BST Hyde Park FESTIVAL SPECIAL – THE WELL-KNOWN, THE NEW, THE LEGENDARY

Photography: Jack Alexander

 

Words: Adina Ilie

This weekend, British Summer Time showcased an array of exceptional talent ranging from the well-established to the ones-to-watch. As ever, BST Hyde Park is a celebration of music in all of its splendour, where genres intertwine, and people gather to immerse themselves in pure talent. This year, Bruno Mars, this year’s most acclaimed headline act completely sold out the festival on Saturday. He gathered support from acts such as Charlie Wilson, Naomi Scott, Liv Dawson along with the likes of DNCE, Khalid, Yungen and many others. As an impromptu moment, Joe Jonas of DNCE also announced that both of his siblings were supporting the band side-stage, making the crowd go wild in ecstasy and nostalgia altogether.

 

British Summer Time is now left behind with a heavy heart as the sight of a deserted Hyde Park is imminent, but there is no doubt that 2019 will bring even greater things for the most emblematic event in London’s festival history. For the time being, we look fondly at the acts that graced the stage in splendour this weekend.

 

LIV DAWSON

What’s your most exciting festival moment to date?

The best part has to be meeting people that I admire. Also, last year I played Wildlife festival on the main stage, which was absolutely amazing. I also remember meeting Lucy Rose, who is an incredible singer and I was absolutely freaked out.

 

What are you most looking forward to at BST?

I am so excited to play my set and also be surrounded by so many amazing talents. I’m looking forward to seeing Tom Walker, Bruno Mars, Khalid. It’s going to be a good day.

 

What is your festival FAULT?

I played The Great Escape quite recently and I had some technical difficulties on stage. I started one of my songs wrong and I had to start it all over again. It always happens, but that just makes the set funnier.

YUNGEN

 

What’s your favourite part about playing music festivals?

They bring an entirely different vibe. I was doing a lot of club gigs and there’s only a certain set that you can do in a club. At festivals you can get really creative.

 

How will your set today differ from the sets you usually play?

At club gigs, I like to quickly go through the songs to keep the energy up. I feel like at festivals, they come to see – you – so there’s more space to be creative.

 

What’s your festival FAULT?

I was at a festival and some kids climbed up on the fence and started shouting ‘Hey Yungen!’ And I was like ‘hey man, are you alright?’ and they thought that was an indication to jump over the fence. Security was looking at me like ‘what have you done?!’ because they had to chase those kids all around the festival!

 

DNCE

 

You’ve recently released a new EP People to People which has an entirely different sound to your previous material. What made you change direction?

Joe: For any person, you look at yourself a year back and realise how much you’ve grown ever since. For us, as musicians, we definitely have grown together, separately, emotionally and even physically *laughs*. We finally tapped into something new and it’s exciting to share the journey this very moment, instead of waiting a few more months for putting an entire album together. We just wanted to release this EP and get it out there.

 

You’ve got a more serious note on the EP. How did you tap into that particular part of song writing?

Cole: What we did is that we took away a few layers and stripped it down to what instruments we’re playing and where we are emotionally. It might be a little more sophisticated, but it’s also a bit more indie rock. We wanted to focus on that. Because we couldn’t do a 180 – we’re DNCE – funk meets rock’n’roll meets pop. So, we twisted the knobs a little bit and we have a good idea what’s next. We hope to release more music soon.

 

How are festivals different to you as opposed to your own personal shows?

Joe: Festivals are always more fun. You get to meet a lot of new artists and hang out in really elaborate tents. But it’s not just festivals – this is Hyde Park. Playing Hyde Park is the dream. It’s definitely a bucket list one for us.

 

Do you have any festival anecdotes that you’d like to share?

Joe: We’ve had moments when we’ve lost each other and then found each other in the most bizarre situations. We’ll disperse and then hours and hours later I’d be waiting in line for the urinal and Cole pops right out.

Cole: We were at a festival and we were watching Average White Band play and we were literally having the time of our lives. Dancing, singing, it was great. But somehow, all the pictures that our fans took of us then – we literally looked mortally depressed.

 

What’s your festival FAULT?

All: Fried food, that’s for sure.

NAOMI SCOTT

 

You’ve got a stellar Hollywood career and now you’ve gone into music too. What spurred your love for music?

I grew up in church, so I grew up listening to gospel music. I remember going through my dad’s iTunes and stumbling upon Kate Bush. She’s fantastic, weird and whacky and I loved it! I also love Enya (probably because I’m a big Lord of the Rings fan) – but clearly my influences are very mixed!

 

Who would you most like to collaborate with – out of all of the artists that you’ve pointed out just now?

Honestly – I really love Chance The Rapper. I’d love to do something with him. Collaboratively, he would be ideal in terms of what he actually brings to the table. I also love J. Cole – and what I love about him is his storytelling. There’s always a message with his music.

 

We all know of your Hollywood highlight moments – but what are your musical highlights?

For me, the highlight has just been able to grow and stay independent. But the biggest moment was a month ago when I ended my UK tour in London. I’ve been putting out music sporadically for a long time and people knew the whole back catalogue. Stuff that I’ve released years and years ago.

 

What stood out the most?

I was in Cardiff, in Wales and there was a girl right at the front who literally knew all of the words to every single song. For me – that was the best moment.

 

What do you want your fans to take from your music?

I honestly just want people to have a good time. I want them to have fun, I’m completely myself on stage and I want people to feel escapism when they come to my shows. Kind of like movies – in a way. And I want it to be a memorable experience.

 

What’s your festival FAULT?

Well, this is my first festival, so I’ll just say that it’s very hot outside and I’m very disorganised!

 

CHARLIE WILSON

 

What’s your most fond memory of BST Hyde Park?

I was here a couple of years ago on one of the smaller stages when Stevie Wonder and Pharrell were playing. I said that one day I’ll play the main stage and here I am today.

 

Do you have a memorable moment from playing live that you would like to share?

I played a show with The Rolling Stones when I was in my 20s. We opened the show in Kansas City. Back in that day, we had no hits. We were making up songs to sound like rock songs basically. So, I went into a song – except that I didn’t know it was already a Rolling Stones song! And I started singing Jumpin’ Jack Flash and everyone kept signalling me to stop doing it. And afterwards I went to my manager and asked him how many shows we had left with The Stones and he said that he was pretty sure that that was our last one.

 

What’s your festival FAULT?

I don’t have one now, but back in the day it used to be drugs and alcohol. I’m sober now, been sober for a long time, but I wish I hadn’t wasted all the time.

 

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Wireless Festival 2018 – London’s Hottest Music Festival

 


Wireless 2018 on paper promised to be the king of the day festivals in London this year, with heavyweights from the hip hop and R&B scene converging on a weekend in the Finsbury Park sunshine. We arrived on Friday excited for what was in store, and were not disappointed. 

 


Friday:
We were welcomed by the “The Godfather of Grime” (to give his full title), who launched straight into his summer anthem Wearing My Rolex. Reports he was indeed wearing his Rolex are unconfirmed at this point, but it got the crowd hyped. After some more bangers from the grime legend, we waited the arrival of one of hip-hop’s most respected artists in Big Sean.

Taking us through his major hits, Big Sean showed why his career continues to go from strength to strength. The high point was Bounce Back, and truly went beast mode on the Wireless faithful.  

Post Malone might be the hottest property right now in the music scene, and he showed it here. Taking the crowd through the songs that put him on the map (White Iverson, Congratulations, I Fall Apart), through to a collection from his new album (Paranoid, Candy Paint, Psycho), the crowd was hyped and ready for the headline act to draw the curtain down on the first night.

Enter J Cole. Bounding about the stage with energy and passion, the North Carolina rapper who showed just why he was chosen to return to the headline slot at Wireless. His incredible lyricism was on show, and energised the crowd desperate to hear J Cole deliver his latest album.



Sunday:

67 have been making noise on the UK scene with their energetic brand of drill music popularised in Chicago. And they made some noise here in Finsbury Park. Despite some controversy around the scene here in the UK, 67 showed why there’s a place for them on the UK music scene.

Onto Giggs, the veteran of the grime scene, who took us through a plethora of bangers. From what made him famous in Talkin The Hardest and Look What The Cat Dragged In through to his latest hit, London Town. He closed with KMT, a song he is the feature on with none other than…

Drake – reports earlier in the day confirmed DJ Khaled would not be arriving for his headline set. Understandably, there was worry at what the festival organisers could do at such short notice. But they came through with the biggest hip hop star in the world. Not bad at all. He blasted through songs from his new album, including God’s Plan and Nice For What, whipping the crowd into a frenzy and bringing to a close a quite stunning weekend of music.

With a billion streams in A WEEK, there is no denying that Drake sits on top of the music scene right now.

And that was it for Wireless. Again delivering as the hottest day festival right now in London. Until next year.

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Picnic at Hanging Rock

Self Portrait (@mrselfportrait) lace dress via The Real Real (@therealreal)
Asos (@asos) black patent leather buckled flats

 

Self Portrait (@mrselfportrait) lace dress via The Real Real (@therealreal)
Asos (@asos) black patent leather buckled flats

 

Self Portrait (@mrselfportrait) lace dress via The Real Real (@therealreal)
Asos (@asos) black patent leather buckled flats

 

Asos (@asos) white satin dress
Asos (@asos) black patent leather buckled flats
Hat is stylist’s own

 

Asos (@asos) white satin dress
Asos (@asos) black patent leather buckled flats
Hat is stylist’s own

 

Asos (@asos) white satin dress
Asos (@asos) black patent leather buckled flats
Hat is stylist’s own

 

Asos (@asos) white satin dress
Asos (@asos) black patent leather buckled flats
Hat is stylist’s own

 

Elliatt (@elliatt) floral embroidered dress via Asos (@asos)
Jeffrey Campbell (@jeffreycampbell) boots
Asos (@asos) black wasit belt

 

Elliatt (@elliatt) floral embroidered dress via Asos (@asos)
Jeffrey Campbell (@jeffreycampbell) boots
Asos (@asos) black wasit belt

 

Elliatt (@elliatt) floral embroidered dress via Asos (@asos)
Jeffrey Campbell (@jeffreycampbell) boots
Asos (@asos) black wasit belt

 

Roksanda (@roksandailincic) dress via The Real Real (@therealreal)
Jeffrey Campbell (@jeffreycampbell) boots

 

Roksanda (@roksandailincic) dress via The Real Real (@therealreal)
Jeffrey Campbell (@jeffreycampbell) boots

 

Roksanda (@roksandailincic) dress via The Real Real (@therealreal)
Jeffrey Campbell (@jeffreycampbell) boots

Photographer: Caroline Lawlesswww.carolinelawless.com
Model: Lucy Rexrode
Stylist: Melissa de Leon

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Brendon Urie FAULT Magazine Online Covershoot

Words: Courtney Farrell

Photography: Miles Holder

Styling: Edith Walker Millwood

Grooming: Oliver Woods

 

This weekend,  Panic! at the Disco’s ‘Pray for the Wicked’ debuted at No.1 spot on the Billboard 200 Album Charts and we couldn’t be more excited. We’re proud to present our latest FAULT Magazine Online cover star is non-other than band frontman, Brendon Urie! You can also find more images and exclusive photographs within our next print issue but for now, enjoy our very special cover feature below!

 

“Hey Look Ma, I Made It”, one of the songs from your new album, Pray For The Wicked, opens with the lines “All my life been hustling and tonight is my appraisal / because I’m a hooker selling songs and my pimp’s a record label,”  Do you often find yourself torn between celebrating your successes and battling the evils of your industry?

Brendon Urie: It’s not too far from the truth, I am a hooker that sells songs. I’m a glorified t-shirt salesman. I go out on the road and I play songs to make people happy, and to interact with them and so that we can all celebrate, but at the end of the night I’m really trying to sell clothes, right? I’m like, “buy my merch please so that I can have a great life as well and we can all support each other.” It’s a weird contradiction the way the music industry is. Luckily I do this because I have a passion for it, and the byproducts of things I get to talk about ironically a little more tongue-in-cheek, like yeah, I’m a whore that sells my own music, and my record label is a pimp that pushes me to everybody, distributes me, talks me up, and gets as much mileage as they can out of me. It’s a dark realization, it’s a dark truth, it’s a very real thing, but I wouldn’t change it for the world. This is something that I’m so passionate about that I would never want to give up, so it’s bittersweet really.

 

You reference your childhood dreams coming true, but you probably didn’t expect to become somewhat of an LGBTQ icon for your fans. Between the success of Girls/Girls/Boys and your cameo in Love, Simon, it seems that LGBTQ positivity has become a big part of your brand. How do you feel about that?

BU: It makes me so happy. Growing up and having friends who weren’t accepted in certain circles, whether they were gay, not a certain religion or creed, or whatever, it’s nice to know that now I feel a part of a family that maybe I didn’t feel an affinity to in the past.

What’s even cooler than that, is that I write songs for myself about things that I’m feeling personally about my own life, and fans can take a song and completely give it a new meaning, which makes me so happy. I wrote the song “Girls/Girls/Boys” about my first threesome, and kids grabbed onto that and took it as a universal language for like, it doesn’t matter who you are, we can all love whoever we want to. That’s a way cooler idea, and the fact that fans have the mentality and the mobility to do that just inspires me to move forward in a more generous light and try to give as much as they’ve given me.

 

That song really has taken on a life of its own, when you play it live you’re handed rainbow flags and fans light up rainbow hearts. That must be amazing.

BU: It’s my favorite. When I look out into the crowd and I see how happy they are and how liberated they seem to be, that makes it all worthwhile. That’s better than any drug, that’s better than any other experience. That right there, that interaction, I get to see the immediate happiness that they receive from that. It makes me so proud to be a part of whatever this is.

Jacket – Ben Sherman | T- shirt – Brendon’s own

Pray For The Wicked is your sixth studio album, and you’ve managed to stay active and successful for the 13 years since your first album. Do you ever consciously think about staying relevant or is it not important to you?

 

BU: Honestly, I don’t really care about that shit. It’s not that I don’t want to do things, I only do things if I have a passion for it and I can see a greater outcome, not just for me. We get offered things all the time, whether that be endorsements or shows or whatever, and I say no most of the time. My manager will send me some stuff and he’ll ask what I think, and the majority of the time I’m saying no because it doesn’t feel right to do something just for a company because they’re looking for a handout or whatever it may be. I only do things if it feels right, if it makes me proud to have done that. I never used to think that way until the last year or two, so that has changed a lot of what I do for the better. I think it’s much better to do it that way, I just want to do better all the time.

 

That ties in with a line from “Say Amen (Saturday Night)”, which is “I can’t change into a person I don’t want to be.” It’s about honesty, is staying true to yourself important for you?

 

BU: Absolutely. That’s one of the most key things I think for any human as a trait. Honesty is one of the most important qualities to have as a human being. Other people say that politeness is key, and that’s fine. It’s good to be kind and polite to other people, but at the same time don’t change change your views. Have courage behind your convictions, know who you are. You’ve got to be you. You have to be unapologetic about who you are, don’t ever apologize for that. If people get offended, they’re just looking for something to be offended by, and if not they’re just offended by it and they have a more delicate sensibility and I couldn’t give a shit, you know what I mean? That’s not to say I don’t care, but I want to make sure that honesty and directness come across as more important.

 

You almost named this album “fame is the thirst of youth,” a quote by Lord Byron, which reminded me of “Dying in LA”. Is that a direct correlation, that as time goes on the less fame means?

BU: Yeah to a certain extent, that is a pretty fair summation. When I was younger, I thought it was going to be so cool to be famous, but I didn’t think about it a lot. I was still focused on the things that I loved, like just making music, performing, making music videos, doing records, wearing funny clothes, putting on makeup. All this stuff was so fun for me to do, so I wasn’t really thinking about what I’d do when we get big. There were a couple instances over a couple years that I maybe didn’t handle fame that well. I realized that I was never searching for it. I think my goal is never to be famous. I’m never trying to not be able to leave my house because I’d be noticed all the time, that would suck.

 

When you released “High Hopes”, you tweeted that you’d “worried about how it felt to fail,” and “had to aim high and fail, fail, fail in order to keep growing.” Have there been any moments throughout the years that felt like failures you wouldn’t be able to overcome?

 

BU: For me, failure in the moment always feels like I’ll never overcome it. I have to push past a certain point and almost have faith that I’m going to get through it because it’s happened every single time fear hits me. I just have to hit a certain point and trust myself that as long as I show up and as long as I’m doing what I’m passionate about it’s going to work out in the way that I saw fit because I tried and I did the things I was passionate about, rather than hoping that people like me, hoping that I get notoriety, hoping that I get a number one album. That’s all byproduct. It’s cool if it happens, but it’s not what I’m after. I’m after making something that I’m so proud of that I can share with however many fans. That’s something better than drugs, it’s better than most things in my life. Being able to be on a stage, connect with fans, meet them and hear their stories, see their tweets, read their amazing poems, and hear their covers of our songs. They inspire me and it’s really cool to know that as long as you’re doing what you love, how can you be wrong?

 

You’ll be headlining Reading and Leeds Festival later this summer, are you looking forward to it?

BU: I’m losing my mind! I’m losing my mind because it was billed as a co-headline show with Kendrick Lamar, but I’m not treating it that way. I’m treating it the same way that I treated the Weezer tour, like we are opening for Weezer. We are the warm up band for Kendrick Lamar, and that’s how I’m going to treat it because I have such a love and respect for Kendrick Lamar as an artist and a human being. His seems like his head is in the right place, he’s so wise beyond his years, and I’m just a fan of the music. I’m going to have to stay away, they’re going to have to get extra security. He just seems like the coolest person ever so it’s an honor to be on the same bill as him, I can’t wait to watch him live.

 

What is your FAULT?

BU: I feel like everything is my fault. This whole album is my fault. I didn’t expect to have an album out, but I’m so glad that I did. I’m so glad that I felt inspired, because I was not expecting it and it was the biggest, most pleasant surprise I could have asked for.

 

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3 Ways To Wear a Golf Shirt off the Course, and 6 Shirts To Try It With

There’s no denying the appeal of wearing athletic wear on a full-time basis. 10 years ago, the thought of wearing any kind of sports shoes with a suit was unheard of, but today it’s almost expected. The ability to wear sports clothes in any setting other than their natural habitat is the sign of a cultured and fashion-forward man.

If you’re just dipping your toe in the world of sportswear for everyday wear, fear not as we’ve put together this list of ways you can wear a golf shirt off the course and feel sharp doing it. There are three main ways you can rock a golf shirt off the course and they’re all suitable for a number of different environments. Wearing sports wear as everyday wear is fast becoming the norm, so no need to worry about rocking up with work in a golf shirt under your blazer. Seriously, everyone is doing it. Here are our top three ways to wear a golf shirt off the course, and six options to try it with.

With a Suit

If you’re looking for an easy way to dress down an everyday suit, then adding a golf shirt in place of your normal dress shirt is the easiest way to do this. It’s great in the summer months when the performance fabric will help keep you cool no matter what the day throws at you.

To perfect this look,try switching out your usual dress shoes with a pair of statement sneakers. Obviously, this look isn’t going to fly in every office environment, but if your work dress code is somewhat relaxed it’s worth a try.

Perfect this look by pairing a dark suit with a neutral polo. This RLX golf shirt in French Navy would be a great addition to your work wardrobe. Likewise, this full button Puma Golf shirt in peacoat heather is an interesting twist on the three button style with buttons running right down the front. With a blazer over the top, you wouldn’t even know you aren’t wearing a dress shirt.

Smart/ Casual

It’s a common dilemma. You’re heading to a work function, a party or a wedding and the dress code says smart casual. Very few people feel at home in the smart casual realm, but rocking a golf shirt is a surefire way to guarantee you toe the line of this dress code perfectly.

Start the look with a well-fitted pair of chinos or a smart looking pair of jeans (if you think you can get away with it). Slip on your favourite pair of loafers and then select your golf shirt of choice. Depending on the occasion, you can go bold and bright or smart and sophisticated. This look works great in the summer months and will ensure you observe both sides of the smart and casual dress code.

If you’re looking to make a statement, this bright fuschia golf shirt from Ted Baker is a sure winner. The contrast collar adds a little interest and the bold hue is enough to get you noticed anywhere. If you’re looking for something more subtle, this Nike golf shirt with contrasting stripe sleeves is the perfect choice. The contrast sleeves add enough interest to stop it becoming too boring.

Athleisure

Love it or hate it, the term athleisure isn’t going anywhere, so it might be time to embrace the look and get comfortable being comfortable. Athleisure wear is like an updated take on the gym wear trend. To perfect this look, you have to make it look like you just rolled out of the gym, but in your finest fitness duds. This isn’t about standard sweats and a grubby tank top, it’s about premium fabrics and neutral palettes that make everyone feel like an Instagram influencer out for brunch.

Start with a pair of well fitted joggers in a premium, luxury fabric. Add your best pair of trainers and then layer up a light bomber over your favourite golf shirt. The golf shirt elevates the look to create something more than an everyday athleisure outfit. In terms of colours, tonal layering is the key to achieving this look. This means layering up different shades of the same colour, usually a neutral tone like black or grey.

If you want to try this look, you can’t go wrong with this Galvin Green golf shirt in iron grey. The technical fabric with a slight stretch is ideal for everyday wear while the textured stripe pattern is the perfect foundation for any athleisure outfit. If you like the look of vintage sports wear, this Hugo Boss golf shirt in white and dark blue with a contrasting grey stripe is the perfect choice.

If you want to show your love for the sport and wear your golf shirt off the course, all of these looks will allow you to do this with style.

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Isle of Wight Festival 2018: review and pictures

As the Isle of Wight festival 2018 celebrated its 50th anniversary, the sun shone as golden as the glittery glad rags parading around the festival field…and we got our cameras out:

Isle of Wight festival 2018: Friday

Grooving on the main stage Nile Rodgers and Chic performed a flawless performance that fired out hit and hit and got the fans on their feet. While the Big Top tent saw Bedford boy Tom Grennan cause a storm on stage and solidifying his status as one of the hottest sounds of 2018.

Friday night came to a close with Kasabian performing a by the book performance that saw the band belt out tune after tune suited for the main stage, Chase and Status caused chaos as fans piled into the Big Top tent desperate to dance into the early hours of the night.

Tom Grennnan @ Isle of Wight Festival 2018 - FAULT Magazine

Tom Grennan performs on the Big Top stage at Isle of Wight Festival 2018

Saturday

The sun continued to shine though out Saturday as areas such as the Old Mout Cider Kiwi Camp kept things cool with their delicious array of ciders and light entertainment like Disco Yoga and Rockaoke.

Brit award winner James Bay was back trading in his trademark hat for slick back hair and riffs galore as he jammed on stage to his follow up album Electric Light. While man of the hour Liam Gallagher pulled in a sizeable crowd and belted out Oasis classics such as Rock n Roll Star and Supersonic that proved to be still some of greatest songs ever written, the downside being a shared stage and not having the time to truly shine.

Sigrid at Isle of Wight Festival 2018 - FAULT Magazine

Sigrid at Isle of Wight Festival 2018

Sunday

Sunday saw Sheryl Crow keep things light and breezy while Cuban-born Camila Cabello gave a scorching performance that added a little heat to the already blistering day – although it was arguably a little tepid compared to that of the England team. Spirits were raised as high as the English flags waving through the sky when the England vs Panama result began to ripple through the raucous crowds, convincing everyone present that football was truly coming home.

It was a welcome return for Sam Duckworth – aka Get Cape. Wear Cape. Fly – to the stage as he was supported by a full band that helped transform previous electro-experimental efforts into a vibrant array of melodic splendour. The full ensemble breathed new life into his debut album The Chronicles Of A Bohemian Teenager, sounding as fresh as it did back in 2006.

Norwegian pop sensation Sigrid unfortunately felt the strain of technical difficulties eating into her allotted time by an extra half hour, but was welcomed by an sympathetic crowd filling out the Big Top tent before rushing off to see headline act The Killers take to the main stage.

The Las Vegas band pulled no punches as their perfect blend of indie rock and bruised Americana with a Springsteen-esque twang attracted multiple generations to the main stage. Spectators witnessed a dazzling performance accompanied by festival fireworks soaring almost as high as the bands brilliant finale Mr Brightside, proving that Isle of Wight is one of the biggest and brightest festivals around.

The Isle of Wight Festival 2018 celebrating its 50 year anniversary - FAULT Magazine

The Isle of Wight Festival 2018 was celebrating its 50 year anniversary

 

Keep tabs on tickets for next year’s Isle of Wight Festival here: www.isleofwightfestival.com

 

Words and photos by Jack Lloyd

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