Gabriel Kane Day Lewis Photoshoot and Interview with FAULT Magazine Preview

 

 

 

 

Art Direction & Photography: Leonardo De Angelis & Eric Francis Silverberg 

Stylist: Marc Anthony George 

Groomer: Roberto Morelli

Stylist Assistant: Evan Grotevant

Location SplashLight Studios NYC

 

 

Words: Carolyn Okomo

 

While music appears to be the emerging pop crooner’s chosen love, the Day Lewis hasn’t cast off the idea of trading a microphone for a script, though he admits he still has much to learn about the artform.

 

“I have, and I do want to act. It just has to be right. The right director, the right cast, the right screenplay.  I want to be in something noteworthy” he says. “But before I just throw myself into acting I want to take classes and learn. I feel it’s important for all artists to go through a certain learning process, regardless of talent.”

 

Day Lewis recently spoke with FAULT about his influences, regret, bullies, and forging his own unique brand of celebrity.

 

How did you discover your passion for music?

 

I wouldn’t say that I discovered music. It was a gradual thing, and it’s definitely been ingrained in me for as far back as I can remember. I’ve just always loved everything about music, and as I got older I started showing a pretty natural interest in the hands on aspect of music, and picked up the piano and guitar.

 

The first song I wrote was for my babysitter Kelly. I was five,  I think. The song was called “Pretty”, and it was basically me singing the word “pretty” over and over again to the tune of “Twinkle twinkle little star”. Wrote my first “original” song when I was eleven or twelve. I’ve been writing songs since.

 

 

Who are some artist you’d like to work with?

 

It’s hard to pinpoint, the youth is crushing pop at the moment. So many new faces, and insane amounts of talent. Everyone’s doing their thing and it’s really cool. I’d like to work with James Bay, his vibe is really what I’m about at the moment. Ed Sheeran would obviously be a dream collaboration. He just writes the most incredible songs.

 

You’ve written off your hip hop-influenced video, ‘Green Aura,’ as a misrepresentation of you as an artist. Do you feel the same way about it? How do you think you’ve grown, and what do you feel you’ve learned, since making that video — good and bad?

 

Green Auras. I used to always avoid questions about the viral music video I made when I was eighteen because it was still somewhat of a fresh wound, if you will. But now that I’ve been able to distance myself and completely come to terms with all the shade the internet threw at me back then, and look on it with some perspective from life experiences I’ve had since then.

 

I don’t really have anything I regret. If anything it was a valuable lesson and I learned it early on. The internet us a playground for bullies. In the track for that video, I made my biggest mistake by opening up about some real personal issues I hadn’t addressed back then, and people were just flat out mean about it. I was young and didn’t think the video would ever get the attention it did. I don’t care anymore, it blew over and it’s in the past now.

 

 

How did growing up in NYC influence you as an artist?

 

NYC has been just as good for my creativity, as its been stifling. What I love about the city is it’s constant flow of energy, the diversity. There’s always something to do and people to meet.  It feels so familiar to me. There’s something about the city that makes me feel on top of the world. That feeling of being unstoppable with infinite possibilities. It becomes energy that can be processed creatively. But I had to take a break from New York, it was wearing me out. I’ll be back soon.

 

What is your FAULT?

 

Hopeless romance.

 

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FAULT Weekly Playlist: Sakehands

Seen through rose-tinted lenses, pop music can take on a polymorphous sound with lush vocals and plasticine production and the conductor in this case is sakehands. Led by producer and songwriter Aris Maggiani, sakehands is an LA-based collective who first garnered recognition for a 2015 Soundcloud demo “TOY,” which led to their signing to Majestic Casual Records.

Maggiani’s new single “PLASTIC” features sakehands’ latest recruit singer/vocalist Lauren Boncato aka Lo. The track pulls from a bevy of sources: 8-bit chiptune, ‘90s boy bands like N*SYNC, and the likes of the late R&B siren Aaliyah and producer Timbaland.

We asked Maggiani’s to put together a playlist of tracks that inspire sakehands’ music and it’s no surprise that ’90s / ’00s stalwarts like N*SYNC and Destiny’s Child make the cut. Check it out below.

1. Destiny’s Child – So Good
One of my favorite Destiny songs. I’ve been hooked on Kevin Briggs production since 4th grade, along with Rodney Jerkins. I still can’t get my snares this perfect.

2. 702 – You Don’t Know
This is one of the first songs that started using beats like that. It’s cool too because I think this came out in 1999 and a year later a lot of rnb moved in this direction. I love that sense of urgency in the drums.

3. N*SYNC – Do Your Thing
This song goes so hard and it’s basically just vocals, percussion and probably the best re-intro harmony I’ve ever heard. Plus that rap verse is wild…

4. O-Town – Sexiest Woman Alive
The lyrics are ridiculous. During this time boy bands would always sing about how girls “blow their mind”. I swear it was in like every song. I actually watched the first Making the Band with my mom and sister every week so we always kind of felt like we “knew” O-town. My mom liked Ashley.

5. Destiny’s Child – If
Despite the sample being completely overused, this generation of Destiny’s Child interpolated the original track better than anyone probably ever will.

It’s easy to think of it as just a pretty song when in reality it’s a diss track with so much attitude and sass. I love writing songs this way.

6. Spice Girls – Holler
For me Rodney Jenkins’ style is timeless. This track is 18 years old and I literally just try to copy it every time I work.

7. O-Town – Right Kind of Wrong
Not much to say about this other than it is a BOP

8. N*SYNC – The Two Of Us
This is my ultimate middle school crush track. It’s my leave on repeat during a long car ride while wearing headphones and staring out the window thinking about a girl track.

I doubt that I will ever know if I achieve this but one of my goals with sakehands is to give the same feeling to people that was given to me at a young age.

9. Natalie – Goin’ Crazy
Another good crush song, except for when they don’t feel the same about you. It’s nice to feel sad and listen to this song to feel more sad. It’s really a vibe, especially if its raining.

10. Isyss – Day & Night
One of my favorite chord progressions. This is one of the only tracks that isn’t from the 2000’s but it’s too good not to include. Personally I’m not into much 90s rnb/pop. People sometimes try to associate sakehands with 90s music but it’s whatever they probably like Next – Too Close

sakehands Socials:
Twitter
Soundcloud
Instagram

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Get acquainted with the eclectic sounds of Demons Of Ruby Mae

Opening with dark, possessed synths, “Young Blood” is the latest ’80s influenced single from Manchester based duo Demons of Ruby Mae. Comprised of Jonny Gavin and Adam Rowley, the pair teamed up with James Sanger (Faithless, Brian Eno) to expand the boundaries of their compositions, evident in “Young Blood.”

In an email, Demons of Ruby Mae say the song “is about taking a chance on love when you’re young and have nothing to lose.” “Young Blood” comes from the duo’s forthcoming debut album due out October 26th.

Tracklist
1. Intro
2. To Be Adored
3. Synesthesia
4. Records
5. Young Blood
6. What Is Now
7. Beneath The Surface
8. Someday
9. This Is The End

Tour Dates:
October 3rd – Brighton @ Hope & Ruin
October 4th – London @ The Black Heart
October 5th – Sheffield @ Cafe Totem
October 6th – Manchester @ The Night and Day Cafe
October 11th – Glasgow @ Broadcast
November 1st – Nottingham @ The Chameleon Arts Centre
November 3rd – Newcastle @ Head Of Steam

Demons Of Ruby Mae Socials:
Facebook
Twitter
Instagram
Website

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‘OCHSENKNECHT’ Exclusive Fashion Editorial Chris Haimerl’s FAULT

 

Photo: Chris Haimerl 

Styling: Birgit Anja 

H&M: Klara Stark 

Model: Cheyenne Ochsenknecht 

Clothing: ONIMOS 

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Taylor Bennett open and honest interview and photoshoot for FAULT Magazine 29

Photography Dalong Yang
Fashion Editor Chaunielle Brown
Grooming Brittan White @kate ryan
Photo assist’ Maya Lou
Fashion assist’ Carina Camacho, Francis Harris and Jennifer Laurantius
Words: Will Soer
Have you ever talked to someone you’ve just met about your sexuality? It’s a scary thing to do at 2pm. Despite the global reach of his music, Taylor Bennett talks to me alone, without intervention from his record label (whose staff includes only his father and his best friend). His older brother – Chance the Rapper – has Chicago on his shoulders, and his father worked as an aide to Obama, but Taylor is carrying a mass of inestimable size. The 22-year-old rapper represents those who resist the repression of categorisation. In 2014 Donald Glover praised Macklemore‘s on-record advocation of gay rights, whilst noting that he was able to do this because of being white. Like its home country, Hip Hop still has many barriers to break.
The title track of your new EP Be Yourself explicitly states ‘I’m an outstanding Afro-American bisexual’? Do you remember where you first performed it?
Nashville Tennessee, at a pride festival. I had never even practiced it, but I knew this project was coming out, I knew what I wanted it to stand for. As much as I love the track and you can bounce around to it, it’s a statement, and it’s often easy to leave a show on a turn-up note and forget the one thing you wanted to have said. I always get the show-tracks (which strip the main vocal) made as soon as I get songs, in case I have a moment like that. I remember performing it and it not sounding that good, with the voice control.
Aside from the sound, physically how did it feel?
Physically it felt great. Like you can go onto the stage and fucking kill it for thirty minutes, and hit everything on the right punch, but sometimes it’s those two minutes where you cut off all the music and talk about what’s going on in your life, why you want to portray this, and then your fans come back and understand it… It’s a crazy feeling, getting an energy that’s reciprocated and sent back to you.
This interview is about you not me, but I want to share where I’m coming from. The first person to play me your music was my brother, he’s three years younger and really benefited from that-
That’s what my brother tells me all the time, we went to the same school, he’d always say to my parents that I know what I shouldn’t do because I’ve seen what he’s done.
I envy you for that! We moved to England when I was eleven, and I was bullied because I sounded gay. I got more confidant, got into music, my brother and best friend both came out, and hip hop has been a big thing between us in a lot of ways. So alongside your music, I really want to explore this stuff, what’s it like to be bisexual within hip hop.
Everybody asks me that question, but that really hit me what you just said. Because in America, I’m black, and we’re all very limited, but to hear about somebody that lives overseas that’s white, that has a younger brother and a best friend that’s gay, and something that keeps you together is hip hop, like man… I won’t say that that’s not something that happens all the time in America, but I’ll tell you that that’s something you won’t hear someone say.
It’s not out in the open.
You’ve gotta ask yourself why people don’t talk about it, and that’s a big part of why I’m doing this, I believe there are people that don’t want us to explore ourselves, who want African Americans to be oppressed based off communication. There are a lot of people who have the same stories as you, but they won’t share them, because it’s not familiar. We all listen to Kanye West, but we don’t talk about how he got bullied and called a gay fish on South Park, and the whole world hated Kanye West. Same with Lil Wayne, he wore skinny jeans and everybody called him gay.
You know I’ve never thought about that aspect of Kanye’s story, it happened before I got into hip hop, when I thought rock bands were where it’s at. Before I saw how clearly human idiosyncrasies are presented in hip hop, where you’ve got all that intensity focussed into one person.
I talk about Young Thug [a cross-dressing rapper who is also featured on Be Yourself] a lot, he’s one of those people that have had to be sacrifices for education. Every time something like that happens in main hip hop culture, the whole world gets affected, and that’s the power of not just music, but like you said, hip hop, having one person who carries the weight. It is hard to be a black artist and not be a rapper, even if the aesthetics of what you do are nowhere near that. It forces people to feel as if they can’t be original, because even their personality has to be what the listener wants it to be. And that’s when things start to be regurgitated.
You recently said that, after coming out on twitter to everyone [including friends and family] on the night you turned 21, there were ten minutes when you could have backed out and claimed you’d been hacked. Did you seriously consider it? Are there certain responses that could have made it very difficult not to back out?
Yeah man. Like yes, yes, yes. I’m not superman. All artists do read their comments, some things that people say do really affect it, there’s a lot of artists that are trying to live with this perception of who people think they are. My whole thing with this project is I’m gonna do the exact opposite, I’m gonna stand up for what I believe in and bring attention to something in the world that is a major topic. Like why, when I talk about this situation, am I always combatting with the fact that hip hop doesn’t identify with gay people?
That’s the funny thing about Young Thug, I know gay people identify with him, my best friend has literally been told ‘you are to Young Thug as Jesus is to God’. We’ve had nights where we get back from a club and put on his track Safe, and we’ve jumped and screamed along to it, and it doesn’t matter that we can’t go through every lyric and say ‘yeah we agree with that’, what matters is the expressive exuberance of his voice and image.
And he’s Young Thug. His name, that’s how America… we are all products of our environment, and that’s how America is made to be. And it’s nothing shy of that. I feel a certain way when I walk down the street, when I have my hoodie on, I don’t feel safe going a lot of places, there’s a lot of things I can’t do. I was talking about cars to one of my friends, and the fact that maybe I shouldn’t get the Porsche that I could afford, because it’s dangerous.
Damn.
There’s a prison-to-school pipeline, based on the standardised testing we take and what bubbles we fill in when about our ethnicity, that’s how many prisons they build in the next 15 years. Private owned companies own and buy prisons for the government, and most of these people who get locked up, they don’t just fucking make license plates, these guys make big brand clothing, all sorts of things in America, for private owned companies.
It’s difficult to remember with this stuff going on that you can do something, rather than just focussing on achieving the chilliest form of existence possible.
I mean I was raised in a Christian household, I believe I have a relationship with God. I believe that God is just like the internet, he sends little bits of pieces of information to everybody, and that’s why we need to have conversations, because you have a piece of information that I need, and I need to transfer to you. Religion puzzles so many people because it is an unknown power, it has variables of people way older than you claiming to have seen things you haven’t seen.
That’s also a defence for hip hop, that you can’t judge the lyrics if you haven’t walked in those shoes. It’s impressive that you have embraced both Christianity and Hip Hop.
Because I’ve seen the greatness that they can bring in my life, the happiness, and I can’t shy that from my listeners, I just want you to be yourself. I don’t wanna be a leader in this thing, I can feel that’s not my purpose. The biggest thing right now that I believe on the world, something that is my purpose, is to start conversation. I’m not supposed to tell you when and where to have it, I’m just supposed to put out an opportunity to kick the door open and talk.

FAULT MAGAZINE ISSUE 29 – THE MOVEMENT ISSUE –  IS AVAILABLE TO PRE-ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

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Paxton Ingram photoshoot and interview for FAULT Magazine 29

 

Photography: Dalong Yang

Fashion Editor: Chaunielle Brown

Hair Isaac Davidson using Oribe

Make-up: Soo Park Using Bioderma & Nars Cosmetics

Photo Assist: Maya Lous

Fashion Assist: Ariane Velluire/ amah Dong

 

An earnest soul with an infectiously inviting smile, Paxton Ingram’s echoing laughter is enough to make you see him as a kindred spirit. If you’re not an avid viewer of The Voice, you may not be familiar with this gifted, rising spark. Paxton’s presence is always filled with excitement, home cooked with a welcoming charm.

Despite being east-to-west dial tones away, Paxton’s bubbling enthusiasm carried well – and we were able to unravel a lot more about the endearing and delightful singer-songwriter.

What was the first thing that came to your mind when you opened your eyes this morning?

The first thing that came to my mind was, “I have to pray.” [chuckles]

Since I’ve been here, I’ve really been trying to devote a moment to myself in the morning – to have that moment with me and God, you know? Just so I can just align myself in the day. And to help set my attention and get everything set up so I can go into the studio or whatever meeting that I have that day with a clear head. Like I know what I want to say and be comfortable in myself, you know? And that definitely kind of helps me just to stay clear, stay focused and stay like…ready. For whatever.
 
Absolutely. Do you have any particular word or scripture that comes to your mind or that you keep on repeat?
You know it typically changes like sometimes it could be… uh man… Deuteronomy… uhhh…

Oh my gosh! I’ve been reading Deuteronomy too! So funny you said that!Yes, girl, Deuteronomy! He is… he has gone before me and… oh man, I gotta go find it! [laughs]


I got it! Deuteronomy 31:8!  “The Lord himself goes before you and will be with you; he will never leave you nor forsake you. Do not be afraid; do not be discouraged.”
Yes, that’s the one, girl! Gets me through it!

I love your name, it’s so strong, so bold, so badass, so cool – what’s the story behind it?
So, I got my name from my Mamma, for starters [laughs]. She says she wanted a stand out name. I think it was from a book she was reading, a character who was named Paxton, and I think she just fell in love with it and just rolled with it.
You know, when I was a kind I didn’t like it. I wish my name was Kevin or Kyle or…Or Derek or Tim, Why can’t I have a normal name, mom [laughs]?!
Where did music begin for you? Can you tell us a little bit about your childhood? Any distinct memories that had a factor or influence on your where you are now?Music started for me very early. When I was a kid, I remembered my older brothers would be around the speakers freestyling. That’s my very first memory of music. And thinking, what are they doing? Creative, that whole thing, whoa how cool! And I would just get up and try and do what they were doing and, you know, just say something stupid – random nonsense. But I guess my brothers didn’t light me up because I was doing it. I was just a kid trying to be like them. My brother was a musician too so there was always music around the house.

How old were you?

I was a kid, so probably like five or six. You know when you first start getting memories – around that age. One of my very first first musical moments: I remember being in my living room, watching a Michael Jackson concert –  live in Bucharest. I’ll never forget it because I went out and found it years later. 1992 – you know when he just stands up and the crowd just goes wild for five minutes and he’s not even moving? That shook me as a kid, and I knew that was something I wanted: I wanted to make people feel that. You know, he was such a symbol – he was THE pop star. That was so monumental for me.I always go back to Michael when it comes to anything that I do. Especially when it comes to performance because he was the greatest.

‘The Voice’ was certainly a clocking point along the journey for you. What did you take away from that and would you have done anything differently?

Hmmm…Knowing what I know I now, I would have definitely done some things differently. Just having some skin now, but if I still had the same innocence that I did, I think what I did was perfect. Everything went the way it was supposed to. I had an amazing experience. I grew a lot. I learned a lot. I learned how to handle myself in situations like that because you’re on live, prime time television and the whole world’s watching you. Are you going to go home or are you going to stay? You know you’ve got to have that muscle in you, and so it definitely grew me faster than I thought. It gave me a little bit of thick skin. That whole experience was something like a boot camp. And they give you the tools to really go out there and to make some noise and to do it. And that’s what I think is awesome about that show.

What do you hope your music will do for the people? You’ve said how much you love what you do and that you definitely want to make a statement. So what is it that you’re hoping to achieve?

I’m hoping to make people feel something. I think that we go to music for therapy. It’s a form of medication, the purpose of which is to make us feel something. It’s an escape – just like any kind of drug. I feel like if I make someone feel empowered, if I make someone feel great, if I make someone feel better than they’re feeling at that moment, I think that’s the purpose of music. I think that’s the bigger picture – music has the power to go beyond your own achievements and become bigger than you. It belongs to people in general – a shared experience.

So if music is about sharing and communicating with people then what do you think about the role of technology in youth culture – specifically the undeniable increase in our use of technology to communicate? Where are we headed?

I think music and technology have always been the same thing. They’re like cousins or brothers. We wouldn’t have music today without technology. It’s always about  the newest, latest, tech thing that can make the sound even better, or make you work faster or get your ideas down from A to B.

I think the future of music…[pauses] I think all music will be free one day. On some cool device, some cool way, all music will be free. Because when I think about it, I feel like music was never meant to be for sale. I think music was always meant to be enjoyed. Like when you walk into a store or a restaurant, you just hear random music: you’re not paying for it. When you turn on the car radio, you’re not paying for that, you’re just hearing it. You just bump into music. Music is meant to be shared. Back when it was folklore and the village and jungle – they were just singing it. And eventually we will go back to a place where it’s just shared and free.

Aside from singing and writing new music, what are the other things you’re looking to do in the future?

I definitely want to showcase my dance more. I’m a trained dancer and I trained for years and years. We had this conversation, me and my team, not too long ago. They are saying, like, “Hey, I think it’s a hidden secret that you can dance!” I’m like, “I think you’re right, we need to showcase that way more!”

I’m also thinking about starting a podcast to talk more about different things and express my personality a bit more outside of my music.

 

And wrapping it up, tell us, what is your FAULT?

Sometimes I feel like I don’t enjoy the moment long enough. I’m anxious-slash-impatient and I want everything to happen now – or yesterday! I keep asking myself, “why am I not there now?”
And that’s why I said trusting the process has become such a big thing in my life – because things don’t just happen immediately like that. It’s a waiting game – you hurry up, put the work in and then you wait. So I definitely have to tell myself ever day: “Yo Pax: chill!”

Anything you would like to add?

Thank you for doing this for me – talking to me, having me on set. Doing the gorgeous photoshoot. That was the best experience of my life, I swear I’m not just saying that. The energy and everything was just incredible. I haven’t experienced anything like that so it was just really beautiful to do it. And I thank you guys for trusting me to kill it!

FAULT MAGAZINE ISSUE 29 – THE MOVEMENT ISSUE –  IS AVAILABLE TO PRE-ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

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