ME ME ME: Spending your Saturday Night at Home

 

Easy nights in don’t have to mean cosying up in front of the television with a pot noodle and a pair of slippers. It could be a chance to give yourself a bit of time out from the world. Studies show that many of us a are choosing a night in over clubbing with pals; perhaps because partying every weekend could meant that you miss out on the vital chance to catch up on your favourite Netflix documentary. You could give yourself an evening to enjoy all the things you usually miss on a Saturday night when you’re out at the club. You’re likely to wake up on Sunday morning with a fresh head and feeling good for Monday, and your wallet will probably thank you for it. Here are our tips for a refreshing weekend for one:

Reconnect with Food

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When you’re working or spending evenings with friends, you’re likely to be eating on the go. In fact, it has become so common to eat convenience food, that many of us don’t eat at home anymore. Give yourself the chance to cook your favourite food, maybe call your mum and get that recipe you’ve been meaning to ask for. If cooking doesn’t sound like your ideal, relaxing Saturday night in, sites such as Deliveroo make it really easy to order fresh food from restaurants, and you could have your favourite Dim Sum or the hottest curry delivered to your door in minutes.

Pamper Yourself


When was the last time you took a bath? You probably took a shower this morning, but when was the last time you turned the bath taps and watched a bath bomb fizz away in the tub? Light some candles, pick your favourite bubbles, and let yourself soak for half an hour. Phones and water aren’t really best friends, and an insurance claim isn’t going to make for a chilled evening, so ditch the tech for a book or a magazine, and just let yourself disconnect for a while.

Switch off the Social Media and Put on Your Favourite Film


So you’ve ordered your favourite food, you’ve taken a long bath, now it’s time to turn to technology. However, if you take an evening off from social media, you will find that your phone cravings start to subside. If you’re having trouble, try focussing on something such as your favourite film, or perhaps a classic that you’ve been meaning to watch for a while. Try something warming and easy, and perhaps curl up with a tub of ice cream and a warm brownie whilst you’re there…

Stay off the Sauce

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This one might be difficult, because you probably found yourself reaching for a glass of wine when you went to get in the bath. However, one Saturday night off the booze isn’t going to hurt, and you’ll feel better for it tomorrow. Treat yourself to a mocktail of fruit juices instead, or perhaps some water infused with juices. If you’re that way inclined, you could even fix yourself a hot chocolate with marshmallows, chocolate sauce and sprinkles. See how creative you can be when booze is out of the equation?

Whatever you choose to do with your Saturday night in, make sure that you’re being totally selfish. Perhaps you won’t do it again for a while, so just make sure you treat yourself, and when you wake up on Sunday, you’ll feel radiant and fresh.

HAIM announce UK & EU Summer tour dates

Fresh from their Best International Band win at Wednesday’s NME Awards and their nomination for Best International Group at next week’s BRITs, FAULT Favourites HAIM have announced their UK & EU summer touring schedule with a glorious Spice Girls tribute at London’s Alexandra Palace:

The FAULT Issue 15 stars released their sophomore record, Something to Tell You, last year as an eagerly awaited follow-up to the sound of our Summer 2013, Days Are Gone. The latter has since gone on to be recognised as one of the best albums of the decade so far. Something to Tell You also made the Top 10 charts in both the UK (#2) and the US.

The LA trio’s UK & EU tour dates follow on from a 21-date US leg of the ‘Sister Sister Sister’ tour, which includes a spot at both weekends of Coachella festival on Saturday April 14th and April 21st. Their UK/EU tour will be bookended by appearances at Barcelona’s Primavera Sound on Friday June 1st, following their surprise late night appearance at the festival last year, and Lisbon’s Rock in Rio on June 23rd.

Haim announce UK & EU tour dates for Summer '18 - FAULT

The siblings’ UK & Ireland leg will kick off at Glasgow’s O2 Academy on June 10th, finishing up at London’s iconic Alexandra Palace on Friday June 15th. Tickets will go on sale from February 23rd, with a pre-sale from February 21st.

HAIM UK/EU dates:

Fri 1st June
Barcelona, Spain – Primavera Sound

Sun 3rd June
Milan, Italy – Fabrique

Mon 4th June
Zurich, Switzerland – X-tra

Tues 5th June
Cologne, Germany – E Werk

Thurs 7th June
Warsaw, Poland – Stodola

Fri 8th June
Berlin, Germany – Columbiahalle

Sun 10th June
Glasgow, UK – O2 Academy

Mon 11th June
Manchester, UK – O2 Apollo

Tues 12th June
Dublin, Ireland – Olympia

Fri 15th June
London, UK – Alexandra Palace

Mon 18th June
Amsterdam, Netherlands – Paradiso

Tues 19th June
Copenhagen, Denmark – Tap1

Weds 20th June
Stockholm, Sweden – Annexet

Thurs 21st June
Oslo, Norway – Sentrum Scene

Sat 23rd June
Lisbon, Portugal – Rock in Rio

Get your tickets via http://www.haimtheband.com

 Something To Tell You is out now on Polydor Records

Elton John Announces Farewell Tour – But Is He Gone for Good?

Elton John

SOURCE: @cbsnews via Twitter

Hold me close now tiny dancer! Elton John has announced his retirement from live touring. But fear not – the 70-year old will complete a 300-date tour beginning at the end of 2018 and spanning over 2019 before the Crocodile Rock singer hangs up his touring sunglasses for good. The Yellow Brick Road tour will encompass five continents, as Elton (real name Reginald Dwight) claims he wants to spend more time with his husband, David Furnish, and their family. But what does it mean for the self-proclaimed ‘Rocket Man’ – and does the 2-year tour signal the end for the renowned musician’s career?
 

When is the Farewell Tour?

The American leg of the tour will kick off at the PPL Centre in Allentown, Pennsylvania in September 2018 and draw to a close in March 2019 at the Jacksonville Veterans Memorial Arena, Jacksonville, Florida one week before the singer’s birthday on March 25th. After a quick break, the European leg of the tour will see Elton jetsetting around the continent over summer 2019, with dates already set in Belgium, Germany, Poland, Denmark, and Switzerland. With the uptake of tickets already fairly high, they will undoubtedly sell out quickly when the dates – including predicted UK dates – are released later in the year. Allowing fans over two years to say goodbye and many opportunities to obtain tickets to see him play is only fitting for one of music’s most legendary greats.
 

Will Elton John Take Another Residency?

While his touring days are over, the Rocket Music-signed artist hasn’t ruled out a residency somewhere – perhaps something similar to Kate Bush’s 22-night run in London’s Eventim Apollo, Hammersmith back in 2014. In fact, he had his own residency in Las Vegas that will play its final show in May 2018, the Million Dollar Piano show. Elton’s 207 shows – over a seven year period – brought in the singer approximately $404,541 in revenue per show, according to Betway Casino’s research on the biggest Las Vegas acts. Should he return to a residency in Vegas, John would be in good company, with Vegas legend Celine Dion reportedly totalling $229,086,433 in her own residency at The Colosseum at Caesar’s Palace. John’s previous residency at Caesar’s Palace, The Red Piano show, ran from 2004 to 2009, bringing in fans from far and wide, so the singer is no stranger to performing on the strip.

Elton John in concert

SOURCE: @rollingstone via Twitter

 

Will Elton John Be Back on the Road?

This isn’t the first time the ‘I’m Still Standing’ crooner announced his retirement from touring. 40 years ago, in 1977, Elton revealed that he was taking a break from the road – only to return two years later. The singer is by no means retiring for good, having said he doesn’t enjoy the downtime and has a few more albums in him. Citing his need to relax and see friends while recording albums from home, many suspect that a recent health scare may have prompted Elton’s decision. The Rock & Roll Hall of Fame inductee had to cancel a spate of tours back in 2017 after contracting a rare infection in South America, which many claim has prompted the final tour. But, if history repeats itself, we could even expect to see Elton back on the road. Musicians are fond of announcing farewells and retirements only to feel the pull of performing live some years later.
 

What Are Elton John’s Biggest Hits?

Elton John – while resonating with the audience he developed for himself from the 1960s onwards – is also a hit with newer generations of music fans. His timeless classics have endured and Elton John’s star has never waned in his illustrious career. Elton – and writing partner Tim Rice – penned cult and commercial hit The Lion King (1993), which was then adapted for both Broadway and the West End. More recently, he was even in the running at the latest UK Music Video Awards for Bennie and the Jets, against Ed Sheeran and Dua Lipa. Music newcomer Olly Chamberlain even cited Elton John as one of his musical inspirations, keeping the star’s music alive through the musically minded fans. While folk singer Darshana Congreve also cites the blues nature of Elton’s work as an inspiration. His Greatest Hits album, containing most of his classics including ‘I Guess That’s Why They Call It the Blues’, ‘Candle in the Wind’, and ‘Your Song’, sold 17 million copies and was listed as number 13 on The Independent’s 50 Best Selling Albums listing.

But despite churning out future albums, the music industry will definitely notice his absence from the gig circuit – having played around 133 shows a year for the past 20 years. Sir Elton Hercules John CBE will no doubt immortalise his own words that he is still standing – and will continue to produce hits, amaze fans, and live up to the Hall of Fame title and knighthood his tireless feats of music earned him.

Jared Harris: Exclusive FAULT Magazine Issue 27 interview & photoshoot

Jared Harris

“Acting… it’s playing, isn’t it? That’s what’s great about the job. If you don’t enjoy playing then why would someone enjoy watching you do it?”

Jared Harris for FAULT Magazine Issue 27

Photographer | Osvaldo Ponton
Stylist + Art Director | Chaunielle Brown
Groomer | Scott McMahan @ Kate Ryan
Set Designer | Lauren Bahr @ Kate Ryan
Photo Assistants | Nicasio Andrade + Xiangyun Chen
Fashion Assistants | Francis Harris + Ariane Velluire

A far cry from the typical, theatrical masks sputtering their pre-fabricated phrases, Jared Harris is a poised and reflective interviewee. As we banter about Brexit, Boris, and all that bullshit, there’s no suggestion that he’s keen to move things along in the direction of some scripted lines about his next role.

It’s a little surprising that he isn’t fervently plugging what promises to be another significant milestone in his storied career: the role of Absalom Breakspear in Amazon’s 2019 series ‘Carnival Row’. After all, the show reportedly has an enormous budget, stars eye-widening leads in Orlando Bloom and Cara Delevigne, and has been put together largely by his former college pal, René Echevarria. But it’s clear that Jared’s been around the block a few times. When he speaks, it’s with the assurance of someone who knows that the next role is never very far away. And it’s reassuring to get the sense that he’s treating our interview with the same sense of enjoyment as he has the rest of his career to date. It’s all part of the job, after all, so you might as well make the most of it…

FAULT: Tell us about your current project [AMC’s ‘The Terror’]

Jared Harris: The job’s great. It’s sort of special, really: the showrunner is a friend of mine from Duke University, so I’ve known him for a really long time. My younger brother’s on it as well, so I get to work with him. That’s always been a personal goal of mine.

The show itself is really well written, and that’s always the first question that one asks: how’s the script?

Jared Harris for FAULT Magazine Issue 27

There’s often a temptation to qualify actors based on a role call of who they’ve worked with – and you’ve worked with some of the biggest names in the business (Tarantino, Soderbergh, Guy Ritchie, David Fincher etc). How important is that to you? To what extent do you take jobs based on the personnel vs the project?

First of all, it’s the script. That said, when I was starting out – and I’ve kept some of those scripts – I remember reading Dracula (by Francis Ford Coppola) and thinking what a load of old tosh it was! It was almost softcore porn – there were a lot of scenes with girls in flimsy blouses getting their boobs out, and I thought to myself, “What on earth is he doing this for? It’s just dreadful!” But then, of course, you go to see the movie and you think, “wow!”

That’s when I got my first education in dealing with really great directors. You just don’t know what they’re going to do with the project. You have to assume that, with films in particular, it’s almost like a lump of clay. Not quite, because scripts are never entirely shapeless, but the great directors fully intend to reshape the material. That was true when I worked on Natural Born Killers. I read the original Tarantino script and it was completely different to the final film as it was directed by Oliver Stone. So, with films in particular, the director is almost more important than the script.

That said, it’s very difficult to improve a bad script. The shape and the structure has to be there to begin with, otherwise no-one really knows what they’re supposed to be doing. You’ve just got so many people trying to tell a story: the costume designers, the cinematographer… the script is the starting point for all of them.

Jared Harris for FAULT Magazine Issue 27

On that note, what level of influence do you – as an actor – have when it comes to interpreting the script?

It really depends. There are so many different factors at play: what type of movie it is; who’s making it – is it studio or independent; who’s directing it; the size of your role… Generally speaking, if it’s a studio film and you’re not the lead, you have very little input at all and no-one’s really interested in hearing your opinion…! They all just want to cozy up to the movie star and stay there.

That said, when I was working on Sherlock Holmes: A Game of Shadows there was total collaboration with Guy Ritchie and Robert Downey Jr. What tends to happen with that sort of film is that the screenwriter is trying to deliver a fresh product – a new take on an old story – and then, during the endless period of noting (where studio executives give notes on the script), it tends to deviate back to something incredibly familiar. Or, to be blunt, something that you’ve seen a thousand times before…

The studios’ obsession is, “when in doubt, re-state the plot.” Tell the audience what’s going to happen, what’s happening as they’re watching it develop, and then tell them what they just saw. And, of course, it’s fucking boring. So they [Ritchie and Downey Jr] tried to figure out a way of taking out as much of the exposition and plot as possible and delivering just enough so that the audience could stay ahead of the story and yet still be surprised be it: because no-one was as far ahead as Sherlock Holmes.

 

You’ve said that actors nowadays don’t have the same opportunities to rehearse as often as you used to. How do you manage to go between so many different, diverse roles so quickly and without that opportunity to really get into gear?

Well, I’ve never had that opportunity, to tell you the truth. From the beginning, I was always cast late. If you’re the main person on the movie, or the person whom the financing is lining up behind, then you know what you’re going to be doing well in advance. But with me…

George Hall, my principal at Central School of Speech and Drama, said it best, in my opinion. He told us, “You’re not going to have time. You’re going to have to learn how to sketch. You’re going to go into an audition and you’re going to be handed material with 5 minutes to figure something out. You can’t afford to be precious: you can’t do research and character study and work on a back story… you’re not going to have time to do that.” That was some of the most pertinent advice I got from that school.

Jared Harris for FAULT Magazine Issue 27

Special Thank You (Location) | Tomcats Barbershop and Renee McCarty

 

What’s your FAULT?

Oh God. Forget the magazine; you’ll have a phonebook to fill!

I’m never happy with the work that I’ve done. Someone told me once on ‘Mad Men’ that I’d just done an iconic scene, and asked me if that was the one that my character would be remembered for, and that I’d be remembered for then how would I feel about that? And I remember saying, “Can I do it again? Because I think I can do it better…”

Jared’s next project to appear on screens is The Terror for AMC which begins broadcasting right after the finale of Walking Dead. The Terror is an adventure/horror story that fictionalises the real life events surrounding the disappearance of The Franklin Expedition in the Arctic during the Winter of 1847.

 

Find out who else will appear alongside Jared Harris in the issue here

FAULT MAGAZINE ISSUE 27 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Gary Numan: Exclusive FAULT Magazine photoshoot and interview preview

Gary Numan

I know exactly what I’m doing and I’m in a really good place.”

Photo: David Richardson
Styling: Margherita Alaimo
Grooming: Gemma Webb
Words: Flora Neighbour

Given his new-wave edge and awkward façade, not to mention his well-documented Asperger Syndrome, you’d be forgiven for thinking that Gary Numan was a shy, introverted man. You’d be mistaken. The quick-witted and honest songwriter has a lot to say – both about his own past and his (partly) Trump-inspired vision of a near-apocalyptic future. Despite maintaining a cult following to this day, the 80s electro trailblazer has only recently returned to the limelight with Savage, his first top 10 UK album since I, Assassin all the way back in 1982.

FAULT: How’s the tour going?

Gary Numan: It’s great! Last night in Bournemouth was fantastic – much better than the first night, which was a huge shock to the system. I’m still trying to get to grips with it all again while remembering my lyrics. It’s been a completely different experience to my other tours, but I’m really enjoying it.

Do you feel more in control of your work nowadays?

I’ve always felt that I had a say but, now that I manage myself, it’s opened up a whole new path for me. I was always fairly in control of my work before: I’ve always written everything and been hands-on in the process, so it doesn’t feel that different. The thing about my new album, Savage, is the self-managing aspect. It’s been the first big project that I’ve been in charge of from beginning to end without anyone to lean on. I’ve had to make all the big decisions myself, which was a bit daunting to begin with but, strangely enough, once I got into it, I began to realise it wasn’t that too difficult. There’s no black magic involved, just staying organised.

 

Can you talk us through the ideology of Savage?

It came from a book I’d been writing, which was set in a post-global warming future. The idea being that the earth’s temperature wasn’t controlled and it became this unstoppable phenomenon, leaving the planet with a large amount of desert and full of despair. That’s it in a nutshell.

If you go into it further, it looks at people living in that world and how brutal it would be. It looks at the evaporation of [grouped] eastern and western cultures and the potential for us to become far more fragmented and tribal. The album presents snapshots of how brutal it would be, and how unforgiving and savage the environment would become.

It was also influenced by Trump and how he’s come along and started to undo all the good that has been done. I didn’t write the album because of Trump but he certainly helped it along.

 

Gary Numan was shot at Cable Street Studios, London

How has your style developed over the years?

Visually it’s certainly evolved, but I have adapted musically as well. I think it’s easier because my music is essentially electronic. Every time I’ve started a new album, there’s been new technology that helps me to adapt my style and create new sounds. It’s difficult not to change your sound and move forward if you’re working with electronic music – every album should sound like a progression of the one before. My early stuff was very minimal and simple and, as I’ve grown as an artist, it’s become more complicated and heavier. The thing that has never changed – in terms of being recognisable – is my voice.

Would you call yourself a British icon?

No way! I don’t really know what makes an icon. What qualifies an icon? There are many people I look up to but I wouldn’t call them icons. I’m a huge Trent Reznor [Nine Inch Nails] fan. I think he’s done pretty amazing things but he’s not British.

There aren’t many people I would say I look up to, but there are many British people I admire. If you have a look at the music industry now there are some pretty phenomenal artists. For example: M.I.A. In terms of what she’s trying to achieve – both in the music industry and outside [it], she’s definitely someone I admire. There are definitely a lot of artists doing a hell of a lot of good.

What is your FAULT?

I don’t think you’d have enough ink! If I have to choose one, it would probably be my lack of patience. My wife, however, would say that I’m very, very moody. Actually, let’s go with that. My kids would love that I’ve admitted to being moody.

Find out who else will appear in the issue here

FAULT MAGAZINE ISSUE 27 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

 

FAULT Magazine 10 year anniversary @ UNIT London with Bulldog Gin & Snog

FAULT Magazine 10 year anniversary event & Issue 27 launch

FAULT Magazine 10 year anniversary: FAULT Magazine director Nick Artsruni (left) with Issue 27 front cover photographer Jack Alexander (right)

FAULT Magazine director Nick Artsruni (left) with Issue 27 front cover photographer Jack Alexander (right)

We celebrated the FAULT Magazine 10 year anniversary in style with the likes of Rizzle Kicks’ Jordan Stephens, Rae Morris, Felicity Hayward, GIRLI, Dakota Blue Richards, Jonny Nelson and Sascha & Mimi Bailey at UNIT London gallery last week.

While the BULLDOG Gin sponsored bar served their signature gin & tonics (with a slice of crisp grapefruit on the rim) downstairs, guests enjoyed an exhibition of some of our favourite-ever FAULT shoots with the likes of Kylie Jenner, Usher, Ellie Goulding, Ben Barnes, Big Sean, Nick Jonas and Gary Numan. Well, we hope they enjoyed them, anyway!

Pride of place, of course, was our latest cover with Liam Gallagher. Shot by Jack Alexander, the front cover for FAULT 27: the Best of British Issue was the focal point for our showcase event that was catered exclusively by stupendous fro-yo trailblazers Snog and their brilliant new brand, Beltane & Pop.

The official ‘FAULT Magazine 10 year anniversary afterparty’ took place at Mahiki Mayfair…we think. To be honest, we weren’t quite sure where we were once our private section started overflowing with bottles of vodka and Mahiki’s trademark treasure chests!

Nick Artsruni with Jordan Stephens of Rizzle Kicks

 

FAULT Magazine editor Miles Holder with women’s fashion editor Rachel Holland

 

TV presenter Jonny Nelson

 

Felicity Hayward and Rome Fortune with Nick Artsruni

 

Presenter James Stewart at FAULT Magazine 10 Year anniversary event

 

Rae Morris

 

Dakota Blue Richards

Mimi Nishikawa-Bailey, Sascha Bailey, Nick Artsruni (l-r)

 

FAULT Magazine contributor Adina Ilie

 

GIRLI and friend (l-r)

 

Guests enjoy SNOG

 

 

Lucy Chappell with photographer Jack Alexander

 

Roxxxan with Nick Artsruni

 

Sophie Hopkins with Jack Alexander

 

Miles Holder with Melisa Whiskey

 

Model Alexander James

 

Model Chad Kuzyk

 

FAULT Magazine contributor Olivia Pinnock (centre, red hair) and guests

 

FAULT Magazine contributor Aimee Phillips

 

Some of the prints on display at the exhibition are available for sale.

 

Please contact us if you would like to inquire about any of the works listed below:

From left-right:

  • ‘Kylie Jenner for FAULT Magazine Issue 20’ – photographed by Lionel Deluy (black and white A0 canvas print)
  • ‘Ben Barnes for FAULT Issue 15’ – by Sinisha Nisevic (black and white A0 canvas print)
  • ‘Ellie Goulding for FAULT Issue 15’ – by Louie Banks (full colour A2 canvas print) – not for sale
  • ‘Usher for FAULT Issue 19’ – by Sinisha Nisevic (black and white A0 canvas print)
  • ‘Liam Gallagher for FAULT Issue 27 cover’ – by Jack Alexander (full colour foam board print)

 

  • ‘Nick Jonas for FAULT Issue 21’ – by Matt Holyoak (full colour A2 canvas print) – not for sale
  • ‘Kylie Jenner for FAULT Magazine Issue 20’ – photographed by Lionel Deluy (black and white A0 canvas print)
  • ‘Gary Numan for FAULT Issue 27’ – by David Richardson (full colour A0 canvas print)
  • ‘Big Sean for FAULT Issue 15’ – by Steven Gomillion & Dennis Leupold (full colour A2 canvas print) – not for sale

N.B: Where the works are not available for sale, we encourage you to contact the photographer directly!

 Special Thanks:

UNIT London Gallery

BULLDOG Gin

Outer Insight

Snog and Beltane & Pop

Mahiki Mayfair

Photographers on display: Lionel Deluy, Sinisha Nisevic, David Richardson, Matt Holyoak, Louie Banks, Jack Alexander

Amazing people who went above & beyond for us: Hermione Benest, Tim Lucas Allen, Vassilissa Conway

FAULT Team on the night: Miles Holder, Rachel Holland, Adina Ilie

This is your FAULT

 

FAULT Issue 27 – The Best of British Issue – is now available to order

We are pleased to announce that FAULT Issue 27 – The Best of British Issue – is available to pre-order NOW.

Official release: 27/11/17

FAULT Issue 27 cover star Liam Gallagher was shot by Jack Alexander and styled by Kristine Kilty. Paloma Faith was shot by Ram Shergill and styled by Rachel Holland. Click here to pre-order your copy of this issue!

FAULT Magazine – the Best of British Issue – proudly presents exclusive shoots and interviews with:

Liam Gallagher (front cover)

Paloma Faith (reversible cover)

Seal

Gary Numan

Jake Bugg

Weezer

Hurts

Fall Out Boy

Reggie Yates

Rae Morris

Jared Harris

Plus our usual FAULTless selection of the finest Film, Fashion, Music & Photography to inspire the British Isles and beyond as we celebrate FAULT’s 10 year anniversary!

This is your FAULT

 

FAULT MAGAZINE ISSUE 26 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Queen of Hoxton launches winter rooftop riad inspired by the Moroccan Medina

 

We’re excited to be going down to Tangier town tonight for the launch of Queen of Hoxton‘s winter rooftop launch. Inspired by the Moroccan Medina, the venue is set to be transformed into a little taste of Marrakech in London for the season. The rooftop bar will feature a mini-riad inside a custom-designed wigwam, replete with Baboushe slippers, ceramic tiles, twinkling lanterns, cushions and drapes.

 

 

Outside the wigwam itself, the rooftop bar has been completed revamped to replicate the sensations of the iconic Jardin Majorelle. We’re expecting blue walls, hanging plants, cacti in abundance – and swathes of Saint Laurent!

The Morrocan Medina inspired rooftop was orchestrated by Fables, the festival production team behind the notoriously decadent Secret Garden Party (RIP).

SAMPLE DRINKS MENU

Kasbah Coffee Martini (hot)

A hot Espresso Martini made with Amaro di Angostura, Tia Maria and Espresso, with Cardamom (hot)

Casablancan Mint Tea

A fragrant brew of Gin, Fresh Moroccan Mint Tea and Rose Water (hot)

The Majorelle Man

Orange liquor, whiskey, homemade date and pistachio puree, served on the rocks (cold)

Spiced Hot Buttered Rum

Our rooftop classic with a Moroccan spiced twist made with Sailor Jerrys, Apple Juice and Moroccan spices served in a mug (hot)

SAMPLE FOOD MENU

Halloumi Fries

Deep Fried Halloumi cheese garnished with pomegranate seeds, mint, fresh chilli and harissa yoghurt

Sherpa’s Tagine

Lamb and Apricot Tagine Served with Pomegranate and Mint Couscous

Shwarma Chicken Wrap

Shawarma Chicken Thigh, shredded Onion Salad, Hummus, Baba Ganoush, Harissa

Mezze Bowl for one of Board for 2 (Vegan Mezze)

Colourful Vegan Mezze of Pistachio Falafel, Vegan Spiced Kibbe (Bulgar Wheat
Croquettes), Beetroot Hummus, Baba Ganoush, Spiced Crispy Chickpeas, Roasted RedPeppers, Flatbread

 

http://www.queenofhoxton.com/