‘Pearl’ – Blake Ballard’s FAULT

White blazer with grey leather lapel - Art & Co. Gold and silver dainty tower earrings- Macy's White toy watch- Toy Watch

White blazer with grey leather lapel – Art & Co.
Gold and silver dainty tower earrings- Macy’s
White toy watch- Toy Watch

White lady coat- Jcrew Pearl stud earring- stylists own collection  Sphere cubic zirconia diamond ring- stylists own  collection Fleur de lis diamond bracelet- Boutique 9 Lucite rose gold square clutch - Francesca's

White lady coat- Jcrew
Pearl stud earring- stylists own collection
Sphere cubic zirconia diamond ring- stylists own
collection
Fleur de lis diamond bracelet- Boutique 9
Lucite rose gold square clutch – Francesca’s

White v neck painter Tshirt - Jcrew White straight jeans- Madewell White stud earrings- Marc by marc Jacobs White ring- Marc by Marc Jacobs

White v neck painter Tshirt – Jcrew
White straight jeans- Madewell
White stud earrings- Marc by Marc Jacobs
White ring- Marc by Marc Jacobs

White lady coat- Jcrew Pearl stud earring- stylists own collection  Sphere cubic zirconia diamond ring- stylists own  collection Fleur de lis diamond bracelet- Boutique 9 Lucite rose gold square clutch - Francesca's

White lady coat- Jcrew
Pearl stud earring- stylists own collection
Sphere cubic zirconia diamond ring- stylists own
collection
Fleur de lis diamond bracelet- Boutique 9
Lucite rose gold square clutch – Francesca’s

Diamond drop earrings- Macy's Gold layered chain necklace- Stylists personal  collection White long sleeves cropped sweater- Glamorous

Diamond drop earrings- Macy’s
Gold layered chain necklace- Stylists personal
collection
White long sleeves cropped sweater- Glamorous

Photographer: Blake Ballard
Model: Sarah Bailey
MUA: Christiana Reagan
Hair: Christine Francis
Fashion Editor: Blaire Ballard

Leather Laid Bare: Raen Badua’s FAULT

Jacket - IRO Dress - Costume National Gloves - Carolina Amato Tights - American Apparel Shoes - Irvin Hudson

Jacket – IRO
Dress – Costume National
Gloves – Carolina Amato
Tights – American Apparel
Shoes – Irvin Hudson

Jacket - IRO Jogger - Wanye Gloves - Carolina Amato Shoes - Irvin Hudson

Jacket – IRO
Jogger – Wanye
Gloves – Carolina Amato
Shoes – Irvin Hudson

Bra - Brendon Alexander Gloves - Carolina Amato

Bra – Brendon Alexander
Gloves – Carolina Amato

Sweater - IRO Belt - Saint Laurent Skirt - Costume National Shoes - Irvin Hudson

Sweater – IRO
Belt – Saint Laurent
Skirt – Costume National
Shoes – Irvin Hudson

Turtleneck - Lacoste Sweater - IRO Gloves - Carolina Amato

Turtleneck – Lacoste
Sweater – IRO
Gloves – Carolina Amato

Dress - Wanye Trousers - Michael Kors Belt (as hat) - Brendon Alexander

Dress – Wanye
Trousers – Michael Kors
Belt (as hat) – Brendon Alexander

Photographer: Raen Badua – www.raenbadua.com
Stylist: Brendon Alexander
Makeup Artist: Eric Vosburg
Hairstylist: Simone Grant
Model: Ulla Reiss | SILENT Models

The Brian Jonestown Massacre release ‘+ -‘ EP TODAY – 10th Nov ’14

 

BJM

The BJM‘s new EP, ‘+-‘ (that’s right: plus minus), is out today – and it’s a cracker. While we’re pretty sure that Anton (Newcombe, the front man and sole consistent member of what has eventually become more of a musical collective and general concept) was just trying to fuck with music writers everywhere when he decided on the internet-unfriendly name for the record, his latest offering shows few other signs of messing about.

+- is a return to the classic, timelessly awesome style that saw the BJM establish themselves as the figurehead for ‘real’, guitar driven, psychedelic rock music way back in 1990. Anton and co have largely eschewed the changing trends and passing fashions of the hits list ever since and the release of their latest full album, Revelations, earlier this year stands as a testimony to their enduring popularity with an admittedly niche but definitely devoted audience.

The Brian Jonestown Massacre for FAULT Issue 11

The Brian Jonestown Massacre, as featured in FAULT Issue 11

The +- EP has since been released off the back of a highly successful European tour, which cemented Anton’s undisputed position as the ‘Granddaddy of Psych’, and exhibits both the trademark tones and wide-reaching diversity of the BJM at their best. A key influence for the likes of the Black Rebel Motorcycle Club, the Horrors, Tame Impala, the Black Angels and many more, a simple call to action for on-the-fence readers is that all-too-clichéd come-on: “You’ve tried the rest, why not sample the best?”*

*Ed: OK, so we may have overplayed our hand a bit there because there’s no real ‘best’ out of those bands. But the BJM, and this EP in particular, are pretty damn good.

10” – Tracklisting:
 
SIDE A 
1. Heat
2. Everything Was Very Simple
SIDE B 
1. Reconstruction
Have a listen to ‘Heat’ below:
The digital download version contains an extra track called ‘Leave It Alone’.

FAULT Focus: Remembering Corinne Day

“I’ve always known what I’ve liked and I’ve always gone in the opposite direction of everyone else. I get bored easily of seeing the same thing over and over.” – Corrine Day

FAULT-MAGAZINE-CORINNE-DAY (Medium)

Few women have changed the face of fashion like the late, great Corrine Day. Beginning her 20 year career as a self-taught photographer in the eighties, Day grew to become one of fashion’s most celebrated, prominent and well-loved characters – not only for her groundbreaking work with publications such as Vogue, i-D and The Face, but for her gritty, personal documentary photographs which captured a frank and disarming snapshot of nineties post-rave London from the clubs and council estates where they transpired. Four years on from her untimely death in 2010, the anti-glamour photographer’s unquestionable nous for capturing glimpses of happiness, sadness and incredible beauty in everyday, kitchen sink situations remain as seminal now as the day they were taken.

A one-time international model, Day begun to toy with cameras in the mid-eighties whilst bored on set in the company of Mark Szaszy – the former male model who would later become her husband and treasured life partner. With no formal training, she began shooting her surroundings with a natural instinct that would follow her throughout her career. In 1989, Day had an interview with Phil Bicker, art director of The Face. Through Bicker, Day met stylists Anna Cockburn and Melanie Ward, with whom she was to create some of her most iconic images. Photographing an unknown 14-year-old Kate Moss, plucked from the fringes of Croydon, the unlikely cockney duo shot the notorious ‘Third Summer Of Love’ editorial (had the second really ended?) for The Face whilst having a lark together in Cambersands. The eight-page shoot saw a rambunctious Moss frolicking on the beach clad in Romeo Gigli, Joseph Tricot, battered Birkenstocks and the most magnificent (albeit impractical) feather head-dress from the now defunct Covent Garden boutique World.

DAY1 (Medium)

“I was just having a laugh,” Moss is quoted saying of the shoot. “Corinne just wanted to bring out everything I hated when I was 15. My bow legs, the mole on my breast, the way I laughed.”

She would then take Moss with her to Vogue, subsequently forming a formidable friendship that would last until Corrine’s untimely death (Corrine is credited with being the first photographer to shoot Moss for a Vogue cover.) In 1993, Day was commissioned by newly appointed editor, Alexandra Shulman, to inject some much needed reality into proceedings. In the UK, Bjork’s debut portrayed the Icelandic songstress messy haired and clad in an oversized grunge knit, Blur had just released their seminal album Modern Life Is Rubbish and acid house raves were evolving into darker jungle and happy hardcore all-nighters. Cool Britannia was just around the corner, magazines like i-D, Penthouse and RayGun were reporting from the counter-culture underbelly whilst Vogue still touted the impossible and antiquated beauty of supermodels Cindy, Naomi, and Michelle.

Shulman was to receive the much-needed injection of gritty realism that Condé Nast so desired. A waifish and milky-limbed Moss posed nonchalantly in the scruffy Brewer St flat Day occupied at the time for Under-Exposure. Grubby carpets, visible pubic hair, an uncovered duvet, tan tights pulled halfheartedly over sheer underwear. This was the first anti-glamour shoot Vogue had displayed of its kind. The on-paper lingerie shoot took a life of it’s own, paying homage to Day’s haunting personal photography style outside of the fashion world. Corinne Day later said that she took the famous ‘fairy lights’ shot on a day when Kate had been crying after a fight with her then-boyfriend, resulting in the vulnerability that turned this into one of the most iconic and controversial images produced in the ’90s. It’s the most reproduced image of the entire editorial, but the clothes (pink Liza Bruce vest and Hennes chiffon knickers) are rarely remembered, or credited.

moss-bare-faced-beauty-was-once-again-the-subject-of-days-under-exposure-story-in-june-1993-photo-by-corinne-dayvogue (Medium)

The strapline on the March issue of Vogue that year read ‘London style…London Girls!’, but upon its release, the tabloids whirred into a frenzy, proclaiming the shoot promoted ‘heroin chic’ and ‘bordered on paedophilic’. In the wake of controversy, Day retreated from fashion, choosing instead to tour America with genre band Pusherman, documenting her travels in her lo-fi, grunge aesthetic. The result was her celebrated tome and exhibition of works of works, Diary. Released in 2000, the book contained graphic, raw and honest photos of Day and her friends – most prominently unlikely muse Tara St. James.

Shot amongst the shabby sofas and peeling wallpaper of run-down tenements of Soho and its surrounding areas, the collection documented the sex, drugs and squatting of her bohemian circle of young dreamers. We see Tara crying, smoking, nursing her baby, running around the flat in a string of tinsel, laughing amongst a grotty 3-piece bathroom. The photographs would be deemed voyeuristic were it not for Day’s proximity to and involvement with her subjects; in a harrowing few entries she documents her own brain-tumor diagnosis in 1996, preparal for surgery, and later recovery. By then she was extremely ill and no grizzly details were spared, omitted, censored, a true testament to her unquestionable skill for spotting beauty amongst ruins and diamonds in the rough.

 

leanne2 (Medium)

 

Corinne was diagnosed with a slow growing, grade 2 brain tumor called in November 1996, during which time she was given a prognosis of 8 years to live. Despite her sudden death in 2010, Day’s presence is still felt in the industry today – so often we flick through a fashion glossy and spot some reference, homage or small semblance of Corinne’s celluloid thumbprint. To view her photos is to be invited into her world, one of honest realism – a raw energy that photographers still seek 20 years on.

 

day11 (Medium)

Words: Liz Connor

Off the Rails: London Menswear steps it up a notch (30th Oct – 2nd Nov)

OTR logo

Team FAULT are excited to be attending yet another showcase event in London’s ever-growing menswear calendar: Off the Rails London. Taking place in the trendy-yet-relaxed setting of the Old Truman Brewery on London’s Brick Lane, the emphasis of this sartorial pop-up bonanza is one of inclusivity and affordability without compromising on quality. In fact, the standard of men’s style on display represents the pinnacle of contemporary London-based design, with trailblazers such as tailors Markus Lupfer and Richard Anderson, shoemakers Oliver Sweeney and Barkers and the immortal Christy’s Hats - among many others (70 in total) - all holding court at this year’s debut.

With additional incentives including special discounts on many current lines, a pop-up ‘old school’ barber shop in the form of Shoreditch’s own Murdock London, personal styling sessions by Topman and booze and grub supplied by the Mr Hyde Bar and Patty and Bun Burger Store respectively, there seems to be few reasons for any self-respecting man about town in London NOT to attend – especially as tickets are available from just £6 each if bought as a pair (or more).

The event runs from today, Thursday 30th October – Sunday 2nd November at:

The Old Truman Brewery, 91 Brick Lane
London, E1 6QL

For event times and more information, visit www.offtherailsldn.com

FAULT Favourite Jacob Perlmutter’s debut album FREE DOWNLOAD + new music video premiere

album

Our Twitter followers might remember our Summer love-in with globe-trotting renaissance man Jacob Perlmutter. After coming to our attention many moons hence as a gifted filmmaker, Jacob announced the impending release of his debut album, Meanwhile, in Rio, earlier this year in late July.

The album was recorded with Brazilian producer Diogo Strausz in March this year. Now considered one of Brazil’s top music producers, Diogo’s most recent album soared to number 2 in the iTunes charts in Brazil. ‘Kicking Back’, track 5 on Meanwhile, in Rio, also features Castello Branco, a Brazilian songwriter whose album Strausz also produced and has had over 150,000 downloads.

Not convinced? Well, luckily for you cynics, we’ve managed to secure an exclusive premiere for Jacob’s brand new music video for track #4 from Meanwhile, in Rio, ‘We Share a Cloud’. Check it out here:

After what one can only hope has been a brief respite following a hectic 18 months attracting support for, writing, recording and promoting Meanwhile, in Rio, Jacob has recently announced his intention to start working on a new multimedia project, starting with around 40 new tracks which will eventually be boiled down into a sophomore album.

In the meantime, however – perhaps that should be ‘Meanwhile, at FAULT‘ – we’ve been lucky enough to secure an exclusive opportunity for our readers to download Jacob’s entire debut completely free of charge.

To get your free copy, simply head over to www.meanwhileinrio.com and click the download link for around 76MB (or, more conventionally speaking, 10 tracks) of FAULT-approved, Rio-recorded musical whimsy.

Jacob Perlmutter by Eduardo Magalha_es 1 (Medium)

Photography by Eduardo Magalhaes

Video footage from one of Jacob’s early gigs in London’s Portobello Road reveals his ability to capture the imagination, not only with his recorded material but also by sheer force of personality in a live context:

For more information on Jacob, please visit:

www.meanwhileinrio.com
www.twitter.com/jacobperlmutter
www.facebook.com/jacobperlmutterartist
www.jacobperlmutter.com

FAULT Focus: Screenwriter and novelist Kelly Oxford for FAULT Issue 19

Kelly Oxford inside 1

Kelly Oxford was shot at her LA office by Brian Ziff. Interview by Chris Purnell.
Click here to order your copy of this issue!

Most of us had heard of her back around 2010 when the number of followers one had became a big deal. Twitter personalities where starting to break into the mainstream, and she was one of the first. But we didn’t know her name. We were told that she was the Canadian housewife with a million Twitter followers who parleyed that into a screenwriting career, had a glamorous life in LA and pissed off a million writers that wondered how she got so lucky.

But the truth was less sensational. It involved hard work, practice and years of writing for little to no money. It wasn’t the American dream I had imagined. Or even cared to.

Now Kelly Oxford is famous, despite what she tells us. She is a New York Times bestselling author, she has a TV deal, a movie deal, she gets to talk to FAULT, and still finds time to annoy the Kardashians and their legions on Twitter: “If you can name 5 Kardashians but can’t name 5 countries in Asia, stick a knife in an electrical socket.”

Kelly Oxford inside 2

Get the full shoot and interview – only in FAULT Issue 19.
Click here to order your copy for delivery worldwide!

FAULT: Do you know how the story of you coming out of nowhere came about?

Kelly: The first time I got picked up by the media was a charity event in Los Angeles called ‘Night of 140 Tweets’ at the very beginning of 2010. That was a celebrity event where people would read a Tweet was to raise money for disaster relief in Haiti. I was the only one out of 140 people that wasn’t a celebrity. I was just a writer from Canada. I was a housewife. I was somebody who nobody really knew and I was only invited because people that were involved with this – actors and writers – liked me on Twitter and thought, “if we put her on this it’ll make sense because she’s very popular on Twitter and this is a night of tweeting.” All of a sudden I was part of a group of people when I really wasn’t one of them.

How did it [really] begin for you?

If I had been born in the United States, I’m 100% sure that when I graduated high school I would have moved to Los Angeles and started a normal writing career by becoming an assistant and working my way up the ranks. But I was Canadian. That sort of thing wasn’t an option for me. I could have moved down here and done all that stuff, lots of Canadians have, but I wasn’t ambitious about getting a career. I’d rather have a family and stay at home and pursue my passion. So I just did what I did, which was to just take some writing classes and write things on my Geocity page and just wonder if anybody would read it.

FAULT MAGAZINE ISSUE 19 – The Millions Issue – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Debby Ryan – our Style section cover for FAULT Issue 19

debby ryan - fault issue 19 style cover

FAULT Issue 19’s Style section cover star Debby Ryan was shot by Brian Ziff and styled by Avo Yermagyan.
Click here to order your copy of this issue!

Debby Ryan‘s staggering diversity as an artist sits nicely with a very healthy dose of natural talent and her near-zealous work ethic. It is the combination of these factors that marks Debby out as an anomaly in an age when so many of her peers seem content to reach a certain point before resting on their laurels. For Debby, it seems, her work has only just begun.

Ryan’s big break came in 2008 when she landed the role of Bailey on the Disney Channel’s original series ‘The Suite Life on Deck’. She now not only stars in Disney’s smash hit show ‘Jessie’, but has also produced, directed and written for the series.

This Summer the actress released a long-awaited debut album, One, with her band, The Never Ending. Featuring crystal clear vocals from Ryan, the simple, straightforward style with which she has launched her music career away from Disney has seen her gain widespread acclaim from critics and fans alike.

FAULT had the pleasure of spending the day with Debby on our exclusive shoot for Issue 19. We took the opportunity to pinpoint her various inspirations for tracks on her album, her direct involvement with changes to her character on ‘Jessie’ and what lies ahead for the star in the near future.

debby ryan - fault issue 19 (inside 1)

Production by Zizi Zarkadas + Leah Blewitt

FAULT: You recently released your album One with your band, The Never Ending. How did you came up with your group’s name and how did you and your bandmates meet?

Debby: I was actually working on another music project and started writing a lot of songs with friends. Throughout the process these lyrics and melodies really started to develop as part of the collaboration, all of which really felt like “me” – not to sound cliché [laughs]!

It was definitely a passion project, bringing my songs, words and sounds all together and telling a story. Music to me is something that lasts longer than ourselves. The idea of being a successful musician or artist is really never-ending because you’re always growing and being inspired- so that is how the band name came about.

What’s it been like for you to basically grow up in the public eye? Do you ever get used to fame and to your fans being interested in what you do both on and off the screen?

Well, due to social media, things have changed a lot since I first started. There is definitely way more access to peoples lives. I’m inherently a private person – believe it or not. It’s funny to me what the media focuses on and things that make “the news” – like hair color changes [laughs]! Don’t get me wrong: I am truly blessed and I love my fans – it’s just [that] sometimes the assumptions people, [and] media make about you or [when they think] that they truly know you on a personal level….

debby ryan - fault issue 19 (inside 2)

Interview by Leah Blewitt

How would you describe you own personal style?

I wear a a lot of black on black and I LOVE vintage. Definitely a laid back, comfortable style but always with a feminine touch. I love mixing and matching, taking basic black jeans and pairing a more casual piece from Topshop with a designer like Balenciaga.

What is your FAULT?

Well, if you asked my friends they will tell you [that] I’m the mom – or act like a mom! So hmm… I’d say taking in strays. I really love animals and just adopted another kitten recently.

I also take in drummers – my dummer is living with us as well [laughs]!

debby ryan - fault issue 19 (inside 3)

Get the full shoot and interview – only in FAULT Issue 19.
Click here to order your copy for delivery worldwide!

FAULT MAGAZINE ISSUE 19 – The Millions Issue – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40