that explodes out of you like you’re drunk with love,” says Christy of her new work. “I imagined living in Paris during the1920s as a performer, with no possessions except for your talent and art, and how free, yet desperate, that would be.”

Shot in Las Vegas and set to be unveiled in London, this Hawaiian-based artist’s latest exhibition is not to be missed. Already considered a cult artist by a growing legion of fans all over the world, ÉLAN is surely another step in Christy’s inevitable rise to truly iconic status.

Catch her while you still can.

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‘Fantome du Coeur’

WHEN:

Private view:  Thursday 12th June ’14, 6-9PM
13th – 19th June ’14, 11AM – 7PM

WHERE:

The Outsiders Gallery
8 Greek Street, Soho
London W1D 4DG

FOR MORE INFORMATION:

Please visit www.christyrogers.com

www.theartcollector.org/christy-lee-rogers/