Jared Harris: Exclusive FAULT Magazine Issue 27 interview & photoshoot

Jared Harris

“Acting… it’s playing, isn’t it? That’s what’s great about the job. If you don’t enjoy playing then why would someone enjoy watching you do it?”

Jared Harris for FAULT Magazine Issue 27

Photographer | Osvaldo Ponton
Stylist + Art Director | Chaunielle Brown
Groomer | Scott McMahan @ Kate Ryan
Set Designer | Lauren Bahr @ Kate Ryan
Photo Assistants | Nicasio Andrade + Xiangyun Chen
Fashion Assistants | Francis Harris + Ariane Velluire

A far cry from the typical, theatrical masks sputtering their pre-fabricated phrases, Jared Harris is a poised and reflective interviewee. As we banter about Brexit, Boris, and all that bullshit, there’s no suggestion that he’s keen to move things along in the direction of some scripted lines about his next role.

It’s a little surprising that he isn’t fervently plugging what promises to be another significant milestone in his storied career: the role of Absalom Breakspear in Amazon’s 2019 series ‘Carnival Row’. After all, the show reportedly has an enormous budget, stars eye-widening leads in Orlando Bloom and Cara Delevigne, and has been put together largely by his former college pal, René Echevarria. But it’s clear that Jared’s been around the block a few times. When he speaks, it’s with the assurance of someone who knows that the next role is never very far away. And it’s reassuring to get the sense that he’s treating our interview with the same sense of enjoyment as he has the rest of his career to date. It’s all part of the job, after all, so you might as well make the most of it…

FAULT: Tell us about your current project [AMC’s ‘The Terror’]

Jared Harris: The job’s great. It’s sort of special, really: the showrunner is a friend of mine from Duke University, so I’ve known him for a really long time. My younger brother’s on it as well, so I get to work with him. That’s always been a personal goal of mine.

The show itself is really well written, and that’s always the first question that one asks: how’s the script?

Jared Harris for FAULT Magazine Issue 27

There’s often a temptation to qualify actors based on a role call of who they’ve worked with – and you’ve worked with some of the biggest names in the business (Tarantino, Soderbergh, Guy Ritchie, David Fincher etc). How important is that to you? To what extent do you take jobs based on the personnel vs the project?

First of all, it’s the script. That said, when I was starting out – and I’ve kept some of those scripts – I remember reading Dracula (by Francis Ford Coppola) and thinking what a load of old tosh it was! It was almost softcore porn – there were a lot of scenes with girls in flimsy blouses getting their boobs out, and I thought to myself, “What on earth is he doing this for? It’s just dreadful!” But then, of course, you go to see the movie and you think, “wow!”

That’s when I got my first education in dealing with really great directors. You just don’t know what they’re going to do with the project. You have to assume that, with films in particular, it’s almost like a lump of clay. Not quite, because scripts are never entirely shapeless, but the great directors fully intend to reshape the material. That was true when I worked on Natural Born Killers. I read the original Tarantino script and it was completely different to the final film as it was directed by Oliver Stone. So, with films in particular, the director is almost more important than the script.

That said, it’s very difficult to improve a bad script. The shape and the structure has to be there to begin with, otherwise no-one really knows what they’re supposed to be doing. You’ve just got so many people trying to tell a story: the costume designers, the cinematographer… the script is the starting point for all of them.

Jared Harris for FAULT Magazine Issue 27

On that note, what level of influence do you – as an actor – have when it comes to interpreting the script?

It really depends. There are so many different factors at play: what type of movie it is; who’s making it – is it studio or independent; who’s directing it; the size of your role… Generally speaking, if it’s a studio film and you’re not the lead, you have very little input at all and no-one’s really interested in hearing your opinion…! They all just want to cozy up to the movie star and stay there.

That said, when I was working on Sherlock Holmes: A Game of Shadows there was total collaboration with Guy Ritchie and Robert Downey Jr. What tends to happen with that sort of film is that the screenwriter is trying to deliver a fresh product – a new take on an old story – and then, during the endless period of noting (where studio executives give notes on the script), it tends to deviate back to something incredibly familiar. Or, to be blunt, something that you’ve seen a thousand times before…

The studios’ obsession is, “when in doubt, re-state the plot.” Tell the audience what’s going to happen, what’s happening as they’re watching it develop, and then tell them what they just saw. And, of course, it’s fucking boring. So they [Ritchie and Downey Jr] tried to figure out a way of taking out as much of the exposition and plot as possible and delivering just enough so that the audience could stay ahead of the story and yet still be surprised be it: because no-one was as far ahead as Sherlock Holmes.

 

You’ve said that actors nowadays don’t have the same opportunities to rehearse as often as you used to. How do you manage to go between so many different, diverse roles so quickly and without that opportunity to really get into gear?

Well, I’ve never had that opportunity, to tell you the truth. From the beginning, I was always cast late. If you’re the main person on the movie, or the person whom the financing is lining up behind, then you know what you’re going to be doing well in advance. But with me…

George Hall, my principal at Central School of Speech and Drama, said it best, in my opinion. He told us, “You’re not going to have time. You’re going to have to learn how to sketch. You’re going to go into an audition and you’re going to be handed material with 5 minutes to figure something out. You can’t afford to be precious: you can’t do research and character study and work on a back story… you’re not going to have time to do that.” That was some of the most pertinent advice I got from that school.

Jared Harris for FAULT Magazine Issue 27

Special Thank You (Location) | Tomcats Barbershop and Renee McCarty

 

What’s your FAULT?

Oh God. Forget the magazine; you’ll have a phonebook to fill!

I’m never happy with the work that I’ve done. Someone told me once on ‘Mad Men’ that I’d just done an iconic scene, and asked me if that was the one that my character would be remembered for, and that I’d be remembered for then how would I feel about that? And I remember saying, “Can I do it again? Because I think I can do it better…”

Jared’s next project to appear on screens is The Terror for AMC which begins broadcasting right after the finale of Walking Dead. The Terror is an adventure/horror story that fictionalises the real life events surrounding the disappearance of The Franklin Expedition in the Arctic during the Winter of 1847.

 

Find out who else will appear alongside Jared Harris in the issue here

FAULT MAGAZINE ISSUE 27 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Gary Numan: Exclusive FAULT Magazine photoshoot and interview preview

Gary Numan

I know exactly what I’m doing and I’m in a really good place.”

Photo: David Richardson
Styling: Margherita Alaimo
Grooming: Gemma Webb
Words: Flora Neighbour

Given his new-wave edge and awkward façade, not to mention his well-documented Asperger Syndrome, you’d be forgiven for thinking that Gary Numan was a shy, introverted man. You’d be mistaken. The quick-witted and honest songwriter has a lot to say – both about his own past and his (partly) Trump-inspired vision of a near-apocalyptic future. Despite maintaining a cult following to this day, the 80s electro trailblazer has only recently returned to the limelight with Savage, his first top 10 UK album since I, Assassin all the way back in 1982.

FAULT: How’s the tour going?

Gary Numan: It’s great! Last night in Bournemouth was fantastic – much better than the first night, which was a huge shock to the system. I’m still trying to get to grips with it all again while remembering my lyrics. It’s been a completely different experience to my other tours, but I’m really enjoying it.

Do you feel more in control of your work nowadays?

I’ve always felt that I had a say but, now that I manage myself, it’s opened up a whole new path for me. I was always fairly in control of my work before: I’ve always written everything and been hands-on in the process, so it doesn’t feel that different. The thing about my new album, Savage, is the self-managing aspect. It’s been the first big project that I’ve been in charge of from beginning to end without anyone to lean on. I’ve had to make all the big decisions myself, which was a bit daunting to begin with but, strangely enough, once I got into it, I began to realise it wasn’t that too difficult. There’s no black magic involved, just staying organised.

 

Can you talk us through the ideology of Savage?

It came from a book I’d been writing, which was set in a post-global warming future. The idea being that the earth’s temperature wasn’t controlled and it became this unstoppable phenomenon, leaving the planet with a large amount of desert and full of despair. That’s it in a nutshell.

If you go into it further, it looks at people living in that world and how brutal it would be. It looks at the evaporation of [grouped] eastern and western cultures and the potential for us to become far more fragmented and tribal. The album presents snapshots of how brutal it would be, and how unforgiving and savage the environment would become.

It was also influenced by Trump and how he’s come along and started to undo all the good that has been done. I didn’t write the album because of Trump but he certainly helped it along.

 

Gary Numan was shot at Cable Street Studios, London

How has your style developed over the years?

Visually it’s certainly evolved, but I have adapted musically as well. I think it’s easier because my music is essentially electronic. Every time I’ve started a new album, there’s been new technology that helps me to adapt my style and create new sounds. It’s difficult not to change your sound and move forward if you’re working with electronic music – every album should sound like a progression of the one before. My early stuff was very minimal and simple and, as I’ve grown as an artist, it’s become more complicated and heavier. The thing that has never changed – in terms of being recognisable – is my voice.

Would you call yourself a British icon?

No way! I don’t really know what makes an icon. What qualifies an icon? There are many people I look up to but I wouldn’t call them icons. I’m a huge Trent Reznor [Nine Inch Nails] fan. I think he’s done pretty amazing things but he’s not British.

There aren’t many people I would say I look up to, but there are many British people I admire. If you have a look at the music industry now there are some pretty phenomenal artists. For example: M.I.A. In terms of what she’s trying to achieve – both in the music industry and outside [it], she’s definitely someone I admire. There are definitely a lot of artists doing a hell of a lot of good.

What is your FAULT?

I don’t think you’d have enough ink! If I have to choose one, it would probably be my lack of patience. My wife, however, would say that I’m very, very moody. Actually, let’s go with that. My kids would love that I’ve admitted to being moody.

Find out who else will appear in the issue here

FAULT MAGAZINE ISSUE 27 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

 

FAULT Magazine 10 year anniversary @ UNIT London with Bulldog Gin & Snog

FAULT Magazine 10 year anniversary event & Issue 27 launch

FAULT Magazine 10 year anniversary: FAULT Magazine director Nick Artsruni (left) with Issue 27 front cover photographer Jack Alexander (right)

FAULT Magazine director Nick Artsruni (left) with Issue 27 front cover photographer Jack Alexander (right)

We celebrated the FAULT Magazine 10 year anniversary in style with the likes of Rizzle Kicks’ Jordan Stephens, Rae Morris, Felicity Hayward, GIRLI, Dakota Blue Richards, Jonny Nelson and Sascha & Mimi Bailey at UNIT London gallery last week.

While the BULLDOG Gin sponsored bar served their signature gin & tonics (with a slice of crisp grapefruit on the rim) downstairs, guests enjoyed an exhibition of some of our favourite-ever FAULT shoots with the likes of Kylie Jenner, Usher, Ellie Goulding, Ben Barnes, Big Sean, Nick Jonas and Gary Numan. Well, we hope they enjoyed them, anyway!

Pride of place, of course, was our latest cover with Liam Gallagher. Shot by Jack Alexander, the front cover for FAULT 27: the Best of British Issue was the focal point for our showcase event that was catered exclusively by stupendous fro-yo trailblazers Snog and their brilliant new brand, Beltane & Pop.

The official ‘FAULT Magazine 10 year anniversary afterparty’ took place at Mahiki Mayfair…we think. To be honest, we weren’t quite sure where we were once our private section started overflowing with bottles of vodka and Mahiki’s trademark treasure chests!

Nick Artsruni with Jordan Stephens of Rizzle Kicks

 

FAULT Magazine editor Miles Holder with women’s fashion editor Rachel Holland

 

TV presenter Jonny Nelson

 

Felicity Hayward and Rome Fortune with Nick Artsruni

 

Presenter James Stewart at FAULT Magazine 10 Year anniversary event

 

Rae Morris

 

Dakota Blue Richards

Mimi Nishikawa-Bailey, Sascha Bailey, Nick Artsruni (l-r)

 

FAULT Magazine contributor Adina Ilie

 

GIRLI and friend (l-r)

 

Guests enjoy SNOG

 

 

Lucy Chappell with photographer Jack Alexander

 

Roxxxan with Nick Artsruni

 

Sophie Hopkins with Jack Alexander

 

Miles Holder with Melisa Whiskey

 

Model Alexander James

 

Model Chad Kuzyk

 

FAULT Magazine contributor Olivia Pinnock (centre, red hair) and guests

 

FAULT Magazine contributor Aimee Phillips

 

Some of the prints on display at the exhibition are available for sale.

 

Please contact us if you would like to inquire about any of the works listed below:

From left-right:

  • ‘Kylie Jenner for FAULT Magazine Issue 20’ – photographed by Lionel Deluy (black and white A0 canvas print)
  • ‘Ben Barnes for FAULT Issue 15’ – by Sinisha Nisevic (black and white A0 canvas print)
  • ‘Ellie Goulding for FAULT Issue 15’ – by Louie Banks (full colour A2 canvas print) – not for sale
  • ‘Usher for FAULT Issue 19’ – by Sinisha Nisevic (black and white A0 canvas print)
  • ‘Liam Gallagher for FAULT Issue 27 cover’ – by Jack Alexander (full colour foam board print)

 

  • ‘Nick Jonas for FAULT Issue 21’ – by Matt Holyoak (full colour A2 canvas print) – not for sale
  • ‘Kylie Jenner for FAULT Magazine Issue 20’ – photographed by Lionel Deluy (black and white A0 canvas print)
  • ‘Gary Numan for FAULT Issue 27’ – by David Richardson (full colour A0 canvas print)
  • ‘Big Sean for FAULT Issue 15’ – by Steven Gomillion & Dennis Leupold (full colour A2 canvas print) – not for sale

N.B: Where the works are not available for sale, we encourage you to contact the photographer directly!

 Special Thanks:

UNIT London Gallery

BULLDOG Gin

Outer Insight

Snog and Beltane & Pop

Mahiki Mayfair

Photographers on display: Lionel Deluy, Sinisha Nisevic, David Richardson, Matt Holyoak, Louie Banks, Jack Alexander

Amazing people who went above & beyond for us: Hermione Benest, Tim Lucas Allen, Vassilissa Conway

FAULT Team on the night: Miles Holder, Rachel Holland, Adina Ilie

This is your FAULT

 

FAULT Issue 27 – The Best of British Issue – is now available to order

We are pleased to announce that FAULT Issue 27 – The Best of British Issue – is available to pre-order NOW.

Official release: 27/11/17

FAULT Issue 27 cover star Liam Gallagher was shot by Jack Alexander and styled by Kristine Kilty. Paloma Faith was shot by Ram Shergill and styled by Rachel Holland. Click here to pre-order your copy of this issue!

FAULT Magazine – the Best of British Issue – proudly presents exclusive shoots and interviews with:

Liam Gallagher (front cover)

Paloma Faith (reversible cover)

Seal

Gary Numan

Jake Bugg

Weezer

Hurts

Fall Out Boy

Reggie Yates

Rae Morris

Jared Harris

Plus our usual FAULTless selection of the finest Film, Fashion, Music & Photography to inspire the British Isles and beyond as we celebrate FAULT’s 10 year anniversary!

This is your FAULT

 

FAULT MAGAZINE ISSUE 26 – THE BEST OF BRITISH ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Queen of Hoxton launches winter rooftop riad inspired by the Moroccan Medina

 

We’re excited to be going down to Tangier town tonight for the launch of Queen of Hoxton‘s winter rooftop launch. Inspired by the Moroccan Medina, the venue is set to be transformed into a little taste of Marrakech in London for the season. The rooftop bar will feature a mini-riad inside a custom-designed wigwam, replete with Baboushe slippers, ceramic tiles, twinkling lanterns, cushions and drapes.

 

 

Outside the wigwam itself, the rooftop bar has been completed revamped to replicate the sensations of the iconic Jardin Majorelle. We’re expecting blue walls, hanging plants, cacti in abundance – and swathes of Saint Laurent!

The Morrocan Medina inspired rooftop was orchestrated by Fables, the festival production team behind the notoriously decadent Secret Garden Party (RIP).

SAMPLE DRINKS MENU

Kasbah Coffee Martini (hot)

A hot Espresso Martini made with Amaro di Angostura, Tia Maria and Espresso, with Cardamom (hot)

Casablancan Mint Tea

A fragrant brew of Gin, Fresh Moroccan Mint Tea and Rose Water (hot)

The Majorelle Man

Orange liquor, whiskey, homemade date and pistachio puree, served on the rocks (cold)

Spiced Hot Buttered Rum

Our rooftop classic with a Moroccan spiced twist made with Sailor Jerrys, Apple Juice and Moroccan spices served in a mug (hot)

SAMPLE FOOD MENU

Halloumi Fries

Deep Fried Halloumi cheese garnished with pomegranate seeds, mint, fresh chilli and harissa yoghurt

Sherpa’s Tagine

Lamb and Apricot Tagine Served with Pomegranate and Mint Couscous

Shwarma Chicken Wrap

Shawarma Chicken Thigh, shredded Onion Salad, Hummus, Baba Ganoush, Harissa

Mezze Bowl for one of Board for 2 (Vegan Mezze)

Colourful Vegan Mezze of Pistachio Falafel, Vegan Spiced Kibbe (Bulgar Wheat
Croquettes), Beetroot Hummus, Baba Ganoush, Spiced Crispy Chickpeas, Roasted RedPeppers, Flatbread

 

http://www.queenofhoxton.com/

Martin Garrix covers FAULT Issue 26 – available to order now

Martin Garrix was shot in Ibiza by photographer Eva Kruiper and styled by Rachel Holland exclusively for the front cover of FAULT Issue 26. Click here to pre-order your copy of this issue!

FAULT Issue 26 cover star Martin Garrix was shot by Eva Kruiper and styled by Rachel Holland. Click here to pre-order your copy of this issue!

Ten minutes into an hour-long conversation with Martin Garrix, it’s blindingly obvious that there’s something more simmering underneath the surface of what people now call ‘The World’s Number One DJ’.

If you dispel the chaos and sparks that surround him on a regular basis, you’re faced with a 21 year old who is wise beyond his years – maybe even too smart for his own good. Martin is the brain behind the songs that we’ve had stuck in our heads for the past years. He knows what we want to listen to before we do. Labeled as the top EDM DJ and a self-confessed computer nerd, Martin’s got it all figured out. What makes him tick though? We try to find out. Here’s Martin Garrix – FAULTs and all.

On the pressure that followed after ‘Animals’:

“I made ‘Animals’ as a club song. I couldn’t wait to play it live to like… 300 people at that time?! Next thing I knew everybody started playing it. And then the pressure followed. The label people were like – so when’s the follow up coming? I had no fucking clue. I had nothing.”

On maintaining his integrity as an EDM artist:

A lot of EDM artists go like – ah you’re a sell out. [After the radio success of ‘Animals’] It took me a really long time to get my credibility back in the club scene. I had to do a crazy amount of club songs. And radio people kept asking about new radio singles. I had to shoot them down every time until this year – when I started doing radio songs again.”

Martin wears looks by McQ by Alexander McQueen, Homme Plissé by Issey Miyake and more in the lavish ‘I Am On Top of the World’ penthouse suite at the stunning Ushuaïa Ibiza Beach Hotel in Ibiza

On his personality:

“Oh me? I’m just a nerd, a pure 100% computer nerd. And I’m always very happy. If you ask anybody – they’d just say that I’m a crazy person who always runs around with a big smile.”

How he handles the pressure of being in the public eye:

“At the end of the day, I have a responsibility to put songs out there for my fans – so you won’t really catch me drunk before a show. I do drink and go out with my friends, but I have some common sense not to Snapchat the whole thing, do you know what I mean?”

On his decision to launch STMPD RCRDS:

“I started my own label last year called STMPD RCDRS – just so I could do whatever I wanted and whenever I wanted it. Now nobody can tell me what I can and can’t release. Plus I really wanted to support new talent in the industry – but it’s nice that I’m able to do whatever I feel like.”

On “the naughtiest thing he’s ever done”:

“We were in Paraguay … We came back after doing a show and I really wanted to go for a swim. The swimming pool was shut and I had nowhere to go – apart from the small pool in the hotel lobby. It was more like a mini-fountain, totally part of the hotel décor, by the way.

“And I just went swimming in there. Which was more like lying on the floor playing with water ’cause it was about 10 cm deep!”

Click to order your copy of the issue today

 

FAULT MAGAZINE ISSUE 26 – THE MILLENNIAL ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

FAULT Issue 26 – The Millennial Issue – is now available to order

We are pleased to announce that FAULT Issue 26 – The Millennial Issue – is available to order NOW.

Official release: 25/09/17

Martin Garrix was shot in Ibiza by photographer Eva Kruiper and styled by Rachel Holland exclusively for the front cover of FAULT Issue 26. Click here to pre-order your copy of this issue!

FAULT Issue 26 cover star Martin Garrix was shot by Eva Kruiper and styled by Rachel Holland. Click here to pre-order your copy of this issue!

FAULT Magazine – the Millennial Issue – proudly presents exclusive shoots and interviews with:

Sophie Cookson

Nat Wolff

Alfred Enoch

Justin Prentice

Tom Grennan

Kacy Hill

Amber Mark

Brando

Everything, Everything

Plus our usual FAULTless selection of the finest Film, Fashion, Music & Photography to emerge from Generation Y in the latter months of 2017.

This is your FAULT

 

FAULT MAGAZINE ISSUE 26 – THE MILLENNIAL ISSUE – IS AVAILABLE TO ORDER NOW

 *FAULT MAGAZINE IS AVAILABLE FOR DELIVERY WORLDWIDE*

…Or get your copy digitally via Zinio! 1 year’s subscription = just £14.40

Now & Then – Volker Eichenhofer’s exclusive editorial for FAULT Online

Jacket and Shorts – Maison Margiela

 

Shirt – You Must Create
Trousers – Jil Sander

 

Tank Top – Schiesser
Trousers – Comme des Garçons

 

Customized Jump Suit – Dickies

 

Whole look – Dior Homme

 

Trousers – Comme des Garçons

 

Photography and Styling by Volker Eichenhofer / www.studioVE.net
Model Azhar S. (Kult Models)