Diesel release FAULTless Embrace Your Flaws Campaign Video

Diesel release FAULTless ‘Go With The Flaw’ Campaign Video

 

Words: Miles Holder

While 2018 hasn’t gotten off to the most optimistic start, if you search hard enough, you can still find the good news meshed within the sea of dystopian updates. Today that update comes from Diesel’s ‘Embrace Your Flaws’ campaign. Celebrating the flaws that make us all unique, Diesel has followed on from their 2017 ‘Go With The Flaw’ campaign and once again enlisted director Francois Rousselet to create a beautiful, poignant yet still comical romance story.

In their own words “If in the first film we saw the perfectly flawed result of a rookie director’s attempt at making his first film, in this new episode, with irony and a good dose of carelessness, we show you what happens when you… Don’t go with the flaw? When, in fact, you do everything you can to hide the flaws in your life, chasing perfection as the world imposes, because common sense thinks that beauty is just another duty.”

To echo the words of FAULT Magazine Issue 23 cover star Alicia Keys, “Let go of the word “perfection”. It’s not real, and it’s a word that tears us down. There is no way to be perfect and no fun in being perfect.” And Diesel has hit the nail on the head with this new campaign video.

While it goes without saying that the campaign is commendable, a visual delight and more evidence of Diesel’s honest commitment to promoting self-love, the production team on ‘Embrace Your Flaws’ also deserve credit for sending such a poignant message without preaching. Sometimes humour is the best device to deliver an important message and judging by the number of shares this campaign has received; this is one of those times!

Check out the video below!

 

Diesel artistic director for this campaign NICOLA FORMICHETTI

VIDEO CAMPAIGN

Director FRANÇOIS ROUSSELET

VISUAL CAMPAIGN
Photographer FLORENCE & NICHOLAS
Agency PUBLICIS ITALY

Brushing With Style Thanks To The UberSonic Club

 

I won’t patronise you; everyone understands how important oral hygiene is and why it’s essential for both your personal and professional life. What a lot of people fail to recognise is in fact just how important getting a good toothbrush is. Sure, sure, it’s all subjective, and there are so many on the market right now it’s hard to work out precisely what the best model to go for might be. I didn’t know the first place to start, so I decided to find one that would fit into my lifestyle first and go from there. 1) I travel a lot for work and I don’t like to spend my precious home time running to the shops to buy replacement toothbrush heads. 2) I work in fashion, and I have an affiliation for anything of good design, where do I turn? Enter, winner of the Red Dot Design Award 2016, ‘The Ubersonic.’

As a member of the Uber Sonic Club, in theory, you’ll never have to buy a toothbrush ever again. Anyone that owns an electric toothbrush can attest to their many benefits, but sadly, in turn, we can all also attest to the annoyance at running out to buy replacement heads every couple of months, leading to many of us simply neglecting to change them. With the Ubersonic, the all too common stress of hunting down a compatible replacement head on the high street is removed from the equation. After the initial purchase of the Ubersonic for the ludicrously low price of £19, every two months you’ll receive two more replacement heads for £9 direct to your door.

The toothbrush design is certainly deserving of its award-winning acclaim, the grip and overall presentation of the brush far outperform its price tag. Of course, The Ubersonic team have wanted to produce a toothbrush which is still competitive on the market so while they have opted for cost-effective materials they have not reigned in the design.

The brush heads use sonic vibrations at a rate of 35,000 times a minute to break down plaque and provide a far more significant feeling of clean than a standard manual brush. The vibrating mechanism allows the user to brush just as they would with a manual as opposed to oscillating models. Every thirty seconds, the toothbrush will emit a beeping sound to remind you that it’s time to switch from your upper set of teeth to the lower if you’re a zombie in the early hours, this makes for a gentle reminder.

Along with your first set of brushes, you’ll also receive an at-home tooth whitening kits. The at-home whitening package is similar to those you’ll find touted by all the top beauty bloggers on Instagram. Inside the pack, you’ll receive a mouth guard and whitening gel which you’ll need to mould to your teeth and then leave on for thirty minutes, all of which is far easier than it sounds and the results are pretty impressive.

Best of all with the model, you can cancel the subscription at any point without any fees. I’ve heard criticism that changing your toothbrush heads every month is excessive, and I’m inclined to agree; but with the free cancellation, there’s nothing stopping you from ending your subscription after two months and using the four heads throughout the rest of the year.

All in all, we were pleasantly surprised with the Uber Sonic. While there are improvements which can be made, namely in build quality and battery life (which despite claims, I found would only last three brushes), for the price you’re paying, you are receiving a great product. Where I do feel the Uber Sonic might fail, is in gauging the British public’s interest in a subscription model for toothbrushes. While there are many subscription boxes for a variety of male grooming products, I have yet to find anyone who has one set up for their toothbrush. Maybe Uber Sonic is here to change that, in the US there are already a plethora of companies already offering the service so maybe 2018 will see the UK consumer base joining in on all the fun. At a low price of £19, you’ll receive an electric toothbrush and whitening kit (the latter alone usually retails at £30), so we’d recommend picking up a start kit and seeing for yourself. As for me, I’ll be keeping my UberSonic subscription, it’s simpler and cheaper than what I’m currently spending, and as with most grooming subscriptions, it’s one less thing to worry about.

Find out more here: www.ubersonic.co.uk

‘Artificial Light’ by Frederick Wilkinson – Exclusive Fashion editorial for FAULT Online

Top- Minan Wong
Pants- Layana Aguilar
Shoes- Marc Fisher
Earring- H&M

Blue pants- Chikimiki
Print blouse- Chikimiki
Shoes- Marc Fisher
Earring- H&M

 

Blouse- behno
Earring- H&M

Long sleeve blouse- Behno
Dress- Layana Aguilar
Shoes- Marc Fisher
Earring- H&M

Long sleeve knit top- Chikimiki
Sleeveless knit top- Chikimiki
Skirt- chikimiki
Shoes- ALDO
Earring- H&M

Coat- Layana Aguilar
Earring- H&M

Top- Chikimiki
Long sleeve blouse (worn around neck)- Vintage
Pants- Chikimiki
Shoes- Marc Fisher
Earring- H&M

Top- Chikimiki
Bralette- KORAL
Pants- Chikimiki
Shoes- Marc Fisher
Earring- MANGO

Dress- Layana Aguilar
Shoes- Marc Fisher
Earring- H&M

Photographer: Frederick Wilkinson @fw_photo

Model: Asia, MSA Models NY @asiaprus @msamodels

Stylist: Lauren Walsh @laaurenwalsh

MUA: Elena Thomopoulos @elvendoe

Wig Stylist: Bamby @bambyofsuburbia

Photographer’s Assistant: Yanutzi Diaz @yanutzi

FAULT Favourites: Marius Janusauskas SS18

Marius Janusauskas SS18

“Yes, I was thinking: we live without a future. That’s what’s queer …” Virginia Woolf

Marius Janusauskas SS18

The Marius Janusauskas SS18 collection marries “a wish-landscape”, mythopoetic categories and queer temporality. The refusal of a certain natural order opens up new possibilities for hope and diversity in the present moment. This celebration of the moment signifies utopian potentiality and an escape from the constraints of reality.

The collection is inspired by uniforms, Andy Warhol’s early hand-drawings and camouflage, which is this context is viewed as an artistic approximation of nature. The process of deconstruction of regular military, white collar and workers uniforms with soft silks and transgender body has progressed into creation of original garments. The suggestion of which is like an unregistered story or a poem.

 

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Marius Janusauskas SS18

Photographer: Paulius Zaborskis

Full Collection by Marius Janusauskas SS18

Grooming: Kristina Pasaka Busilaite

Model: Nikita at imagegroup

See more at www.mariusjanusauskas.com

Snow White On The Edge – exclusive fashion editorial for FAULT Online

Kimono: Fendi
Denim: Dior
Accessories: By Highinheels
Shoes: Alaia

Kimono: Fendi
Denim: Dior
Accessories: By Highinheels
Shoes: Alaia

Motor Jacket: Kanye West
Dress: Cos
Necklace: Dior
Shoes: Alaia
Skirt: Vintage Chloe

Motor Jacket: Kanye West
Dress: Cos
Necklace: Dior
Shoes: Alaia
Skirt: Vintage Chloe

Outerwear: Fausto Puglisi
Dress: Versace Vintage
Necklace: Dior
Glasses: Ferre
Shoes: Alaia

Kimono: Fendi
Denim: Dior
Accessories: By Highinheels
Shoes: Alaia

Outerwear: Fausto Puglisi
Dress: Versace Vintage
Necklace: Dior
Glasses: Ferre
Shoes: Alaia

Photographer: Theresa Kaindl – @TheresaKaindl
Stylist: Dominique Reina – @Domi.NYC
Hair + Make Up: Joshua Nyitray – @JoshuaNyitrayhair
Model: Anastasia Salenko – @Miralenko
Agency: Montrueil Group – @MontreuilGroup

‘Label Lust’ – a FAULT Magazine Beauty Story by Sarah Brown

 

PHOTOGRAPHER: Sarah Brown

MODEL: Cynthia @ Elite Models

MAKEUP ARTIST: Sarah Redzikowski

HAIR STYLIST: Sarah Redzikowski

NAIL TECH: Yasmine Elwakil

 

 

70s to 90s Harlem at its best – exclusive fashion editorial for FAULT Online

DFYD Top: Olivia Mains, The George Trousers: Olivia Mains, Trainers/Sneakers: Puma

Leather Coat: Vintage CR MATES, Trousers: Zara, Shoes: Clarks, Shirt: Vintage Versace

Shirt: Chiffon, Trousers: Olivia Mains, Sandals: BU Collection

 

Blazer: Hart Schaffner Marx, Shirt: Gillingan & O’Malley, Trousers: Gillingan & O’Malley, Shoes: Mossimo, Leather Holster: Flux Production, Sunglasses: Gucci

 

Tied Up Croptop: Olivia Mains, The Peakaboo Pants: Olivia Mains, Trainers: Puma, Gold Oversized Chain: Thrift store

Eye C U Top & Leggings & Plastic Pullover: Olivia Mains, Sunglasses: Thrift Store, Sandals: Steve Madden

Photographed by Noa Grayevsky

Styling: Zarah Elizabeth

Hair & Make Up: Admin Rivero

Model: Xiara Waller (Fusion Models)

Produced by Carolin Ramsauer

Liam Gallagher – Exclusive FAULT Magazine Issue 27 Covershoot and Interview Preview

 

Liam Gallagher

As you were. As you are.

 

Words: Adina Ilie

Photography: Jack Alexander

Menswear Editor: Kristine Kilty

Grooming: Natalya Chew

 

FAULT Magazine is proud to present our Issue 27 cover story with non-other than Liam Gallagher. With a career spanning over 25 years and a myriad of stories to tell, we sat down to discuss the ups and downs of his career and get to know Liam Gallagher as he was and as he is. Enjoy.

 

FAULT: Do you recall the first 24 hours after Noel quit the band? What was going through your mind at that point?

Liam Gallagher: Oh fuck. That very moment I just went– right, there have been certain powers at play. It wasn’t too big an argument; we’ve had worse arguments. What went down was something that was pre-planned.

 

FAULT: What was the lead up to that point that makes you so sure that it was pre-planned?

Liam Gallagher: Lots of things. A lot of sneaky little meetings. People might say that it’s paranoia. But you can never be too paranoid in life. I kind of knew he was going to map it at some point. It was going to happen at V or it was going to happen at Reading. It only got postponed until Paris. I knew he was going to jump ship at some point. And that’s what made me feel that my paranoia was right. Or maybe I’m clairvoyant; I’ve got 6 senses.

 

FAULT: Did you feel Noel’s absence while writing this record?

Liam Gallagher: Yeah – because I don’t want to be solo. I don’t want to do it on my own. I’m not a guitar player or a prolific songwriter. I can write a few songs every now and again but I miss being in a band. I miss my brother the way he was back then. I miss singing those great songs that we all made great.

 

FAULT: Were you disappointed that your former bandmates did not reach out to you in times of crisis? Are you resentful in any way?

Liam Gallagher: My older brother has always been there. I thought I’d at least get a call from Noel, but there was no call. I thought I’d get a call from my other manager, but nothing from them fucking cunts. But then I met Debbie and she’s been there all the way. A lot of my mates are gone; I don’t really have anyone in London and that is fine. The universe is my mate.

 

Liam Gallagher: I’ve been through a lot of shit, but it was shit that I caused. When you cause shit – you man up and fucking deal with it. Sometimes you have to fucking man up to your shit.

 

 

 

FAULT: Did you ever feel that you were done? That you hit your peak in ’96 in Knebworth and then it was all downhill from there? 

Liam Gallagher: I feel like I’ve maintained it without turning into the traps of the business. I’m still outspoken, I’m still wearing my heart on my sleeve and if people like it that’s fine. If you don’t then you don’t. I’m not a ‘yes man’.

 

FAULT: Did you ever see yourself hitting the top once more by yourself?

Liam Gallagher: The night Oasis split I felt absolutely disappointed and then I felt exactly the opposite when my album went number 1. In this day and age, rock’n’roll has got cobwebs on it. I never actually saw myself hitting the top once more. But if you truly believe, things will happen. I’ve been good to rock’n’roll and I reckon rock’n’roll will be good to me. It saved me twice.

 

FAULT: Hollywood is ablaze with accusations of sexual assault against Harvey Weinstein. Have you seen similar occurrences in the music industry? 

Liam Gallagher: : Not really, but you know it’s there. The shady little fuckers at the top. It’s not even with just men and women, it’s men and men too. All these pop bands – you hear about it with Take That but I’ve never witnessed any of it. Nobody would come near us. We were caught up in our own bubble. We weren’t hanging about with the record company. We’d go to the awards show and they’d be there, but we’d just get off and do our own thing. And I certainly didn’t see any weird shit.

 

FAULT: What changes do you reckon we should make to keep things safe for both men and women alike?

Liam Gallagher: That’s a big tough question. Obviously get rid of all the shit bags. Obviously, if everyone took care of their shit – everything would be cool. We all live together under one sky at the end of the day. Everyone just needs to cool the fuck out.

 

FAULT: Do you think Liam Gallagher has the power to get people to go back to the roots of rock’n’roll?

Liam Gallagher: I’ve got a lot of fans out there and I always have. My oldest kid is 18 and my friends have kids about the same age – so they’re going to bring them to the shows. That’s a good thing. All you can do is make good music and do good gigs. Do good interviews and try to sell it how it is. Stay honest to what you are and don’t get carried away with all the show business shit. That’s all that I can do. I’m definitely not the savior of music, I’m the savior of me.

 

Liam Gallagher:I don’t get involved with the industry and the business side of it. I let my manager do that. That’s the problem with music today – it’s got no fucking soul. I get being business minded, but it can overpower. You forget about the fucking music.”

 

Find out who else will appear in the issue here

 

FAULT MAGAZINE ISSUE 26 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

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